SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Mary"/1) | (@(roleclean,performerclean) "Lady Mary")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5013 matches on Performance Comments, 2558 matches on Event Comments, 565 matches on Performance Title, 164 matches on Roles/Actors, and 29 matches on Author.

Performances

Mainpiece Title: The Purse

Afterpiece Title: Family Distress

Cast
Role: Old Blind Lady Actor: Mrs Davenport

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Dowdle-Suett; Jack Conner-Palmer; Lord Edmund-Davies; Fripon-Clarke; Trap-Davenport; Frill-J. Palmer; Father Frank-Ledger; Tough-Abbot; Rachel-Mrs Harlowe; Adelaide-Miss Chapman; Mary-Mrs Gibbs.
Cast
Role: Mary Actor: Mrs Gibbs.

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Embarkation

Performance Comment: Characters by Holland, Dignum, Palmer, Sparks, Surmont, Wewitzer, Cory, Master Tokely, Trueman, Suett, Bannister Jun., Miss DeCamp, Mrs Bland. Cast from Monthly Visitor, Oct. 1799, p. 178: Capt. Beverly-Holland; Midshipman-Dignum; O'Splash-Palmer; Sawney-Sparks; Mushroom-Surmont; Hokensoken-Wewitzer; Dutchman-Cory; Child-Master Tokely; Soldier-Trueman; Ramrod-Suett; Juniper-Bannister Jun.; Eliza-Miss DeCamp; Mary-Mrs Bland.
Cast
Role: Mary Actor: Mrs Bland.

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Knight, Farley, Hill, Davenport, Rees, Thompson, Simmons, Gardner, Atkins, Linton, Street, Denman, Klanert, Miss Sims, Mrs Whitmore, Miss Waters. Cast from text (G. G. and J. Robinson, 1799), and European Magazine, Nov. 1799, p. 329: Henry Blunt-Incledon; Crack-Munden; Joe Standfast-Fawcett; Robert Maythorn-Knight; Smart-Farley; Sir Edward-Hill; Steward-Davenport; Sailors-Rees, Klanert; Bailiff-Thompson; Barber-Simmons; Old Maythorn-Gardner; Groom-Atkins; Farmer-Linton; Chandler-Street; Servant-Denman; Jew-Abbot; Peggy-Miss Sims; Landlady-Mrs Whitmore; Mary-Miss Waters.
Cast
Role: Landlady Actor: Mrs Whitmore
Role: Mary Actor: Miss Waters.

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Jack Connor-Betterton; Lord Edmond-Mansel; Father Frank-Waddy; Dowdle-Munden; Rachael-Miss Sims; Mary-Mrs Litchfield; Adelaide-Miss Chapman.
Cast
Role: Mary Actor: Mrs Litchfield

Song: Chorusses, as18000116, but Miss Leserve

Performances

Mainpiece Title: The Miser

Afterpiece Title: Paul and Virginia

Performance Comment: Principal Characters by Incledon, Mrs Mills, Townsend, Hill, Emery, Claremont, Atkins, Abbot, Munden, Mrs Atkins, Miss Wheatley, Miss Sims, Mrs Sydney, Mrs H. Johnston. Cast from European Magazine, May 1800, p. 386: Paul-Incledon; Alambra-Mrs Mills; Tropic-Townsend; Don Antonio-Hill; Diego-Emery; Sebastian-Claremont; Dominique-Munden; Jacintha-Mrs Atkins; Mary-Miss Sims; Virginia-Mrs H. Johnston; unassigned-Atkins, Abbot, Miss Wheatley, Mrs Sydney.
Cast
Role: Mary Actor: Miss Sims

Afterpiece Title: Raymond and Agnes

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

Performances

Mainpiece Title: Abroad And At Home

Cast
Role: Lady Flourish Actor: Mrs Litchfield

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Afterpiece Title: The Turnpike Gate

Performance Comment: As17991205, but Old Maythorn-Hull in place of Gardner; Mary-Mrs Atkins (1st time) of Miss Waters.
Cast
Role: Mary Actor: Mrs Atkins
Role: Landlady Actor: Mrs Whitmore

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Prisoner at Large

Performance Comment: Muns-Fawcett; Dowdle-Suett; Jack Connor-Palmer; Lord Edmund-Trueman; Fripon-Klanert; Trap-Davenport; Frill-J. Palmer; Father Frank-Ledger; Tough-Abbot; Landlord-Atkins; Rachel-Miss Gaudry; Adelaide-Miss Menage; Landlady-Mrs Hale; Mary-Mrs Gibbs.
Cast
Role: Landlady Actor: Mrs Hale
Role: Mary Actor: Mrs Gibbs.
Event Comment: Pepys, Diary: Though nine o'clock at night, carried them [Mary Joyce, Anthony Joyce and Kate Joyce] into a puppet play in Lincolnes Inn Fields, where there was the story of Holofernes, and other clockwork, well done

Performances

Mainpiece Title: Puppet Plays

Event Comment: On this day Pepys heard a report about the reopening of the play-houses which probably was an erroneous rumor: And found Sir W. Pen talking to Orange Moll [Mary Meggs] of the King's house, who, to our great comfort, told us that they begun to act on the 18th of this month

Performances

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: The King's Company. Pepys, Diary: With my Lord Bruncker and his mistress to the King's playhouse, and there saw The Indian Emperour; where I find Nell come again, which I am glad of; but was most infinitely displeased with her being put to act the Emperour's daughter, which is a great and serious part, which she do most basely. The rest of the play, though pretty good, was not well acted by most of them, methought; so that I took no great content in it. But that, that troubled me most was, that Knipp sent by Moll [Mary Meggs] to desire to speak to me after the play; and she beckoned to me at the end of the play, and I promised to come; but it was so late

Performances

Mainpiece Title: The Indian Emperor

Event Comment: The Duke's Company. Pepys, Diary: With Sir W. Pen, my wife, and Mary Batelier to the Duke of York's house, and there saw Heraclius, which is a good play; but they did so spoil it with their laughing, and being all of them out, and with the noise they made within the theatre, that I was ashamed of it, and resolve not to come thither again a good while, believing that this negligence, which I never observed before, proceeds only from their want of company in the pit, that they have no care how they act

Performances

Mainpiece Title: Heraclius

Event Comment: Pepys, Diary: To the Duke of York's playhouse, and there met my wife and Deb. and Mary Mercer and Batelier, where also W. Hewer was, and saw Hamlet, which we have not seen this year before, or more; and mightily pleased with it; but, above all, with Betterton, the best part, I believe, that ever man acted

Performances

Mainpiece Title: Hamlet

Event Comment: The King's Company. This play is on L. C. list, 5@12, p. 17: ye king here. See also Nicoll, Restoration Drama, p. 344. The play was apparently designed for the opening of the Bridges St playhouse in November 1666 but was not then acted. The edition of 1667 gives a intended cast. Bonhomme-Cartwright; Valerio-$C. Hart; Ergasto-$W. Winterson [$Wintershall]; Don Buisson-Burt; La Fleur-$E. Keninston [$Kynaston]; Sganarelle-J. Lacy; Mascarillio-$M. Moon [$Mohun]; Jodelet-R. Shatterel; Housekeepers-$Alexander, $Wilbraham; Mary and Anne-$The Two Marshalls; Isabella-$Mrs Rutter; Lysette-$Nel Guin; Prologue Intended for the Overture of the Theatre, 1666; Epilogue. [In this list the names Alexander and Wilbraham are not otherwise known and may represent errors in the printed list.

Performances

Mainpiece Title: The Damaseiles A La Mode

Event Comment: On this day occurred the Coronation of William and Mary

Performances

Performances

Mainpiece Title: A Jovial Crew

Performance Comment: The Prologue to King William & Queen Mary At a Play Acted before Their Majesties at Whitehall, on Friday the 15th of November 1689. Written by N. Tate-.
Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Performances

Mainpiece Title: Concert

Performance Comment: A Pindarick Ode, on New@Year's@Day-; Vocal and Instrumental Musick Perform'd before Their Sacred Majesties, K. William and Q. Mary. Set by Dr John Blow, and Written by ThomasD'Urfey-.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids of Honr double dealer. [See also Nicoll, Restoration Drama, p. 352.] Cibber relates an incident which may pertain to this performance, Apology, I, 185-86: Queen Mary having commanded the Double Dealer to be acted, Kynaston happen'd to be so ill that he could not hope to be able next Day to perform his Part of the Lord Touchwood. In this Exigence, the Author, Mr Congreve, advis'd that it might be given to me, if at so short a Warning I would undertake it. The Flattery of being thus distinguish'd by so celebrated an Author, and the Honour to act before a Queen, you may be sure made me blind to whatever Difficulties might attend it. I accepted the Part, and was ready in it before I slept; next Day the Queen was presented at the Play, and was received with a new Prologue from the Author, spoken by Mrs Barry, humbly acknowledging the great Honour done to the Stage....After the Play, Mr Congreve made me the Compliment of saying, That I had not only answer'd, but had exceeded his Expectations, and that he would shew me he was sincere in his saying more of me to the Masters.--He was as good as his Word, and the next Pay-day I found my Sallary of fifteen was then advanced to twenty Shillings a Week

Performances

Mainpiece Title: The Double Dealer

Event Comment: The Lord Mayor's Show. By Elkanah Settle. See Celia Fennes, Through England on a Side Saddle in the Time of William and Mary (1888), pp. 242 ff, for an account of a Lord Mayor's show in the late seventeenth century

Performances

Mainpiece Title: The Triumphs Of London

Event Comment: Queen Mary died on this day. The theatres were closed until after Easter

Performances

Event Comment: The date of the premiere is not known, but the fact that the opera was advertized in the Post Man, 14-16 Jan. 1696@7, suggests that it was first acted not later than December 1696. As the title page indicates, the work had been intended for presentation before the Court, but the death of Queen Mary prevented its appearance at Court. A Comparison Between the Two Stages (1702), p. 19: Sullen: But to go on, Cynthia and Endymion. Ramble: What a Pox is that? I never heard on't. Sullen: I believe not; 'tis one of Durfey's Toys. Ramble: Durfey's? what again? 'twas just now we parted with him. Sullen: Ay but Sir, you must know this is an Opera--and as he tells us in the Title-page, design'd t be perform'd at court before the late Queen--there's for you; Durfey in his Altitudes--but notwithstanding the vain and conceited Title-page, 'tis good for nothing within: He's the very Antipodes to all the Poets, Antient and Modern: Other Poets treat the Deities civilly, but Mr Durfey makes the Gods Bullies, and Jilts of the chastest Goddesses. Ramble: So, I suppose that was mawl'd, notwithstanding the Honour which he says the Queen intended it. Sullen: 'Twas well for Durfey her late Majesty never saw it; Gad if she had, People wou'd ha' said, it had first been the cause of her Illness, and then of her Death; for 'tis a mortifying Piece o' my Word; Yes, yes,--it was Damn'd

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

Event Comment: [By Mary de la Riviere Manley.] Never Acted before. And by Reason of the Extraordinary Charge for Habits, Boxes 5s., Pit 3s., First Gallery 2s., Upper Gallery 1s. Preface: Almyna was admirably Acted, and advantagiously dress'd: The first was owing to Mr Betterton's unwearied care...the second to Mr Swiny...for venturing...to make so great an Expence...both justly condemn'd for playing it at so ill-fated a Time, viz. The immediate Week before Christmas between Devotion and Camilla

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

Event Comment: [By Mrs Mary Manley.] Never Acted before

Performances

Mainpiece Title: Lucius, The First Christian King Of Britain

Related Works
Related Work: Lucius, The First Christian King of England Author(s): Mary Manley
Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Performances

Mainpiece Title: Les Deux Arlequins

Afterpiece Title: La Baron de la Crasse

Dance: Dangeville

Entertainment: Tumbling=-Francisque