SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady Exeter"/1) | (@(roleclean,performerclean) "Lady Exeter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4940 matches on Performance Comments, 2479 matches on Event Comments, 499 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Never acted there. Mr Colman's Night. Paid for Licensing the True Born Irishman #2 2s. (Account Book). [See The Irish Fine Lady 28 Nov.]. Receipts: #230 6s. 6d. (Account Book)

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-Powell; King-Clarke; Cleremont-Davis; Thrassaline-R. Smith; Dion-Gibson; Pharamond-Perry; Countryman-Morris; Captain-Dunstall; Woodman-Quick; Arethusa-Mrs Mattocks; Megra-Mrs Stephens; Bellario-Mrs Yates; Galatea-Miss Mills; Lady-Mrs Green.
Cast
Role: Lady Actor: Mrs Green.

Afterpiece Title: The Oxonian in Town

Dance: II: A Serious Dance, as17670916; III: The Sicilian Peasants-Sga Manesiere, Mrs Bulkley. [See17641001.

Performances

Mainpiece Title: Macbeth

Performance Comment: As17680204, but MacDuff-Reddish; Malcolm-Cautherly; Banquo-Packer; Lady Macbeth-Mrs Pritchard; The Vocal parts-_Kear.
Cast
Role: Lady Macbeth Actor: Mrs Pritchard
Role: Lady Macduff Actor: Mrs Reddish

Afterpiece Title: The Guardian

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Lethe

Performance Comment: Lord Chalkstone (1st time)-King; Aesop-Bransby; Charon-Moody; Bowman-Ackman; Fine Gentleman-Dodd; Drunken Man-Love; Mercury-Vernon; Frenchman-Baddeley; Old Man-Parsons; Fine Lady-Mrs Clive; Epilogue (written by H. Walpole)-Mrs Clive.
Cast
Role: Fine Lady Actor: Mrs Clive

Performances

Mainpiece Title: The Way Of The World

Performance Comment: Mirabel-Jefferson; Fainall-Reddish; Witwou'd-King; Sir Wilful Witwou'd-Love; Petulant-Baddeley; Waitwell-Parsons; Millamant-Mrs Abington; Lady Wishfort-Mrs Hopkins, first time; Mrs Marwood-Mrs Egerton; Flible-Miss Pope, for that night only; Mrs Fainall-Mrs Reddish; In Act III by Particular Desire will be introduced a French Songaccompanied by two Guittars,-Vernon, Mrs Abington.

Afterpiece Title: High Life below Stairs

Dance: V: Comic Dance, as17701025

Event Comment: [Last time of performing till the Holidays. Miss Brown identifield by Winston MS 10 and playbill for 29 Oct. 1772 as the young lady, although Miss Potts and Mrs Woodman would seem likely candidates too.] Paid Dunstall the Balance of Theatrical Fund profit #68 1s. 6d. (Account Book). Receipts: #209 17s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Man and Wife

Performance Comment: Marcourt-Woodward; Cross-Shuter; Kitchen-Dunstall; Col. Freeman-DuBellamy; Buck-Davis; Luke-Lewes; Snarl-Wignell; Fleece-R. Smith; Landlord-Morris; Mrs Cross-Mrs Green; Charlotte-Mrs Bulkley; Lettice-Mrs Kniveton; Landlady-Mrs Gardner; Sally-by the young Lady who performed in the Maid of the Mill and the Fairy Prince.

Dance: II: Comic Dance, as17711031

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Garrick; King Henry-Reddish; Richmond-Aickin; Prince Edward-Miss Rogers; Duke of York-Miss Hopkins; Buckingham-Jefferson; Tressel-Cautherly; Stanley-Bransby; Norfolk-Hurst; Catesby-Packer; Ratcliffe-Wright; Lieutenant-Fawcett; Lady Anne-Miss Younge; Duchess of York-Mrs Johnson; Queen-Mrs Hopkins.
Cast
Role: Lady Anne Actor: Miss Younge

Afterpiece Title: Miss in Her Teens

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [Note repeated in subsequent bills. Larpent MS 337 casts the Prelude as follows: Manager-Dyer; Prompter-$Younger; Author-$Kniveton; Carpenter-$Davis; Mr Reinhold-$Mr Lewes; Chairmen-$Saunders, $Fox; Young Lady, her first appearance; servant.] Receipts: #199 5s

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Deuce Is in Him

Dance: End: The Fingalian Dance with Double Hornpipe-Mas. Blurton, Miss Besford

Monologue: Preceded: New Occasional Prelude. The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage

Performance Comment: The Principal characters-Dyer, Kniveton, Younger, Davis, Cushing, Wignell, Saunders, Fox, a Young Lady Miss Barsanti her first appearance on any stage.

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Aimworth-Mattocks; Sir Harry-Shuter; Giles-Reinhold; Mervin-DuBellamy; Fairfield-Hull; Ralph-Dyer; Fanny-Miss Catley, first time; Lady Sycamore-Mrs Pitt; Theodosia-Mrs Baker; Patty-Mrs Mattocks.
Cast
Role: Lady Sycamore Actor: Mrs Pitt

Afterpiece Title: The Deuce Is in Him

Dance: End Opera: New Dance, as17730206

Event Comment: Benefit for Dunstall. Mainpiece: Not acted these 7 years. [See 29 Nov. 1764.] Afterpiece: Not acted these 3 years. [See 2 Dec. 1769.] Charges: #64 5s. Profit to Dunstall #1 1s. 6d., plus #170 17s. from tickets (Box 433; Pit 410; Gallery 36). Paid Whitefield a quarter year's salary #25, and Sarjant ditto, #10. Paid Mrs Carne half year's salary #15 all due Lady Day last (Account Book). Receipts: #65 6s. 6d

Performances

Mainpiece Title: The Funeral; Or, Grief A La Mode

Performance Comment: Campley-Woodward; Lord Hardy-Wroughton, first time; Lord Brumpton-Gardner; Trusty-Hull; Puzzle-Dunstall; Tom-Hamilton; Sable-Quick; Cabinet-Davis; Kate Matchlock-Wignell; Trim (with The Cries of London)-Shuter; Harriet-Mrs Bulkley; Charlotte-Miss Macklin; Tattleaid-Mrs Pitt; Fardingale-Mrs Green; Mademoiselle-Mrs Evans; Lady Brumpton-Mrs Mattocks, first time.

Afterpiece Title: The Contrivances

Dance: End: The Irish Lilt, as17721028

Event Comment: Benefit for Mrs Bradshaw, Mrs Johnston and Mrs Millidge. Paid half year's paving &c. to Lady Day last, #14 (Treasurer's Book). Receipts: #151 6s. Charges: #67 11s. 6d. Profits to Mrs Bradshaw, Johnston and Millidge: #83 14s. 6d

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Lottery

Performance Comment: Jenny-Mrs Millidge; Lord Lace-King; Stocks-Parsons; Lovemore-Bannister; Irishman-Hartry; Lady Lace-Mrs Abington (Winston MS 10, and Macmillan); Mrs Stocks-Mrs Bradshaw; Whisk-Ackman.
Cast
Role: Lady Lace Actor: Mrs Abington

Dance: I: Dance-Daigville's Scholars

Monologue: 1773 5 13 The Recruiting Serjeant. Serjeant-Bannister (with song, O What a Charming Thing's a Battle); Countryman-Dibdin; Mother-Mrs Love; Wife-Mrs Wrighten

Event Comment: Venice Preserv'd deff'd on account of Barry's illness. Paid half year's Cleansing &c. to Lady Day last (St Martin's) #11; a Tow Bill 10s. [This tow bill came to this amount monthly for nine months, amounting to #4 10s. for the season. No further note will be taken of it this season.] Paid for Properties #1 7s. 10d. Receipts: #174 1s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Davis; Sir Harry Sycamore-Hartry; Ralph-Dibdin; Giles-Bannister; Fairfield-Jefferson; Mervin-J. Bannister; Theodosia-Miss Jarratt; Patty-Mrs Smith; Lady Sycamore-Mrs Bradshaw; Fanny-Miss Pope.
Cast
Role: Lady Sycamore Actor: Mrs Bradshaw

Afterpiece Title: The Elopement

Dance: I: The Sailors Revels-Atkins

Event Comment: Doors open at 5 o'clock. Play begins at 6 o'clock. [Young Lady identified by Kemble note on playbill and by Winston MS 10. Her identity appears from playbill of 13 Oct. where her name occurs in character of Rosetta along with the statement that it is her fourth appearance on any stage. She appears on the weekly payroll from the first week at 16s. 6d. per day (Account Book). The Westminster Magazine believed her to be no actress (October issue): "Her musical powers were not extraordinary; her acting powers still worse."] Receipts: #206 14s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Shuter; Hawthorn-Reinhold; Young Meadows-Mattocks; Sir W. Meadows-Baker; Eustace-Dyer; Hodge-Dunstall; Deborah-Mrs Pitt; Margery-Mrs Baker; Lucinda-Mrs Mattocks; Rosetta-a Young Lady (Pupil of Dr Arne) first appearance any stage [Miss Jameson]; [With a Dance [incidental to the opera-.
Cast
Role: Rosetta Actor: a Young Lady

Afterpiece Title: The Intriguing Chambermaid

Dance: The Fingalian Dance-Mas. Blurton, Miss Besford; Double Hornpipe-Mas. Blurton, Miss Besford. [See17720921.

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.
Cast
Role: Lady Macbeth Actor: Mrs Hartley.

Afterpiece Title: Thomasand Sally

Event Comment: Mainpiece: not acted these two years. [See 23 May 1773.] [Young Lady identified by Hopkins MS Note.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Lewis, first time; Myrtle-Wroughton; Sealand-Clarke; Sir John Bevil-Fearon; Cimberton-Shuter; Humphry-Thompson; Daniel-Hollingsworth; Tom-Woodward; Phillis-Mrs Mattocks; [first time; Lucinda-Mrs Whitefield; Mrs Sealand-Mrs Pitt; Isabella-Mrs Hull; Indiana-a Young Lady [never on any stage [Mrs Armstead]; [In II, a Song-DuBellamy.
Cast
Role: Indiana Actor: a Young Lady

Afterpiece Title: The Sylphs

Dance: III: A New Grand Ballet, call'd The Vintage Festival-Daguville, Sga Vidini, [first time on that stage, and Mr Helm[, first appearance in England. [See dl 11 Oct. 1766.

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Romance of An Hour

Performance Comment: Parts by: Shuter, Bensley, Clarke, Lee Lewes, Quick, Dunstall, Miss Pearce, Mrs Green, Mrs Bulkley. With a New Prologue and Epilogue. Sir Hector Strangeways-Shuter; Brownlow-Bensley; Col. Ormsby-Clarke; Bussora-Lee Lewes; Orson-Quick; Pillage-Dunstall; James-Bates; Jenny-Miss Pearce; Lady Di Strangeways-Mrs Green; Zelida-Mrs Bulkley; With a New Prologue by Kelly-Lee; Epilogue by Kelly-Mrs Bulkley (Edition of 1774).

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]

Event Comment: Mrs Yates would not play for Mr Slingsby altho' her name has been advertis'd from the beginning--Mrs Hartly of Covent Garden was ask'd to do the part, She refus'd it as it was to be done there for a Benefit the week after at Last Mr Reddish said Mrs Canning Should do it, & Such a performance I think was never Seen in Drury Lane Theatre very bad indeed many hisses (Hopkins Diary). Benefit for Slingsby. [MacMillan's note from Kemble differs slightly in wording.] Paid 1 yrs. Subscription to St George's Hospital to Lady Day 1776, #10 10s. Receipts: #270 10s. Charges: #68 8s. Profits to Slingsby: #202 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Distress'd Mother

Performance Comment: As17750116, but Andromache-A Lady.
Cast
Role: Andromache Actor: A Lady.

Afterpiece Title: A Peep behind the Curtain

Cast
Role: Lady Fuz Actor: Mrs Hopkins

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

Event Comment: Mrs Baddeley who play'd the Lady in Comus got out of the Enchanted Seat before her time & made a great Laugh the Farce was much hiss'd at the End (Hopkins Diary). [The Masque (never performed there) is the version reduced to two Acts by George Colman.] Benefit for Cautherly. Paid Mr J. Aickin in part of #60 in lieu of Benefit (remiting #10 to his credit) #50. Receipts: #197 11s. 6d. Charges: #68 17s. Profits to Cautherly: #128 15s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Performance Comment: Comus-Cautherly; Euphrosyne-Mrs Barree, first appearance this stage; Spirit-Davies; Brothers-Lamash, Wheeler; Lady (With Song, Sweet Echo)-Mrs Baddeley; Bacchanals-Vernon, Bannister, Fawcett, Kear, Legg, Carpenter, Blanchard, Master Blanchard; Bacchants-Mrs Davies, Mrs Love; Pastoral Nymph, Sabrina-Mrs Scott; In Act II, a Dance- incident to the piece.
Cast
Role: Lady Actor: Mrs Baddeley

Dance: I: The Grand Provencalle Dance, as17750202

Event Comment: Benefit for Moody. Paid Paving, Cleaning and Lighting to Lady Day last #27 6d.; 3 extra trumpets 2 nights #2 5s. Charges: #83 13s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Performance Comment: Belcour-King; Stockwell-Usher; Charles Dudley-Brereton; Varland-Parsons; Major O'Flaherty-Moody; Captian Dudley-Packer; Fulmer-Baddeley; Lady Rusport-Mrs Hopkins; Lucy-Mrs Love; Charlotte-Mrs Abington; Louisa-Miss Hopkins; Mrs Fulmer-Miss Sherry; Housekeeper-Mrs Bradshaw; Original Epilogue-Mrs Abington.
Cast
Role: Lady Rusport Actor: Mrs Hopkins

Afterpiece Title: The Jubilee

Song: I: Moody (By Desire) will introduce the song in Love a@la@Mode-Moody

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for a Lady in Distress. To begin at 7:00

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-West; Major Oakly-Bowles; Charles-Swindall; Russet-Kenny; Sir Harry Beagle-Everard; Captain O'Cutter-Bailey; Tom-Johnson; Paris-Thompson; Lord Trinket-Creswick; Mrs Oakly-Mrs Lee; Lady Freelove-Mrs Roach; Toilette-Mrs Bailey; Chambermaid-Mrs Everard; Harriet-Mrs West.
Cast
Role: Lady Freelove Actor: Mrs Roach

Afterpiece Title: Catherine and Petruchio

Entertainment: Monologues. End: [a Parody on Shakespeare's Stages [recte Seven Ages]-Creswick; Between Acts afterpiece: [an Epilogue[, concluding with Marplot's Address,-Creswick

Event Comment: [Mrs Yates had acted Lady Macbeth at dl, 7 Apr. 1779.] The Doors to be opened at 5:15. To begin at 6:15 [see 15 May 1781]. Receipts: #216 12s. 6d. (213.14.6; 2.18.0)

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Henderson; Macduff-Clarke; Duncan-Hull; Banquo-Peile; Malcolm-Whitfield; Lenox-L'Estrange; Seyton-Thompson; Seyward-Robson; Doctor-Fearon; Hecate-Reinhold; Witches-Quick, Mrs Pitt, Webb; Gentlewoman-Mrs Poussin; Lady Macbeth-Mrs Yates (1st appearance in that character these 5 years).
Cast
Role: Lady Macbeth Actor: Mrs Yates

Afterpiece Title: The Humours of an Election

Song: Vocal Parts-Reinhold, Doyle, J. Wilson, Baker, Mrs Morton, Miss Valois, Mrs Willems, Miss Stewart

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: Roebuck-Hayes; Lovewell-Briggs; Squire Mockmode-Benson; Pamphlet-Maddin; Club-Randall; Brush-Powell; Cripple-James; Officer-Cowcher; Porter-Jones; Servant-Williams; Rigadoon-Lyon; Nimblewrist-Brown; Lyrick-Turner; Leanthe-Miss Hurst (1st appearance); Bullfinch-Mrs Harley; Trudge-Miss Jackson; Masked lady-Miss Simmons; Pindress-Miss Maddin; Lucinda-Miss Carne.
Cast
Role: Masked lady Actor: Miss Simmons

Afterpiece Title: The Padlock

Dance: End: Minuet de la Cour, Allemande-Master Byrne, Miss Byrne

Song: End I, IV: a variety of select Catches and Glees-

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece [1st time; MF 2, by Elizabeth, Baroness Craven, later Margravine of Anspach. Larpent MS 564; not published. Author of Prologue unknown]: After the Prologue, a Naval Overture. The Airs from the most eminent Composers [with new music by Dr Arnold, Lady Craven, and Tommaso Giordani]. The Scenes new painted by Rooker. Books of the Songs to be had at the Theatre. Public Advertiser, 19 July 1781: This Day is published the Songs in The Silver Tankard (6d.)

Performances

Mainpiece Title: The English Merchant

Performance Comment: Freeport-Aickin; Sir William Douglas-Bensley; Lord Falbridge-Bannister Jun.; Owen-Usher; Officer-Egan; Servant-Kenny; La France-Baddeley; Spatter-Palmer; Lady Alton-Miss Sherry; Molly-Mrs Hitchcock; Mrs Goodman-Mrs Poussin; Amelia-Miss Farren (1st appearance in that character).
Cast
Role: Lady Alton Actor: Miss Sherry

Afterpiece Title: The Silver Tankard; or, The Point at Portsmouth

Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia; Or, A Dramatic Olio

Performance Comment: [Bill of Fare, in which every Dish belonging to the Drama will be served up: Prelude, Tragedy, Comedy, Opera, Interlude, and Burlesque. By way of Relish: The Manager in Distress. [Principal Characters by Palmer, Aickin, R. Palmer, Egan, Bannister Jun., Mrs Cuyler, Mrs Jewell, Miss Hale, Mrs Webb. [Cast from text (T. Cadell [1780]): Bustleton-Palmer; Manager-Aickin; Easy-R. Palmer; Irishman in the Pit-Egan; Gentleman in the Balcony-Bannister Jun.; Actresses-Mrs Cuyler, Mrs Jewell, Miss Hale; Lady in Balcony-Mrs Webb.
Cast
Role: Lady in Balcony Actor: Mrs Webb.

Afterpiece Title: First Course, a substantial Dish from: Henry IV

Afterpiece Title: Second Courae, a Comic Dish, never serv'd up before: Kensington Gardens; or, The Walking Jockey

Afterpiece Title: Third Course, an Operatic Dish: The Son-in-Law

Afterpiece Title: Also by way of Entremet: Ripe Fruit; or, The Marriage Act

Afterpiece Title: Desert: Tom Thumb

Performance Comment: Mr Noodle-Bannister; Mr Doodle-Bannister Jun.; Tom Thumb-Master Edwin; Lord Grizzle-Edwin; Ghost of Gaffer Thumb-Simpkinson; King Arthur-Wilson; Princess Huncamunca-A Young Lady (1st appearance on any stage [unidentified]); Glumdalca-Mrs Webb; Plumante-Mrs Lefevre; Queen Dollalolla-Mrs Cargill. [As no Supper will be provided, the Cloth will be removed by Eleven o'Clock.As no Supper will be provided, the Cloth will be removed by Eleven o'Clock.

Song: In Second Course: Auld Robin Gray-Miss Harper

Performances

Mainpiece Title: The Way To Keep Him

Performance Comment: Lovemore-Smith; Sir Brilliant Fashion-Dodd; William-Baddeley; Sideboard-Burton; John-Phillimore; Sir Bashful Constant-King; Widow Belmour (with a song in character)-Miss Farren; Muslin-Miss Pope; Lady Constant-Mrs Brereton; Mignionet-Miss Hale; Mrs Lovemore-Mrs Siddons(i st appearance in that character [in London]) .in London]) .
Cast
Role: Lady Constant Actor: Mrs Brereton

Afterpiece Title: The Quaker

Event Comment: [In mainpiece the playbill retains Mrs Ward as Lady Sneerwell, but on the Kemble playbill a MS annotation substitutes Mrs Inchbald.] Receipts: #209 11s. 6d. (176/14/0; 32/16/0; 0/1/6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17850920, but Lady Sneerwell-Mrs Inchbald [of CG] .of CG] .
Cast
Role: Lady Sneerwell Actor: Mrs Inchbald
Role: Lady Teazle Actor: Miss Farren

Afterpiece Title: The Jubilee

Cast
Role: Lady Macbeth Actor: Miss Kemble

Song: In Act III of mainpiece song by Chapman