SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Lady August"/1) | (@(roleclean,performerclean) "Lady August")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4892 matches on Performance Comments, 2523 matches on Event Comments, 507 matches on Performance Title, 154 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Lady Anne Howe to the Countess of Rutland, [18 Dec. 1681]: I have seene but one play since I came, but I must goe to one to see [the Russian Ambassador] sure he cannot live long, for he makes noe thing of a pint of brandie at a draught with a spoonful of white pepper in it (HMC, Rutland MSS., Report XII, Appendix, Part V, p. 63)

Performances

Event Comment: Lady Dorset attended a play. See Peregrine Bertie to the Countess of Rutland, 9 Jan. 1685@6 (HMC, 12th Report, Appendix, Rutland MSS., Part V, II, 101)

Performances

Event Comment: Lady Marow to Arthur Kay, 12 March 1699@1700: The Way of the World, Congreve's new play doth not answer expectation, there being no plot in it but many witty things to ridicule the Chocolate House, and the fantastical part of the world (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, p. 145). John Dryden to Mrs Steward, 12 March: Congreves New Play has had but moderate success; though it deserves much better (Letters of John Dryden, p. 134)

Performances

Event Comment: Lady Wentworth, writing on 10 Dec., said: Yesterday I had lyke to have been ketched in a trap, your Brother Wentworth had almost parswaded me to have gon last night to hear the fyne muisick, the famous Etallion sing att the rehersall of the Operer, which he assured me it was soe dark none could see me. Indeed musick was the greatist temtation I could have, but I was afraid he deceaved me, soe Betty only went with his wife and him; and I rejoysed I did not, for thear was a vast deal of company and good light--but the Dutchis of Molbery had got the Etallian to sing and he sent an excuse, but the Dutchis of Shrosberry made him com, brought him in her coach but Mrs Taufs huft and would not sing because he had first put it ofe; though she was thear yet she would not, but went away. I wish the house would al joyne to humble her and not receav her again. This man out dus Sefashoe, they say that has hard both (Wentworth, p. 66)

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Lady Bristol to Lord Bristol, 3 Nov.: I am just come home from a dull empty opera, tho' the second time; the first was full to hear the new man, who I can find out to be an extream good singer; the rest are all scrubbs except old Durastante, that sings as well as ever she did. Letter Books of John Hervey, III, 108

Performances

Mainpiece Title: Semiramis

Performances

Mainpiece Title: The Fair Penitent

Performances

Mainpiece Title: The Fair Penitent

Performances

Mainpiece Title: King Lear

Performances

Mainpiece Title: The Suspicious Husband

Performances

Mainpiece Title: Artaxerxes

Performances

Mainpiece Title: Artaxerxes

Dance: I: The Tyrolese Peasants, as17641212; II: Rural Love, as17641212

Performances

Mainpiece Title: Artaxerxes

Dance: I: La Femme Maitresse, as17641004; II: Rural Love, as17641212

Performances

Mainpiece Title: Love In The City

Performances

Mainpiece Title: The Patron

Afterpiece Title: Taste; or, Tragedy a-la-Mode

Performance Comment: Lady Pentweazle, Fustian-Foote; Carmine-Aickin; Townly-Vandermere; Manly-Robson; Alderman Pentweazle-F. Gentleman; Project-Dancer; Prompter-Griffith; Boy-Cornelys; Caleb-Weston; Lindamire-Pierce.

Dance: The Shoemaker, as17710517

Performances

Mainpiece Title: The Commissary

Afterpiece Title: Taste; or, Tragedy a la Mode

Performance Comment: Lady Pentweazle, Fustian-Foote; Carmine-Aickin; Townly-Fearon; Pentweazle-F. Gentleman; Project-Dancer; Prompter-Griffith; Lindamira-Pierce; Caleb-Weston; Manly-Robson.

Dance: As17720518

Performances

Mainpiece Title: The Orators

Afterpiece Title: Taste; or The Diversions of the Morning

Performance Comment: Lady Pentweazle, Fustian-Foote; Carmjne-Aickin; Townly-Whitefield; Manly-Fearon; Project-L'Estrange; Prompter-Griffith; Caleb-Jackson; Alderman Pentweazle-Lloyd.

Monologue: A Modern, Operatical, Sentimental, Crying, Tragedy call'd Purity [sic] in Pattens. Butler-Parsons; Squire-Fearon; Candy-Mrs W. Palmer; Polly-Mrs Jewell

Dance: The Haymakers-

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Polly Honeycombe

Dance: As17770611

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Pierre Augustin Caron de Beaumarchais

Performances

Mainpiece Title: The Country Wife

Cast
Role: Lady Fidget Actor: Mrs Mullart

Dance: DDutch Skipper, as17421025; Peasants-Villeneuve, Mlle August; Le Rendezvous Gallant,as17421217

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Waterman; or, The First of August

Dance: As17740613

Performances

Mainpiece Title: The Nabob

Afterpiece Title: The Waterman; or, The First of August

Dance: The Merry Lasses-

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): Pierre Augustin Caron de Beaumarchais

Afterpiece Title: The Waterman; or, The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

Performances

Mainpiece Title: The School Of Shakespeare; Or, Humours And Passions

Afterpiece Title: The Waterman; or, The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Waterman; or, The First of August

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Waterman; or, The First of August

Afterpiece Title: The Death and Revival of Harlequin

Dance: End of 1st piece, by Wright. imitations. After the Dancing, Theatrical Imitations by Payne