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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "L Saunderson"/1) | (@(roleclean,performerclean) "L Saunderson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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614 results for: Keyword - L. Saunderson
We found 459 matches on Event Comments, 145 matches on Performance Comments, 25 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

26
09 July 1794 @ Haymarket Theatre

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE SUIC IDE

Afterpiece Title: A L L THE WORLD'S A STAGE

27
15 April 1729 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Recruiting Officer

Song: Mrs Chambers, Mrs Barbier

Music: TTrumpet Song sounded-L. Granom; Solo on German Flute-M. Granom

Dance: new Scots Dance-Moreau; Two Pierrots-Salle, Pelling

28
06 May 1789 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Quaker

Dance: End II: Negro Dance- as l Jan.; End: Mirth by Moonshine-, as17890113

Song: In I: Sweet Bird, as17890126

29
19 March 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Divertisement, as17910217; End II: a Grand Heroic Ballet in 3 acts (1st time), Telemachus in the Island of Calypso (composed by D'Auberval)-Didelot, D'Egville, Mlle Theodore, Mlle Gervaise Troche, Mlle Deligny, Mlle L. Simonet, Mlle R. Simonet, Mlle Menage. For assignment of parts see17910322

30
10 June 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: Idalide

Dance: End I: Divertisement, as17910217; End Opera: La Fille Mal Gardee-Didelot, Vigano, Fialon, Mlle L. Simonet, Mme Theodore D'Auberval, Mlle Troche, Mme Vigano, Mlle Simonet, Mlle Vedie, Mlle Bithmer

31
13 October 1792 @ Drury Lane Theatre

Performances

Mainpiece Title: At King's The Fugitive

Afterpiece Title: Richard Coeur De Lion

Dance: In afterpiece: Master L. D'Egville, Miss Menage, Miss S. D'Egville. [Danced, as here assigned, in all subsequent performances.

32
01 March 1794 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: DON GIOVANNI

Dance: End of 1st piece a new Ballet, composed by Noverre, L' Union des Bergeres [performers not listed, but see17940304 In 2nd piece Dances connected with the opera, composed by Noverre, by Aumer, Lahante, Gentili, Favre Guiardele, Mlle Hilligsberg, Mme Del Caro, Mlle Guiardele, Mme Hilligsberg

Opera: [It was sung by Pasquariello.]

33
22 March 1794 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: LA BELLA PESCATRICE

Dance: End of 1st piece New Divertisement, as17940311End of 2nd piece L' Union des Bergeres, as17940304but omitted: Mlle Guiardele, Mme Hilligsberg

34
01 April 1794 @ King's Theatre

Performances

Mainpiece Title: Il Capriccio Drammatico

Dance: End of Act I New Divertisement, as17940311End of Act II a new Anacreontic Ballet (composed by Noverre) Les Ruses de L' Amour by Gentili, Aumer, Lahante, Favre Guirdele, D'Egvillc, Mlle Guirdele, Mlle Hilligsberg, Mme Del Caro

Opera: Principal Characters by Rovedino, Braghetti, Torregiani, Garelli, Morelli. Cast not known

35
14 June 1794 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: ANIMA L M AGNETISM

Dance: End of Act II of mainpiece a Negro Dance [performers not listed]

36
11 December 1798 @ Covent Garden

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

37
25 March 1800 @ Covent Garden

Performances

Mainpiece Title: Speed The Plough

Afterpiece Title: St

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

38
01 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Miser

Afterpiece Title: Paul and Virginia

Afterpiece Title: Raymond and Agnes

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

39
27 May 1800 @ Covent Garden

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

40
01 March 1662 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Cast
Role: Juliet Actor: Mrs Saunderson

41
16 December 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.

42
18 October 1662 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Villain

Performance Comment: Downes (Roscius Anglicanus, p. 23): Monsieur Brisac-Betterton; Monsieur Beaupre-Harris; Governour-Lilliston; Bontefeu-Young; Maligni-Saunford; Coligni-Price; Bellmont-Mrs Betterton [Mrs Saunderson]; Prologue-.

43
27 October 1662 @ Whitehall or St. James's

Performances

Mainpiece Title: The Villain

Performance Comment: See16621018 Monsieur Brisac-Betterton?; Monsieur Beaupre-Harris?; Governour-Lilliston?; Bontefeu-Young?; Maligni-Saunford?; Coligni-Price?; Bellmont-Mrs Betterton? [Mrs Saunderson]; Prologue-.

44
01 December 1662 @ Whitehall or St. James's

Event Comment: The Duke's Company. Pepys, Diary: I to the Cockpitt, with much crowding and waiting, where I saw The Valiant Cidd acted, a play I have read with great delight, but is a most dull thing acted, which I never understood before, there being no pleasure in it, though done by Betterton and by Ianthe [Mrs Saunderson], and another fine wench [Mrs Norton] that is come in the room of Roxalana [Mrs Davenport]; nor did the King or Queen once smile all the whole play, nor any of the company seem to take anyPleasure but what was in the greatness and gallantry of the company

Performances

Mainpiece Title: The Valiant Cid

45
11 October 1733 @ Covent Garden

Performances

Mainpiece Title: Macbeth

Music: Vocal and Instrumental, incident to the Play. The Vocal Parts by Leveridge, Laguerre, Salway, Mrs Wright, Mrs Saunderson, Mrs Cantrel, Miss Norsa

Performance Comment: The Vocal Parts by Leveridge, Laguerre, Salway, Mrs Wright, Mrs Saunderson, Mrs Cantrel, Miss Norsa .

Dance: Proper to the Play by Poitier, Du Pre, Pelling, Newhouse, Le Sac, De la Garde, Du Pre Jr

46
24 March 1735 @ Covent Garden

Event Comment: Benefit a Gentleman under Misfortunes. [In London Daily Post and General Advertiser, 24 March, Ryan thanks the public for assistance at his benefit and adds that Sir William Saunderson engaged for Ryan "near a fourth Part of his Audience."]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Toy Shop

Music: Solo on Violin by a Youth of 13 Years, who never performed in public before, a scholar of Signor Catanio

Dance: Scot's Dance, as17350311 By Lally, S. Lally, Mlle Salle

47
01 May 1755 @ Drury Lane Theatre

Event Comment: Benefit for Saunderson. Receipts: #140 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Proteus

48
11 May 1756 @ Drury Lane Theatre

Event Comment: Pantomime (stole from ye Wells) for Saunderson Machinist went off well (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Harlequin Mountebank

49
19 May 1757 @ Drury Lane Theatre

Event Comment: Benefit for Foley, Mortimer, and Saunderson. Receipts. #200 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The King and Miller

Dance: II: A Comic Dance-Mrs Vernon; V: A Hornpipe-Walker

50
29 April 1763 @ Drury Lane Theatre

Event Comment: Benefit for Rooker, and Saunderson (machinist). No Building on Stage. [The Theatrical Review; or, Annals of the Drama (Volunteer Manager section for 1 May 1763, p. 212) comments upon a stage tradition of having the Mouse Trap" Play presented on stage with the players' backs to Claudius and Gertrude. The author wishes Garrick and Beard to revise this absurdity and bring the whole in more accord with reality. The same paper criticises Mrs Cibber as Ophelia. "I hope you will not let so flagrant an outrage to the decorum of the stage as the following pass unnoticed. As [Mrs Cibber] sat upon the stage, with Hamlet at her feet, in the third act, she rose up three several times, and made as many courtiess, and those very low ones, to some ladies in the boxes. Pray good Sir, ask her in what part of the play it is said that the Danish Ophelia is acquainted with so many British Ladies?" See similar comment on her Belvidera, 17 March 1760.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Fortunatus