Event Comment: The Duke's Company.  This performance, 
the premiere, is on 
the L. C. list, 5@141, p. 216: first Acting.  See also 
Nicoll, Restoration Drama, p. 348.  
Nell Gwyn also attended this performance; see 
VanLennep, 
Nell Gwyn's Playgoing, p406.  
The title page states: 
The English Opera; or 
The Vocal Musick in 
Psyche, with 
the Instrumental 
Therein Intermix'd...By 
Matthew Lock.  
Preface: All 
the Instrumental Musick (which is not mingled with 
the Vocal) was Composed by that Great Master, 
Seignior Gio. Baptista Draghi, Master of 
the Italian Musick to 
the King.  
The Dances were made by 
the most famous Master of France, 
Monsieur St.Andree.  
The Scenes were Painted by 
the Ingenious Artist, 
Mr Stephenson.  In those things that concern 
the Ornament or Decoration of 
the Play, 
the great industry and care of 
Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject.  
Roger North Upon Music: I am sure 
the musick in 
the Psyche was composed by Mr M. Lock, of whom wee may say, as 
the Greeks sayd of 
Cleomenes, that he was ultimus Heroum.  This masque is also in print, and begins 'Great Psyche,' &c. and 
the book containing 
the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. 
John Wilson [1959], pp. 306-7).  Preface to 
Settle's 
Ibrahim (licensed 4 May 1676): I have often heard 
the Players cursing at 
their oversight in laying out so much on so disliked a play [
Psyche]; and swearing that 
they thought 
they had lost more by ma
king choice of such an Opera: writer than 
they had gained by all his Comedies; considering how much more 
they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for 
the future 
they expect 
the Tempest, which cost not one Third of 
Psyche, will be in request when 
the o
ther is forgotten.  
Downes (
Roscius Anglicanus, pp. 35-36): In February 1672.  
The long expected Opera of 
Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; 
the Charge of which amounted to above 800l.  It had a Continuance of Performance about 8 Days toge
ther it prov'd very Beneficial to 
the Company; yet 
the Tempest got 
them more Money