Event Comment: 2nd piece [1st time; INT 1, author unknown. MS: Larpent 993; not published]. [Mrs Stuart, who was from the Crow Street Theatre, Dublin, is identified in European Magazine, Nov. 1793, p. 390.)

Event Comment: Afterpiece [in place of THREE WEEKS AFTER MARRIAGE, advertised on playbill of 18 Nov.]: Books of the Songs to be had at the Theatre. [Occasional Address by Miles Peter Andrews (see 23 Mar. 1793).] THE SIEGE OF BERWICK [advertised on playbill of 18 Nov.] is unavoidably postponed till Thursday next on account of Mrs Pope's sudden Indisposition. Receipts: #233 2s. (216/19/6; 16/2/6)

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Event Comment: At the Request of many Friends to Worth and Genius, and in Commemoration of the late Mr Storace [who died 19 Mar.], Benefit for his Widow and Orphan. Receipts: #657 12s. (352.18.6; 32.4.0; 2.2.0; tickets: 270.6.0; odd money: 0.1.6) (charge: #244 13s. 9d.)

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Event Comment: Benefit for the Four Youngest Orphans of the late Mr Palmer [see dl, 18 June]. As it is presumed that the well-known liberality of the Publick will be strongly excited on the present occasion, the Proprietor of the [Haymarket] Theatre has requested the use of the Opera-House for this Evening, that the largest number of persons who wish to patronize the undertaking may be accomodated with places. The Proprietor of the Opera-House has, with the utmost readiness, granted the request. Tickets to be had of the Miss Palmers, at Dixon's, Upholsterer, the corner of Bedford-Court, Bedford-Street, Covent-Garden; of Messrs Ransom, Morland and Co., Bankers, Pall-Mall; of Jewell, No. 26, Suffolk-Street, Charing-Cross, of whom, and of Rice, at the Box-Office, Places for the Boxes may be taken. Boxes 5s. Pit 3s. Gallery 2s. "[His brother] R. Palmer attempted to deliver an address at the end of the play, but he was so much overpowered that he...left the address unrecited, and [his] part in the farce was given up to another performer" (Monthly Mirror, Aug. 1798, p. 117, which also records that the receipts were approximately #700)

Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin]: With appropriate music (composed and selected by Attwood), Scenery, &c. Books of the Songs to be had at the Theatre. Receipts: #256 17s. (251.10; 5.7)

Event Comment: Benefit for Miss Murray. 2nd piece: Compressed into Two Acts by the Author [Elizabeth Inchbald. Epilogue by Miles Peter Andrews]. Morning Chronicle, 8 Apr: Tickets to be had of Miss Murray, No. 77, Long Acre. Receipts: #393 9s. 6d. (159.5.6; 24.14.6; tickets: 209.9.6)

Event Comment: Benefit for Mrs Pope. 1st piece: Not acted these 7 years [acted 1 Jan. 1795]. Morning Chronicle, 23 Apr.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #272 4s. 6d. (159.14.0; 2.10.0; tickets: 110.0.6)

Event Comment: [Mainpiece in place of King Lear, advertised on playbill of 12 Dec.] Afterpiece: In three Acts, taken from Addison. Powell: Drummer rehearsed at 10; Cherokee (business) at 11; Cherokee (dialogue & music) at 12. Receipts: #247 0s. 6d. (165.4.6; 76.13.6; 5.2.6)

Event Comment: In 4th Act, when Olivia draws her Sword, Mr Obrien ran up to the Centry P S & frighten'd the poor Man, that he fell flat upon the Stage,--which greatly diverted the Audience (Hopkins). In the fourth Act Mr O'Brien run up to the Centry, when Olivia draws her sword, and frightened the poor soldier that he fell down flat upon his back to the great mirth of the Audience (Hopkins Diary--MacMillan). Receipts: #81 7s. 6d. (MacMillan)

Event Comment: TThe Careless Husband deferr'd. Havard Ill

Event Comment: [Mainpiece in place of Isabella, advertised on playbill of 2 Jan., and of The Cherokee, announced on playbill for this present night.] "The Public are respectfully informed that The Cherokee is unavoidably postponed till Monday night. This evening will be presented [as above]" (printed slip attached to Kemble playbill). Powell: The Cherokee postponed "on Account of the Indisposition of Kelly;" in The Pannel "Jones being Ill, Webb play'd 1st Alguazile, Evans 2nd Alguazile. Benson being Ill, Trueman play'd Octavio." Pannel rehearsed at 10:30; New Ballet at 12. Receipts: #158 4s. (108.17.0; 39.11.6; 9.15.6)

Event Comment: The Thirty-First Day. By Desire of the Cherokee King and Chiefs. Being the last night but one

Event Comment: By Authority. For the Entertainment of the Cherokee King and Chiefs. Boxes 5s. Pit 3s. Gallery 2s. Care will be taken to keep the house cool. The last time of performing this season

Event Comment: Powell: King Lear rehearsed at 10 [but this play not acted this season]; Nobody at 12; Cherokee (music) at 1:30. Receipts: #228 (144.16.6; 73.15.6; 9.8.0)

Event Comment: Powell: King Lear rehearsed at 10 [see Powell, 5 Dec.]; Cherokee (music) at 12. Receipts: #239 16s. (183.17; 54.0; 1.19)