SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King George"/1) | (@(roleclean,performerclean) "King George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4218 matches on Author, 3203 matches on Performance Comments, 2806 matches on Performance Title, 2133 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; F 2, by John O'KeefFe, altered from his The She Gallant; or, Square-Toes Outwitted, 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767, and in London at the HAY, 13 Oct. 1779. Incidental music by Michael Arne and William Shield. Text 1st published by T. N. Longman and O. Rees, 1800. Prologue by George Colman, the elder (Colman, Prose, m, 231)]. Receipts: #228 10s. 6d. (226/14/6; 1/16/0)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

Related Works
Related Work: The She-Gallants Author(s): George Granville, Lord Lansdowne
Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Tony Lumpkin in Town

Dance: End of mainpiece The Humours of Newmarket; with the Poney Races. Jockies-Harris, Langrish, Ratchford, Holloway; Ladies-Mrs Ratchford, Miss Francis, Miss Matthews

Event Comment: Mainpiece [1st time; c 5, ascribed to Frances Burney (see Boaden, Siddons, 1, 272). MS: Larpent 596; not published; synopsis of plot in London Magazine, July 1782, p. 312. Prologue by George Colman, the elder (Colman, Prose, III, 235). The play is anonymous.]

Performances

Mainpiece Title: The East Indian

Afterpiece Title: None are so Blind as Those Who Won't See

Dance: As17820613

Event Comment: Afterpiece [1st time; F 2, by John Dent. Prologue ascribed to George Colman, the elder (see Town and Country Magazine, Aug. 1782, p. 400)]

Performances

Mainpiece Title: The East Indian

Afterpiece Title: The Candidate

Dance: As17820613

Event Comment: Mainpiece: Altered from [The Scornful Lady, by] Beaumont and Fletcher [1st time; c 5, by William Cooke; incidental music by Michael Arne. Prologue by the alterer. Epilogue by George Colman, the elder (see text)]. Public Advertiser, 27 Jan. 1783: Wednesday Morning [29 Jan.] will be published The Capricious Lady (price not listed). "The costume of James's reign was strictly attended to in the dresses of the characters; and I remember the enjoyment of Mrs Abington, in a high ruff and a rich silver silk edged with black velvet" (Boaden, Siddom, I, 371). Receipts: #228 4s. 6d. (218/10/6; 9/14/0)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: Rosina

Dance: As17820927

Event Comment: 3rd piece: Ballet Tragi-Comique, composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Signior Rookereschi. Tailor-Signior Walkerino

Performances

Mainpiece Title: The Son-in-law

Afterpiece Title: The Agreeable Surprise

Afterpiece Title: Medea and Jason

Event Comment: Mainpiece [1st time; c 3, by Denis O'Bryen. Prologue by the author; Palmer was obliged to read it, he "not having received it in due time". Epilogue by George Colman, the elder, with name of speaker (Town and Country Magazine, July 1783, p. 339). MS: Larpent 626; not published; synopsis of plot in Public Advertiser, 7 July]

Performances

Mainpiece Title: A Friend In Need, Is A Friend Indeed

Afterpiece Title: The Flitch of Bacon

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe; text (1st authorized) published in Cumberland's British Theatre, xxxvii. Prologue and Epilogue by George Colman, the elder (Colman, Prose, iii, 244, 246, which give names of speakers)]: With new Scenes and Dresses. "It had four new scenes to decorate it, and those extremely well painted. In one of them a portrait of Captain Ambush is exhibited, which presented a very happy likeness of Williamson, by Alefounder" (Universal Magazine, Aug. 1783, p. 76)

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: L'allegro Il Penseroso

Performance Comment: Principal Vocal Parts by Norris, Reinhold; Miss George, Mrs Kennedy. 1st Violin by Richards .

Afterpiece Title: The Coronation Anthems

Event Comment: By Command of Their Majesties. Public Advertiser, 6 Mar.: In 1st piece Love in her Eyes was sung by Norris; O ruddier than the cherry by Reinhold; Consider, fond shepherd by Mrs Kennedy; Heart, thou seat of soft delight by Miss George. The concerto consisted of "two Movements made up of common Ballads."

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's de

Music: End of Part I of oratorio concerto on the violoncello by Crosdill

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Performance Comment: Scene I. A favourite Catch and Glee by Suett, Williames, Barrymore. Scene II. A favourite song by Miss George. Scene III. As Scene III, 26 Apr. Scene IV. Gramachree Molly by Miss Phillips. To conclude with The Sportsmen's Return, as17840311athi .

Afterpiece Title: Duke and No Duke

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

Event Comment: Prelude [1st time; PREL 2, by George Colman, the elder. MS: Larpent 659, which lists the following unassigned parts: Cabbage, Clatterton, Folio; not published; synopsis of plot in Gazetteer, 3 June. Prologue by the author (Colman, Prose, III, 250)]: With new Scenes, Dresses, Banners, Songs, &c

Performances

Mainpiece Title: The Election Of The Managers

Afterpiece Title: The English Merchant

Event Comment: Mainpiece: Never acted here. [The playbill lists R. Palmer as Rodolpho in mainpiece, and as Young Clackit in afterpiece, but he "was prevented appearing either in the tragedy or entertainment, having had the misfortune to break his arm" Chondon Magazine, July 1784, p. 75). For Egan and Riley as his substitutes see 14 July. Miss Woollery is identified on playbill of 24 July. Prologue by George Colman, the elder (Colman, Prose, III, 254). Miss Kemble was from DL.]

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Guardian

Event Comment: Mainpiece [1st time in London; T 3, by William Hayley, 1st acted at Chichester, late in May 1784. Text in his Plays . . . for a Private Theatre (T. Cadell, 1784). Prologue by George Colman, the elder (European Magazine, Aug. 1784, p. 165). Contrary to the usual custom on the 1st night of a new play, the parts on this occasion are assigned]. "Palmer had done with Lord Russel as he did with many other characters, that is, totally neglected to study the words of the part . . . Whenever he felt himself at a loss he dexterously introduced some passages from The Earl of Essex, which he contrived to fit into the cues received by Lord Russel." His brother, R. Palmer, who told this anecdote to Boaden, said that the audience suspected nothing amiss (Boaden, Kemble, I, 193)

Performances

Mainpiece Title: Lord Russel

Afterpiece Title: The Agreeable Surprise

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Performances

Mainpiece Title: Maid Of Honour

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: The Music That Was Selected For The Commemoration Of Handel, In Westminster Abbey And The Pantheon, The 26th And 27th Of May, 1784

Performance Comment: [In subsequent seasons this was performed under the title of Redemption]. Principal Vocal Parts by Norris, Reinhold; Miss George, Miss Phillips. 1st Violin-Richards .
Event Comment: "What a 'monstrous marring' ... is made amongst the wierd sisters! Mrs Wrighten laughing and talking the whole time, [and Miss] George who cannot help joining in a laugh . . . Mrs Siddons's sleeping scene [is] we think the greatest act that has in our memory adorned the stage" (Public Advertiser, 24 Feb.). Receipts: #279 6s. 6d. (250/0/0; 28/9/0; 0/10/0; tickets not come in: 0/7/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Too Civil by Half

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Midas

Performance Comment: As17841213. imitations. End of mainpiece the celebrated Musical Child (from the Pantheon) will perform a Musical Oglio, consisting of various Theatrical and Vocal Imitations [of Miss George, Mrs Bannister, Sga Sestini, Mrs Martyr, Mrs Wells, Edwin (Morning Chronicle, 16 Mar., which also states, without further indentification, that the performer was a young girl)] .
Event Comment: Benefit for Newbold and Miss Bird. [2nd piece: Prologue by George Colman, the elder.]

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Bon Ton; or, High Life above Stairs

Afterpiece Title: The Death and Revival of Harlequin

Dance: End of 1st piece, by Wright

Song: End of Act I of 2nd piece The Twaddle by Newbold

Monologue: 1785 07 06 After the Dancing an Address to the Audience by Miss Bird

Event Comment: Turk, and No Turk [announced on playbill of 6 July] is unavoidably postpon'd on Account of Miss George's Illness

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: The Agreeable Surprise

Dance: As17850706

Event Comment: [Afterpiece: Prologue by George Colman, the elder.] Receipts: #282 3s. 6d. (253/3/0; 26/6/6; 1/11/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Bon Ton; or, Colonel Tivy-Barrymore; Davy-Parsons; Jessamy-Burton; Lord Minikin-Dodd; Lady Minikin-Miss Pope; Gymp-Miss Tidswell; Miss Tittup-Miss Farren

Event Comment: Benefit for Miss Brunton. Mainpiece [1st time in London; T 5, by Frederick Reynolds, 1st acted at Bath, 3 Dec. 1785. In 1795 reduced to 3 acts. Prologue and Epilogue by William Meyler (Town and Country Magazine, Apr. 1786, p. 215]. Part of the Pit will be laid into the Boxes. Morning Chronicle, 17 Feb.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #350 17s. 6d. (210/11/0; 3/1/6; tickets: 137/5/0) (charge: #105)

Performances

Mainpiece Title: Werter

Afterpiece Title: Barataria

Song: In Act III of mainpiece an Epithalamium. The Music composed by Rauzzini. Vocal Parts by Cubitt, Darley [Public Advertiser: Johnstone, Brett], Mrs Martyr, Mrs Bannister