SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "King George"/1) | (@(roleclean,performerclean) "King George")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4218 matches on Author, 3203 matches on Performance Comments, 2806 matches on Performance Title, 2133 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: "[King's] utterance possessed an articulate velocity and smartness never heard but from him; and a collected confidence in himself that extorted an applause paid to the situation, or the sentiment, rather than the man" (Boaden, Siddons, II, 105). [Address written by Richard Cumberland (Betsy Sheridan, Journal, 1960, p. 25).] Receipts: #255 13s. 6d. (228/1/0; 27/11/0; 0/1/6)

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lord Ogleby-King (1st appearance these 2 years); Sterling-Parsons; Sir John Melvil-Bensley; Lovewell-Brereton; Serjeant Flower-Wrighten; Traverse-Phillimore; Trueman-Fawcett; Canton-Baddeley; Brush-Palmer; Miss Sterling-Miss Pope; Fanny-Mrs Brereton; Chambermaid-Mrs Wilson; Betty-Mrs Love; Mrs Heidelberg-Mrs Hopkins .
Cast
Role: Lord Ogleby Actor: King

Afterpiece Title: The Quaker

Monologue: 1784 09 30 End of Act I an Occasional Address spoken by King

Event Comment: At Penkethman's and Norris's Great Theatrical Booth in the George Inn Yard, Smithfield. An excellent new Droll

Performances

Mainpiece Title: The True And Famous History Of Semiramis, Queen Of Babylon: Or, The Woman Wears The Breeches, Containing The Distressful Loves Of The Prince Alexis An Ulamia; The Pleasant Adventures Of Sir Solomon Gundy And His Man Spider; And The Comical Humours Of Alderman Doodle, His Wife, And Daughter Hoyden

Performance Comment: King Ninus-Huddy; Semiramus-Mrs Plommer; Alexis-Cibber Jr; Alderman Doodle-Williams; Captain-Roberts; Ulamia-Mrs Houghton; Madame Doodle-Mrs Cook; Sir Solomon Gundy-Bridgwater; Spider-Norris; Hoyden Doodle-Mrs Willis.
Cast
Role: King Ninus Actor: Huddy
Related Works
Related Work: A Very Good Wife Author(s): George Powell

Song: Platt

Dance: Houghton, Mrs Houghton

Event Comment: Benefit for Edwin. 2nd piece [1st time; F 2, by George Colman, elder, based of L'Avocat Patelin, by David Augustin de Brueys. This is usually ascribed to William Macready. But on the title-page of his copy (K-D 295 in Huntington Library) J. P. Kemble has written "This Piece was not written by Mr Macready." Public Advertiser, 29 Aug. states that "Colman...presented Edwin upon this occasion with a new Farce, taken from a celebrated French Play." World, 15 Oct. 1787 refers to Colman's dislike of L'Avocat Patelin, but adds, "When [he] came to translate it himself, he found reason to alter his opinion."]. Public Advertiser, 25 Aug.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Sir John Cockle, At Court

Performance Comment: King-Williamson; Sir John Cockle-Kemble; Sir Timothy Flash-Davies; French Cook-Wewitzer; Joe-Edwin; with The Tower of London-Edwin; Mrs Starch-Mrs Edwin; Miss Kitty-Mrs Brown.
Cast
Role: King Actor: Williamson

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

Event Comment: With the Ceremonial of her Coronation in the same Manner as it was Perform'd in the Play of King Henry the Eighth

Performances

Mainpiece Title: Virtue Betray'd; Or, Anna Bullen

Performance Comment: King Henry-Booth; Anna Bullen-Mrs Oldfield; Wolsey-Cibber; Northumberland-Bridgwater; Piercy-Wilks; Rochford-Wm. Mills; Lady Elizabeth-Mrs Horton; Lady Diana-Mrs Cibber; Young Princess Elizabeth-Miss Robinson.
Cast
Role: King Henry Actor: Booth
Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-a Young Gentleman, first appearance on this stage; Clytus-Jefferson; Lysimachus-Brereton; Cassander-Palmer; Hephestion-Davies; Thessalus-Wright; Perdiccas-Wheeler; Parisatis-Miss Hopkins; Polyperchon-Bransby; Eumenes-Keen; Sysigambis-Mrs Johnston; Statira-Mrs Baddeley, first time; Roxana-Miss Young; With the Triumphal Entry-; and an Occasional Prologue-King.

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-J. Aickin; Miller-Moody; Richard-Palmer; Joe (with Song)-Kear; Kate-Mrs Millidge; Margery-Mrs Bradshaw; Peggy-Miss Platt; Lord Lurewell-Lamash.
Cast
Role: King Actor: J. Aickin
Event Comment: Benefit for Miss George. Gazetteer, 10 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's. Mainpiece: With a Grand Procession of the different Orders of the Knights of Chivalry. Receipts: #141 19s. 6d. (60/8/0; 22/4/6; 0/15/0; tickets: 58/12/0) (charge: #117/19/0)

Performances

Mainpiece Title: Cymon

Performance Comment: Cymon-Barrymore (1st appearance in that character); Dorus-Parsons; Merlin (1st time)-Staunton; Dorilas-Chaplin; Damon-Fawcett; Linco-Dodd; Urganda (ist time)-Miss Wheeler; Fatima-Mrs Wrighten; Cupid-Miss J. Stageldoir; Shepherdesses-Miss Simson, Miss Tidswell; Dorcas-Mrs Love; Sylvia-Miss George (1st appearance in that character) .
Cast
Role: Sylvia Actor: Miss George

Afterpiece Title: The Englishman in Paris

Dance: As17831004

Song: End of Act II of mainpiece fifteen Mary's Lamentations; End of mainpiece The Soldier tir'd of War's Alarms, both by Miss George

Event Comment: Benefit for Miss George. Public Advertiser, 30 July: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Rosina

Performance Comment: Belville-Bannister; Captain Belville-Brett; Rustic-Gaudry; Irishman-Booth; William-Meadows (1st appearance in that character); Phoebe-Miss George; Dorcas-Mrs Love; Rosina-Mrs Bannister .
Cast
Role: Phoebe Actor: Miss George

Afterpiece Title: Gretna Green

Cast
Role: Miss Plumb Actor: Miss George

Song: End of 1st piece The Soldier tir'd of War's Alarms; End of Act I of 2nd piece Colin cur'd of roving, both by Miss George. duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage)

Event Comment: Benefit for Miss George. Morning Herald, 8 Apr.: Tickets to be had of Miss George, No. 23, King-street, St. Ann's, Soho. Receipts: #284 5s. 6d. (114/15/0; 26/0/0; 1/7/6; tickets: 142/3/0) (charge: #109 5s. 4d.)

Performances

Mainpiece Title: The Lord Of The Manor

Cast
Role: Annette Actor: Miss George

Afterpiece Title: The Romp

Dance: End of mainpiece The Sailors' Revels, as17860424

Song: In the course of the evening Collin cur'd of roving; End of Dancing Mad Bess (in character), both by Miss George

Performances

Mainpiece Title: Sir Thomas Overbury; Who Was Poison'd In The Tower, In The Reign Of King James The First

Performance Comment: As17230612 but Sir George Elloways-_; Cleora-_; With the Prologue-; Epilogue-.
Cast
Role: Sir George Elloways Actor: Keith

Performances

Mainpiece Title: At King's The Belle's Stratagem

Performance Comment: Doricourt-Whitfield; Hardy-Baddeley; Sir George Touchwood-Wroughton; Flutter-Bannister Jun.; Saville-Barrymore; Villars-Benson; Courtall-R. Palmer; Silvertongue-Banks; Crowquil-Jones; Gentlemen-Phillimore, Cooke, Caulfield; Mountebank-Hollingsworth; French Servant-Wewitzer; Porter-Alfred; Dick-Burton; Gibson-Lyons; Tradesman-Fawcett; Tom Fool-Bland; Servant-Webb; Letitia Hardy-Mrs Goodall; Mrs Racket-Miss Pope; Lady Touchwood-Mrs Kemble; Miss Ogle-Miss Tidswell.

Afterpiece Title: Richard Coeur de Lion

Event Comment: The United Company. This performance ison the L. C. list, 5@147, p. 68: Sr Phoplyn. See also Nicoll, Restoration Drama, p. 350. The Earl of Middleton to Sir George Etherege, 7 Dec. 1685: Every week there are plays at court. The last time Sir Fopling appeared with the usual applause, and the King was pleased to tell me that he expected you should put on your socks (Letterbook of Sir George Etherege, ed. Rosenfeld, p. 345)

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Related Works
Related Work: The Man of Mode; or, Sir Fopling Flutter Author(s): Sir George Etherege
Event Comment: Paid St George's Hospital 2 yrs subscription to Michaelmas 1745 #10 10s. Receipts: #54 9s. 6d

Performances

Mainpiece Title: The Merry Wives Of Windsor; With The Humours Of Sir John Falstaff

Afterpiece Title: The King and the Miller of Mansfield

Cast
Role: King Actor: Gibson

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Naval Pillar

Afterpiece Title: The Death of Captain Cook

Performance Comment: English Capt. Cook-Farley; Lieutenant of Marines-Claremont; Mate-Atkins; Boatswain-Hawtin; Midships-Simmons, Mills; Sailors-Lee, Curties, Abbot, Howell, Vials, Wilkins, Goodwin, Coombs, Noble; Lieutenant (with a song)-Townsend; Natives of 0-why-e Otago-Bologna Jun.; King-Bologna; Priest-Whitmore; Islanders-King, Platt, Blurton, Dyke, Wilde, Whitmore Sen., Klanert, L. Bologna; Etoe-Delpini (1st appearance these 2 years); Emai-Mrs Parker; Females-Ms Watts, Ms Gilbert, Ms Norton, Ms Castelle, Ms Iliff, Ms Leserve, Mrs Bologna, Ms Cox, Ms Carne, Miss Bologna, Ms Dibdin, Ms Burnett, Ms Sydney, Ms Masters, Ms Lloyd, Ms Whitmore.
Related Works
Related Work: The Death of Captain Cook Author(s): Sir George Collier

Dance: In 2nd piece: As17991007

Song: In 2nd piece: As17991011

Event Comment: By His Majesty's Command. Mainpiece: Written by the late Sir George Etheridge. [King, Queen, Prince of Wales, three eldest Princesses present.

Performances

Mainpiece Title: She Wou'd If She Cou'd

Related Works
Related Work: She Would If She Could Author(s): Sir George Etherege

Afterpiece Title: Harlequin Doctor Faustus

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent confusion Ladies are desired to send their Servants by half past Four o'clock. Mainpiece: Not acted these 4 years [acted 15 May 1782]. Afterpiece: Not acted these 5 years [not acted since 25 Mar. 1775]. [In mainpiece the playbill assigns Banquo to Bensley, but "Poor Bensley's illness last night took him off; but on another night he will give and take in the triumph" {Public Advertiser, 4 Feb.). In afterpiece he is assigned to The Guardian. On the Kemble playbill in both cases his name is deleted and MS annotations substitute Hull's.] "Macbeth at Drury-lane will. . . gag the drivellers who, on the failure of Constance [in King John], ventured a sweeping prophecy of condemnation that 'the Siddons never could play Shakespeare.' Would it not have been better to have borrowed Farren, rather than Hull, for Banquo?" (Public Advertiser, 4 Feb.). "'Why,'say some of the critics, 'should Mrs Siddons wear a white dress in her last scene of Lady Macbeth? She is supposed to be asleep, not mad.' What reason except custom can be given for a mad heroine appearing in white we know not [and see DL, 20 Dec. 1782]. Yet there is an obvious reason why a person walking in their sleep should wear a white dress of the loose kind worn by Mrs Siddons ... It [is] the nearest resemblance which theatrical effect will admit, to the common sort of night-dresses" (Public Advertiser, 7 Feb.). Receipts: #346 16s. (198/10/0; 7/2/6; 0/8/6; tickets: 140/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Song: In mainpiece: The Original Music by Matthew Locke, with additional Accompaniments, by Bannister, Dignum, Suett, Chapman, Barrymore, Williames, Wilson, Fawcett; Miss Phillips, Miss Field, Mrs Love, Mrs Booth, Miss Barnes, Mrs Burnett, Miss Simson, Miss Cranford, Miss Burnett, Mrs Smith, the Miss Stageldoirs, Miss George, Mrs Wrighten. [This was sung, as here assigned, in all subsequent performances, except on 4 Feb.]

Related Works
Related Work: Bussy D'Ambois Author(s): George Chapman
Related Work: The Widdows Teares Author(s): George Chapman
Event Comment: Benefit for Mrs Mattocks. Tickets delivered for the 24th of April will be taken. Public Advertiser, 16 Apr.: Tickets [for 24 Apr.] to be had of Mrs Mattocks, No. 7, King-street, Covent Garden. Mainpiece: Written by Richard Steele. 3rd piece [1st time; ENT I, author unknown. Larpent MS 830; not published]. Receipts: #253 17s. 6d. (159.12.0; 8.9.6; tickets: 85.16.0)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Annette and Lubin

Afterpiece Title: Saint George's Day; or, Britons Rejoice

Song: End 3rd piece: God save the King-; with Grand Accompaniment [on the organ]-Greatorex [, as performed at the Oratorios see17890320

Event Comment: Benefit for Miss Pope. The Comedy in 2 acts taken by Miss Pope from Mrs Sheridan's Discovery. House charges #64 17s. [Profit to Miss Pope #115 5s.] Paid B. Johnson's Head bill 18s. 7d.; Manager's subscription for St George's #10 10s.; Soldier's practice for Alexander 8s. 6d. (Treasurer's Book). [Neville attended this night and in his Diary compliments all the performers and dancers. I am afraid Vernon's attempt to imitate old Shuter will prove vain. He added something to the introduction to the Cries tonight."] Receipts: #180 2s. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Cast
Role: Novel Actor: King.

Afterpiece Title: The Young Couple

Dance: II: Hearts of Oak-Giorgi, Mrs King

Entertainment: The Cries of London, The Tombs of Westminster-Vernon

Event Comment: [The singing of the national anthem had reference to the mental breakdown which had recently afficted George III.] Receipts: #145 8s. 6d. (136.17.0; 8.11.6)

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Catherine and Petruchio

Song: End: God save the King-Bannister, Johnstone, Blanchard, Davies, Darley, Cubitt, Rock, Bonville, Janson, Lee

Event Comment: Benefit for Mrs Bannister, being her Last Appearance on the Stage. [Address by George Colman, ynger (Thespian Magazine, Oct. 1792, p. 102.

Performances

Mainpiece Title: A Mogul Tale

Afterpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Entertainment: Monologue End 2nd piece: a Serio, Comic, Poetic Paraphrase on Shakespear's Seven Ages-King; End 3rd piece: Occasional Farewell Address-Mrs Bannister

Event Comment: [Afterpiece: Prologue by George Colman, elder.] Receipts: #200 14s. (156.9; 44.2; 0.3)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: Bon Ton

Performance Comment: Lord Minikin-Dodd; Sir John Trotley (with the original Prologue)-King; Colonel Tivy-Barrymore; Jessamy-R. Palmer; Davy-Suett; Lady Minikin-Miss Pope; Miss Tittup-Miss Farren; Gymp-Miss Tidswell.
Cast
Role: Sir John Trotley Actor: King
Event Comment: Benefit for Percey, Cameron, George, Woollams. Kemble Mem.: Benefit for Boxkeepers. Mainpiece: Not acted these 2 years. Receipts: #338 (28.1.6; 13.10.6; 3.15.0; tickets: 292.13.0) (charge: #147 9s.)

Performances

Mainpiece Title: At King's The West Indian

Afterpiece Title: The Virgin Unmask'd

Dance: End: Hornpipe-Keys

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard: the King and Queen &c Two Boxes. See VanLennep, Plays on the English Stage," p. 18. See also Tuesday 14 Nov. 1671

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege