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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Scholars at Westminster"/1) | (@(roleclean,performerclean) "Kings Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6393 results for: Keyword - King's Scholars at Westminster
We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

101
14 October 1782 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

102
10 March 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth

103
29 March 1783 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: Rosina

104
23 September 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

105
13 October 1783 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: (End of Act II) The Rival Knights

Afterpiece Title: Rosina

106
16 January 1784 @ Covent Garden

Performances

Mainpiece Title: King John

Afterpiece Title: The Son-in-Law

107
17 September 1784 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

108
11 October 1784 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

109
05 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Spanish Rivals

110
07 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Caldron

Dance: In afterpiece, as17851018

111
22 November 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: Too Civil by Half

112
20 September 1786 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Virgin Unmask'd

113
10 December 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Comus

114
14 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Selima and Azor

115
12 September 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The First Floor

116
25 September 1789 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Poor Soldier

117
07 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: The Romp

118
18 October 1790 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Provocation

119
24 August 1791 @ Haymarket Theatre

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Mayor of Garratt

Song: End: The Wolf-Bannister

Entertainment: Monologue. Before: Occasional Address-Palmer

120
24 October 1791 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Oscar and Malvina

Music: In afterpiece: The Harp and Pipes-Myres [recte C. Meyer], Courtney

121
31 October 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Comus

122
01 March 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Humourist

123
15 October 1792 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Blue Beard

Dance: Dancing, as17921008, but _Ratchford, Holland

124
24 September 1793 @ Haymarket Theatre

Performances

Mainpiece Title: King Henry The Fifth; Or, The Conquest Of France

Afterpiece Title: All the World's a Stage

125
14 October 1793 @ Covent Garden

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Sprigs of Laurel