SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "King\'s Scholars at Westminster"/1) | (@(roleclean,performerclean) "King\'s Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 25 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0 Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: As17900224

Performances

Mainpiece Title: Judas Maccabaeus Grand Selection 0 Messiah

Music: As17900224

Performances

Mainpiece Title: A Grand Selection From The Works Of handel 0 Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violin-Weichsel

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3 Entirely selected from The Messiah

Music: As17900219

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Little Hunchback

Dance: End II: As17891013; End: The Guardian Outwitted (1st time at this theatre)-Byrne, Boyce, Ratchford, the two Miss Simonets. [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.

Performance Comment: [This was 1st performed at the king's, 11 Jan. 1783, as Le Tuteur Trompe.]

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Pannel

Dance: As17900308

Entertainment: MonologuePrevious: his being the Anniversary of His Majesty's Happy Recovery, British Loyalty; or, a Squeeze for St. Paul's-Bannister Jun

Song: After which: the Stage being decorated and illuminated in the same Superb Stile which it was for the Reception of his Majesty on Dec. the 16 last, God save the King-Dignum, Sedgwick, Alfred, Danby, Fawcett, Haymes, Hollingsworth, Lyons, Maddocks, Phillimore

Performances

Mainpiece Title: The College Of Physicians Or Doctor Lasts Examination

Afterpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Song: End II 2nd piece: The Greenwich Pensioner-Dignum

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Taste or Frolicks of Fancy

Afterpiece Title: Arthur and Emmeline

Entertainment: Monologue. Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: An Harmonic Festival

Afterpiece Title: Rosina

Song: End II: a Nicketerotion at the Meeting of Antony and Cleopatra-; Vocal Parts-Bannister, Johnstone, Darley, Duffey, Mrs Warrell, Mrs Masters, Mrs Gray, Mrs Mountain

Dance: With Grand Dance-Byrne, the two Miss Simonets

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Love and War

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Impostor

Afterpiece Title: A Merry Sketch of Folly and Fashion

Performances

Mainpiece Title: As You Like It

Afterpiece Title: A Divertisement

Dance: End I in V: As17901020; In afterpiece: Dancing, as17901123

Performances

Mainpiece Title: Armida

Ballet: Amphion et Thalie. As17910217

Event Comment: Mainpiece [1st time; CO 3, by Henry Bate]: With new Music, Scenes, Dresses, and Decorations. The Music (with a few exceptions) composed entirely new by Shield. And new Scenery designed and chiefly executed by Richards. Books of the Songs to be had at the Theatre. [Williamson was formely a chorus singer at this theatre; Mme Pieltain had sung at the king's in the season of 1788-89. Afterpiece in place of The Deaf Lover, advertised on playbill of 25 Feb.] "The author is very little responsible for his part of the entertainment, which he acknowledges was composed chiefly for the purpose of [the music, which] in the taste of the present day is almost the only essential part of such an entertainment" (Gazetteer, 28 Feb.). Oracle, 7 May 1791: Thas Day is published The Woodman (1s. 6d.). Receipts: #243 2s. (239.17.6; 3.4.6)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Two Strings to Your Bow

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Alexanders Feast Grand Selection 0

Afterpiece Title: Alexanders Feast 1

Afterpiece Title: Alexanders Feast 2

Afterpiece Title: PART III

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End I: Divertisement-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival; End II: Orpheus and Eurydice-Vestris? Jun., Victor, Vermilly, Mlle Hilligsberg, Mlle Mozon, Mlle Dorival

Performances

Mainpiece Title: Acis And Galatea 0 Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Music: As17910323

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Devil to Pay

Song: End: Cou'd a Man be secure-Dignum, Sedgwick

Event Comment: A new Comic Opera; composed by Paisiello, under the direction of Mazzinghi. [The full name of this opera is L'Amore Contrastato; ossia, La Molinarella (see king's, 6 Dec. 1794).

Performances

Mainpiece Title: La Molinarella

Dance: End I: the new Divertissement-[i.e. Le Triomphe de la Folie, as17910503]; End Opera: La Fille Mal Gardee, as17910430

Event Comment: Benefit for Phillimore, Miss Tidswell, Miss Barnes & Miss DeCamp. [La Fete Marine was 1st performed at king's, 27 Apr. 1786.] Oracle, 19 May: Tickets to be had of Phillimore, Little Russel-street; of Miss Tidswell, Stanhope-street, Clare Market; of Miss Barnes, No. 23, Clare-street, Clare Market; of Miss DeCamp, No. 64, Tottenham-court-road. Receipts: #41 14s. (27.4; 11.13; 2.17; tickets: none listed) (charge: #108 7s. 2d.)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: End: a new Dance, composed by D'Egville, La Fete Marine, in which introduced La Cossaque et Le Pas Russe-the young D'Egvilles, Miss D'Egville, Miss DeCamp

Event Comment: Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 17, Duke-street, Manchester-square. A new Grand Serious Opera (1st time [i.e. in 2 acts; originally performed in 3 acts at Milan, 1778, and at king's, 22 Jan. 1780]); the music by Bertoni. [World announces the ballets for this night as La Fille Mal Gardee and Le Siege de Cythere.

Performances

Mainpiece Title: Quinto Fabio

Dance: End I: Divertisement, as17910217 End Opera: Le Triomphe de la Folie, as17910503

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: All the Worlds a Stage