SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kings Scholars at Westminster"/1) | (@(roleclean,performerclean) "Kings Scholars at Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2930 matches on Performance Title, 2773 matches on Performance Comments, 1782 matches on Event Comments, 23 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Miser

Performances

Mainpiece Title: Henry The Third Of France Stabb'd By A Fryer: With The Fall Of The Duke Of Guise

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The King's Company. This performance is on the L. C. list 5@141, p. 215. the Kings Mate. See also Nicoll. Restoration Drama, p. 345

Performances

Mainpiece Title: Catiline

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: Sophonisba

Performances

Mainpiece Title: The Conquest Of China By The Tartars

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performances

Mainpiece Title: Rare En Tout

Event Comment: The King's Company. The date of the first production is uncertain, but John Harold Wilson (Six Restoration Play-Dates, pp. 221-22) assigns it to mid-June primarily because of the Prologue intended to be spoken by Haines and the order, dated 18 June 1677, for the arrest of Haines for speaking an obscene Epilogue (error for Prologue?); in addition, the next play at Drury Lane, The Rival Kings, refers to Haines and "last time," establishing the sequence of performance of these two plays. For the arrest of Haines, see Nicoll, Restoration Drama, p. 328n. Wits Led by the Nose was licensed for printing on 16 Aug. 1677

Performances

Mainpiece Title: Wits Led By The Nose; Or, A Poet's Revenge

Event Comment: John Dryden to Lord Latimer, July 1677: But the Kings Comedy [probably Mr Limberham] lyes in the Sudds till you please to send me into Northamptonshyre: it will be almost such another piece of business as the fond Husband, for such the King will have it, who is parcell poet with me in the plott; one of the designes being a story he was pleas'd formerly to tell me; and therefore I hope he will keep the jeast in countenance by laughing at it...I have a farther honour to beg, that my Tragedy [All for Love], which will be acted at Michaelmasse, & is already written, may have the honour to be addressed to my Lord Treasurer; & that your Lordship and My Lord Mulgrave wil I hope beg together for me (The Letters of John Dryden, ed. Ward, pp. 11-12)

Performances

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great

Performances

Mainpiece Title: The Loyal General

Performances

Mainpiece Title: The Misery Of Civil-war

Performances

Mainpiece Title: The Female Prelate; Being The History Of The Life And Death Of Pope Joan

Performances

Mainpiece Title: The Female Prelate

Performances

Mainpiece Title: The Second Part Of The Rover

Performances

Mainpiece Title: The Tyrant Of Sicily

Performances

Mainpiece Title: Henry The Sixth: The First Part; With The Murder Of Humphrey Duke Of Glocester

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans

Performances

Mainpiece Title: The Rival Queens; Or, Alexander The Great