SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Kentish man"/1) | (@(roleclean,performerclean) "Kentish man")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1421 matches on Performance Title, 539 matches on Performance Comments, 474 matches on Event Comments, 4 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Performance Comment: Sir Archy Macsarcasm-Wilson (1st appearance in that character); Squire Groom-Lewis; Sir Callaghan O'Brallaghan (with You never did hear of an Irishman's fear and Let other Men sing of their Goddess's bright, with accompaniments by Shield)-Johnstone; Beau Mordecai-Quick; Sir Theodore Goodchild-Thompson; Charlotte-Mrs Bernard.

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Cast
Role: Footman Actor: Spencer
Role: Countryman Actor: Jones

Afterpiece Title: No Song No Supper

Event Comment: [Prologue by John Peter Roberdeau (European Magazine, Aug. 1791, p. 141).] "Of Palmer Sen.'s? acting the chief fault is...a manner by far too juvenile. He has very much the turn of countenance and mode of speech suitable to Falstaff, but his gait has no appearance of debility or infirmity, and is such as any man might use, incumbered by the same dress" (Gazetteer, 21 June)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

Performance Comment: King Henry-Williamson; Prince of Wales-Palmer Jun. (1st appearance on the stage); Lancaster-Bland; Worcester-Aickin; Northumberland-Chapman; Hotspur-Bensley; Douglas-Evatt; Sir Richard Vernon-Davies; Westmoreland-Usher; Sir Walter Blunt-Iliff; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Ledger; Peto-Farley; Bardolph-Rock; Carriers-Wewitzer, Burton; Francis-Barrett; Lady Percy-Mrs Cuyler; Hostess-Mrs Webb; New Occasional Prologue-Palmer.

Dance: End II: Triple Hornpipe, as17910617

Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: Wild Oats; Or, The Strolling Gentlemen

Performance Comment: Rover-Lewis; Sir George Thunder-Quick; Harry-Holman; Sim-Blanchard; John Dory-Wilson; Ephraim Smooth-Munden; Banks-Hull; Gammon-Cubitt; Muz [in all playbills beginning 1 Dec. called Midge]-Macready; Men [in text: Sailors]-Milburne, Thompson, Farley; Landlord-Powel; Twitch-Rock; Trap-Evatt; Zachariah-Rees; Lamp-C. Powell; Sheriff's Officer-Cross; Coachman-Ledger; Waiter-Master Simmons; Jane-Mrs Wells; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: Coachman Actor: Ledger

Afterpiece Title: Robin Hood

Cast
Role: Bowman Actor: Cubitt

Performances

Mainpiece Title: King Henry Ii; Or, The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).

Afterpiece Title: The Humours of Sir John Brute

Performance Comment: Sir John Brute (for that night only)-Wilkinson; Constant-Frodsham; Heartfree-Rundell; Taylor-Nicholls; Col. Bully (with songs)-Upton; Dermot O'Whiskey-Hopton; Lord Rake (with Hippisley's Drunken Man)-Doggett; Lady Brute-Mrs Hunter; Lovewell-Miss Barnes;Belinda-A Young Lady (1st appearance [unidentified]).unidentified]).

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Event Comment: [Afterpiece in place of The Positive Man, advertised on playbill of 15 Feb.] Receipts: #157 13s. 6d. (146.15.6; 10.18.0)

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Oscar and Malvina

Music: As17920125

Event Comment: Benefit for Incledon. [Afterpiece in place of The Positive Man, advertised on playbill of 8 May.] Morning Herald, 20 Apr.: Tickets to be had of Incledon, No. 5, Bow-street, Covent-Garden. Receipts: #399 6s. (170.15.6; 3.15.6; tickets: 224.15.0) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Love in a Camp

Dance: In III: a Hornpipe-Byrne

Song: End: Black Eyed Susan-Incledon

Event Comment: By Permission of the Lord Chamberlain. Benefit for Sims. Mainpiece: As altered from Wycherley by David Garrick, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had of Sims, the Theatrical Register, Wrekin Tavern, Broad-court, Long-acre; at the Blue Post Coffee-house, Charlotte-street, Rathbone-place; the Tun, Goodge-street, Middlesex Hospital; the Green Man, Union-street, Middlesex Hospital; the Wheat Sheaf, Rathbone-place; of Price, at the Coach and Horses, Holborn; at the Duke of Clarence Coffee-house, Haymarket; Spencer's, Two Blue Posts, Southampton-buildings; and of Rice at the Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Who's the Dupe

Song: End I: song-a Young Lady; End II: song-Incledon; End III: song-a Lady; End IV: song-Johannot

Entertainment: Monologues End: Roxana's Epilogue-; British Loyalty; or, A Squeeze to St. Paul's-Lyon

Event Comment: Genest, VII, 88: On this evening there was not any play performed, from respect to the memory of the unfortunate monarch, Louis 16th, who was murdered in Paris on that day [sic] -Kemble, without consulting Sheridan, closed the theatre -Sheridan, who was out of town, arrived late that evening, and finding there was no play, was highly incensed at the shutting up of the theatre upon such an occasion; for, he said, it was an invariable maxim with him, that neither politics nor religion should be taken notice of in his playhouse, yet no man deplored the tragical event more sincerely than he did. (Kelly, Reminiscences, II, 37). [The playbill of 23 Jan. advertises Cymon and The Ghost for this present evening.

Performances

Mainpiece Title: At King's None

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Performance Comment: [Scene I. The Deck of a Man of War.] When on board our trim Vessel-Incledon; We be three poor Mariners-Johnstone, Incledon, Linton, Gray; The Mid Watch When 'tis night-Incledon; The good subjects of Old England-Incledon, Gray, Darley; [Scene II. A Landscape.] A song-Mrs Martyr; A song-Johnstone; [Scene III] In storms when clouds-Incledon; Treble Hornpipe-Byrn, Holland, Mme Rossi; A new Loyal Song and Chorus-Incledon.

Afterpiece Title: Catherine and Petruchio

Dance: III: Hornpipe, as17920920

Song: End I: Black Eyed Susan-Incledon

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Performance Comment: English Characters : Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons; Captain's Lady-Mme Rossi; French Characters : General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland; Indian Characters : Indian Chief-Follett; Female Savage-Mr Rock.
Cast
Role: Midshipman Actor: Jackson

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: THE WORLD IN A VILLAGE [advertised on playbill of 9 Dec.] is obliged to be deferr'd till Friday next on account of Johnstone's Illness. [Afterpiece in place of THE POSITIVE MAN, also advertised as above.] Receipts: #233 10s. 6d. (219/15/6; 13/15/0)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: THE MIDNIGHT WANDERERS

Dance: As17931022

Event Comment: [Mainpiece in place of THE DUENNA; afterpiece of THE IRISH MAN IN LONDON, both advertised on playbill of 13 Dec. In mainpiece "Mrs Follett was the Lucinda of the third act, in the room of Mrs Mountain, who was suddenly taken ill towards the close of the second" (Public Advertiser, 16 Dec.).) Receipts: #230 6s. (225/9/6; 4/16/6)

Performances

Mainpiece Title: Love In A Village

Cast
Role: Footman Actor: Blurton

Afterpiece Title: THE PRISONER AT LARGE

Dance: As17931102

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso

Performance Comment: Principal Vocal Performers, Leader, Organ as17940307ART I. Fifth Grand Concerto. Hence! loathed. Hence! vain deluding. Come, thou goddess. Come rather, goddess. Haste thee nymph. Come, and trip it. Come, pensive man. Come, but keep. Join with thee. Hence! loathed. And if I give thee honor. Mirth admit me. First and chief. Sweet bird, accompanied on the violin by G. Ashley. If I give thee honor. Mirth admit me, corno obligato by Shutze. Oft on a plat. If I give thee honor. Let me wander. Or let the merry bells. And young and old. PART II. Hence, vain deluding. But O, sad virgin, accompanied on the violoncello by C. Ashley. Thus night, oft see me. Populous cities please. There let Hymen. Me when the sun. Hide me from day's. As steals the morn. These delights if thou canst give. PART III. A GRAND MISCELLANEOUS ACT. Fourth Oboe Concerto. The Lord worketh wonders by Bartleman (JUDAS MACCABAEUS). In sweetest harmony by Mme Mara; O fatal day by Chorus (SAUL). Disdainful of danger by Incledon, Hill, Linton (JUDAS MACCABAEUS). When the sun by Florio (ISRAEL IN EGYPT). May no rash intruder by Chorus (SOLOMON). The soldier tired [from ARTAXERXES, by Dr Arne] by Mme Mara. Kings shall be thy nursing fathers by Grand Chorus ([CORONATION] ANTHEMS). To conclude with God save Great George our King and Rule Britannia .

Music: As17940319athi

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Mr Oakly-Pope; Major Oakly-Quick; Sir Harry Beagle-Fawcett; Capt. O'Cuttcr-Johnstone; Charles Oakly-Holman; Russet-Munden (Their 1st appearance in those characters); Lord Trinket-Lewis//Lady Freelove-Mrs Mattocks; Harriet-Mrs Mountain (Their 1st appearance in those characters); Mrs Oakly-Mrs Pope .
Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: THE SAILOR'S FESTIVAL; or, All Alive at Portsmouth

Performance Comment: SCENE I. The Deck of a Man of War. Blow bigh, blow low by Incledon. We be three poor Mariners by Johnstone, Incledon, Linton. Jack at the Windlass by Fawcett. The Mid-Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour .

Afterpiece Title: MARIAN

Cast
Role: Lord of the Manor Actor: Evatt
Role: Dusty Gentleman Actor: Bernard

Performances

Mainpiece Title: The Jealous Wife

Related Works
Related Work: The Jealous Wife Author(s): George Colman, the elder

Afterpiece Title: TRUE BLUE

Afterpiece Title: THE UPHOLSTERER

Performance Comment: Razor-Quick; Pamphlet-Fawcett; Quidnunc-Munden; Rovewell-Davies; Belmour-Macready//Harriet-Miss Chapman; Termagant-Mrs Mattocks. To conclude with a new Occasional Epilogue by Quick .

Dance: In 2nd piece Hornpipe by Blurton

Event Comment: Benefit for Wild, prompter. 1st piece: Not acted these 20 years; altered from Dryden (by Joseph George Holman (Not. Dram.)]. 2nd piece [Ist time; M.INT 1, probably by John Cartwright Cross. MS: Larpent 1028; not published]. 3rd piece: In which an Engagement between an English and a French Man of War, a Shipwreck, and a Grand Military Procession as it pass'd, when the French Colours taken by the British Army were conveyed from St. James's to St. Paul's Cathedral [on 17 May 1794]. The above Procession is represented by Moving Figures, in which the Horse and Foot Guards, the Band of Music, the French Colours, &c. are seen to pass in the exact order they appeared on that memorable occasion. Morning Herald, 17 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #293 2s. 6d. (112/17/6; 14/2/0; tickets: 166/3/0)

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Don Sebastian-Pope; Muley Moluch-Harley; Muley Zeydan-Middleton; Don Antonio-Lewis; Abdallah-Fawcett; Don Alvarez-Thompson; M ustapha-Quick; Dorax-Holman//Morayma-Mrs Mattocks; Johayma-Mrs Henley; Almeyda-Mrs Pope .
Cast
Role: HolmanMorayma Actor: Mrs Mattocks

Afterpiece Title: THE NEW DIVERTISEMENT

Afterpiece Title: THE SHIPWRECK; or, French Ingratitude

Performance Comment: Cast not listed, but probably same as17930527: English Characters. Captain Briton-Byrn; Boatswain-Farley; Midshipman-Jackson; Cabin Boy-Simmons//Captain's Lady-Mme Rossi. French Characters. General Sanguinaire-Cranfield; Monsieur L'Ingrate-Holland. Indian Characters. Indian Chief-Follett//Female Savage-Mr Rock .
Cast
Role: Midshipman Actor: Jackson

Music: End of Act II of 1st piece a Solo on the Union Pipes by Courtney; In the course of the Evening a Duetto on the Union Pipes and Harp by Courtney and Weippert

Event Comment: Paid for Beer for the Men removing Music Books #2 19s. 6d. [In mainpiece the playbill assigns First Constantia to Mrs Powell, but she "having sprain'd her Ancle [sic] Miss Collins play'd 1st Constantia" (Powell)]. Powell: Chances rehearsed at 10 (Barrymore absent; Caulfield, Cooke, Welsh each two scenes; Trueman one scene). Receipts: #139 6s. 6d. (78/10/6; 57/16/6; 2/19/6)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Palmer; Frederick-Barrymore; Duke-Whitfield; Petruchio-Benson; Antonio-Waldron; Peter-Burton; Anthony-Trueman; Surgeon-Jones//First Constantia-Miss Collins; Mother-Mrs Hopkins; Kinswoman-Miss Heard; Landlady-Mrs Booth; Nurse-Miss Tidswell; Second Constantia-Miss Farren .
Cast
Role: Kinswoman Actor: Miss Heard

Afterpiece Title: LODOISKA

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: The Mountaineers

Related Works
Related Work: The Mountaineers Author(s): George Colman, the younger

Afterpiece Title: AULD ROBIN GRAY

Cast
Role: Coachman Actor: Benson

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hercules and Omphale

Song: As17941122

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.
Event Comment: Benefit for Mrs Siddons. Mainpiece: Translated from Voltaire. Not acted these 20 years [acted l6 Nov. 1779]. Afterpiece: Not acted these 18 years [not acted since 19 Apr. 1774]. Morning Chronicle, 9 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. [Mrs Siddons's 1st appearance as Palmyra was at Manchester, 1 Apr. 1778. Adress by Samuel Rogers (European Magazine, May 1795, p. 344). Epilogue by David Garrick.] Receipts: #569 8s. 6d. (293.14.6; 59.10.6; 8.0.0; tickets:208.3.6) (charge:#204 1s.)

Performances

Mainpiece Title: Mahomet The Impostor

Afterpiece Title: Edgar and Emmeline

Performance Comment: Edgar (disguised as a Woman)-Barrymore; Florimand-Bannister Jun.; Elfina (a Fairy)-Master Welsh; Grotilla (a Fairy)-Miss Menage; Emmeline (disguised as a Man)-Mrs Siddons; Agatha-Miss Tidswell.
Cast
Role: Florimand Actor: Bannister Jun.

Entertainment: Monologues. End: an Occasional Address-Mrs Siddons; Afterpiece to conclude with: the original Epilogue-Mrs Siddons

Performances

Mainpiece Title: Every One Has His Fault

Performance Comment: Sir Robert Ramble-Lewis; Irwin-Pope; Lord Norland-Harley; Harmony-Munden; Placid-Macready; Hammond-Powel; Edward-Mrs Lee; Solus-Quick; Mrs Placid-Mrs Mattocks; Miss Woburn-Miss Chapman; Miss Spinster-Mrs Davenport; Lady Eleanor Irwin-Mrs Pope.

Afterpiece Title: The Sailor's Festival; or, All Alive at Portsmouth

Performance Comment: I. Deck Deck of a Man of War. The Mid Watch-Incledon; We be three poor Mariners-Johnstone, Incledon, Linton; Jack at the Windlass-Fawcett; Oh bring me Wine-Bowden; The Good Subjects of England-Incledon, Richardson, Townsend; SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone (in character)-Mrs Martyr; The Storm-Incledon; SCENE III. Irish Song-Johnstone; Treble Hornpipe-Byrn, Holland, Mme Rossi; Rule Britannia-Incledon.

Afterpiece Title: Netley Abbey