SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Joseph de laFont"/1) | (@(roleclean,performerclean) "Joseph de laFont")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1061 matches on Author, 1020 matches on Performance Title, 638 matches on Performance Comments, 234 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Richard Coeur de Lion

Performances

Mainpiece Title: L'etourdy

Afterpiece Title: Arlequin Sauvage

Music: Several Concertoes, particularly a Grand Concerto with French Horns and Trumpets; and another with one French Horn, the French Horn part by Mr Charles

Performances

Mainpiece Title: Erifile

Dance: End I: La Polonaise Favourite, as17780131; End II: Les Bohemiens, as17771216; End Opera: Divertisement-Mons and Mlle Banti, Vallouy@le@cadet, Mlle Baccelli

Song: In II: Air-Sga Danzi; accompanied on the Hautboy-LeBrun. [This was sung, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala, and added: Passacaille, as17821109; End of Opera Apelles and Campaspe, as17821102, but added: Sga Crespi

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

Performances

Mainpiece Title: False Appearances

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: Benefit for the Relief of the Widows and Orphans of the brave Men who fell in the late Glorious Actions [on 1 June 1794], under Earl Howe. The Whole Receipt of the Night to be applied to the above Fund. Under the Patronage of His Royal Highness the Prince of Wales, and His Royal Highness the Duke of Clarence. The Tickets for the Boxes at Half-a-Guinea each, are issued under the Direction of a Committee consisting of the following Noblemen and Gentlemen, who have obligingly undertaken to attend to the arrangements of the Evening: The Duke of Leeds, The Duke of Bedford, The Earl of Lauderdale, Lord Mulgrave, Lord William Russel, The Right Honourable the Lord Mayor [Paul Le Mesurier], Mr Alderman Coombe, Hon. Thos. Erskine, J. Nesbit Esq., I. B. Church Esq., W. Devaynes Esq., J. Taylor Vaughan Esq., J. J. Angerstein Esq., R. B. Sheridan Esq. Tickets and Places for the Boxes, not disposed of by the Committee, to be had of Fosbrook, at the Box-Office, Little Russel-Street. Tickets also to be had at the Bar of Lloyd's Coffee House. Afterpiece [1st time; ENT 2, by Richard Brinsley Sheridan and James Cobb; with songs written by the Duke of Leeds, the Earl of Mulgrave, Mary Robinson, Joseph Richardson, &c. In 1797 altered as CAPE ST. VINCENT. Prologue by Joseph Richardson (London Chronicle, 4 July). Epilogue by Richard Brinsley Sheridan]: The Music composed and selected by Storace [with one song each by Reeve. Linley Sen., Michael Kelly]. The Dresses, Scenery and Machinery entirely New. "This piece is a sort of continuation of No Song No Supper...hastily put together for the occasion" (European Magazine, July 1794, p. 60). "The Theatre this Evening was crowded in every Part, the receipt amounting to something better than 1300 Guineas" (Powell). Powell, 1 July: Country Girl rehearsed at 10; Glorious First at 12 and at night. 2 July: Glorious First rehearsed at 10. Receipts: #1,526 11s. (450/6/0; 41/13/0; 0/12/6; tickets in boxes: 954/0/0; tickets in pit: 80/0/0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Event Comment: Mainpiece [1st time; CO 3, by Joseph George Holman]: The Overture and the whold of the Musick by Davy. Books of the Songs to be had at the Theatre. [Miss Wheatley was from cg.] Morning Chronicle, 20 Aug. 1800: This day at twelve o'clock is published What a Blunder! (2s.)

Performances

Mainpiece Title: What A Blunder

Related Works
Related Work: What a Blunder! Author(s): Joseph George Holman

Afterpiece Title: The Deaf Lover

Event Comment: [The playbill assigns Joseph Surface to Palmer, but "Palmer at a late hour sent word that he was unable to attend to his Business this Evening, in consequence of which a messenger was dispatch'd after Mr Barrymore to play Joseph Surface, but he could not be found, Mr Benson was therefore sent for, who, after having an apology made for him, play'd the Part. Banks play'd Surface's Servant " (Powell: Trip to Scarborough rehearsed at 10; Measure at 12. Receipts: #252 16s. (172.13.0; 77.9.6; 2.13.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: As17941112, but Joseph Surface-Benson; Careless-Barrymore; Moses-Waldron; Trip-R. Palmer; Maid-_.
Cast
Role: Joseph Surface Actor: Benson

Afterpiece Title: No Song No Supper

Song: As17941112

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Lionel Actor: Joseph Price
Event Comment: [This was Baddeley's last appearance on the stage (see 19 Nov.).] Powell: R. Palmer Ill, Benson Trip [as in playbill]; Banks Servt to Joseph Surface for Benson. School for Lovers rehearsed at 10; Mithridates at 12 [but this play not acted at this or any other London theatre between 1738 and 1800], Receipts: #329 1s. (259.0.6; 68.9.0; 1.11.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Aickin; Sir Benjamin Backbite-Dodd; Joseph Surface-Barrymore; Charles Surface-Wroughton; Crabtree-Parsons; Careless-Dignum; Snake-Phillimore; Rowley-Packer; Moses-Baddeley; Trip-Benson; Lady Teazle-Miss Farren; Lady Sneerwell-Mrs Goodall; Mrs Candour-Miss Pope; Maria-Mrs Kemble; Maid-Mrs Heard.
Cast
Role: Joseph Surface Actor: Barrymore

Afterpiece Title: My Grandmother

Song: III: a song-Sedgwick

Performances

Mainpiece Title: De Le Colle Des Femmes

Afterpiece Title: Arlequin Protee

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

Performances

Mainpiece Title: The Mariners

Afterpiece Title: WAYS AND MEANS

Cast
Role: Josephine Actor: Mrs Bland.

Afterpiece Title: HARLEQUIN PEASANT

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Lodoiska

Song: As17941029

Performances

Mainpiece Title: She Wou'd If She Cou'd

Dance: I: Harlequin by Maker. II: The Nassau, as17340117 III: French Shepherd and Shepherdess by Maker and Mlle Salle. V: Pigmalion: Pigmalion-Maker; Statue-Mlle Salle; others by Dupre, Pelling, Duke, Le Sac, Newhouse, De la Garde

Song: I: English Cantata by Mrs Wright. IV: The Black and White Joke by Leveridge and Laguerre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Dance: End I: The Butterfly, as17800921

Song: V: song-Miss Field

Performances

Mainpiece Title: Zemira And Azor

Dance: End I: The Pert Country Maid, as17810113; End II Grand Serious Ballet, as17801216, but Mlle _Baccelli, Mme Simonet; with a +Pas@Solo-Vestris Sen.; accompanied with the oboe-LeBrun; a Pas de Deux-Vestris Sen., Mme Simonet; to finish with a Grand Chaconne-Vestris Jun.; End Opera: The Rural Sports, as17810123

Music: II: a concerto on the piano forte-Mme LeBrun

Song: a song by LeBrun-Mme LeBrun; accompanied with the hautboy-

Performances

Mainpiece Title: Le Nozze Di Dorina

Dance: End I: Les Epoux du Tempe- [See17930205]

Ballet: End Opera: the Grand Historical Ballet in 4 Parts, which has been so long in preparation, Iphiginia in Aulide; or, The Sacrifice of Iphiginia composed by Noverre. Iphiginia-Mlle Hilligsberg; Clytemnestra-Mlle Millerd; Agamemnon-D'Egville; Achilles-Nivelon; Egisthus-Favre Gardel; Young Orestes-Mlle Menage; Lesbian-Gentili; Warriors, Lesbian Slaves, High Priests, Priests, Priestesses-the Corps de Ballet

Performances

Mainpiece Title: Piramo E Tisbe

Dance: End I: A New Divertissementin which-Mlle Parisot will dance, for the first time in this Country; End Opera: Paul et Virginie, as17960116

Performances

Mainpiece Title: De Montfort

Afterpiece Title: The Devil to Pay

Song: Vocal Parts, as18000429, but Mrs Coates

Performances

Mainpiece Title: De Montfort

Afterpiece Title: The Citizen

Song: As18000430

Performances

Mainpiece Title: De Montfort

Afterpiece Title: Of Age To-morrow

Song: Vocal Parts, as18000429, but _Sawyer, _Aylmer, _Willoughby, _Bardoleau, _Clark, _Mead, _Elliot, Ms _Bristow, Ms _Butler, Ms _Gawdry

Performances

Mainpiece Title: De Montfort

Afterpiece Title: Of Age To-morrow

Song: As18000503