SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Wilson"/1) | (@(roleclean,performerclean) "John Wilson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9830 matches on Author, 2744 matches on Performance Comments, 1274 matches on Event Comments, 351 matches on Performance Title, and 15 matches on Roles/Actors.
Event Comment: [This was Wilson's last appearance in London; subsequently he acted at Edinburgh, Manchester, &c.] Receipts: #250 10s. 6d

Performances

Mainpiece Title: Just In Time

Cast
Role: Barney O'Liffy Actor: Johnstone
Role: Commodore Larboard Actor: Wilson

Afterpiece Title: The Prisoner at Large

Cast
Role: Dowdle Actor: Wilson
Related Works
Related Work: The Prisoner at Large Author(s): John O'Keeffe

Performances

Mainpiece Title: Douglas

Performance Comment: Glenalvon-Wilkinson; Lord Randolph-Turner; Old Norval-Walker; Officer-Wilson; Servant-Service; Young Norval-Baker; Anna-A Young Lady [unidentified]; Lady Randolph-Mrs Murray.
Cast
Role: Officer Actor: Wilson
Related Works
Related Work: Douglas Author(s): John Home

Afterpiece Title: A Wife to be Lett

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Related Works
Related Work: The City Politiques Author(s): John Crowne
Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Related Works
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-Law

Performance Comment: As17820610 but Wilson in place of Parsons .
Cast
Role: John Actor: Stevens
Related Works
Related Work: The Son-in-Law Author(s): John O'Keeffe

Monologue: 1782 08 27 End of Act I of 2nd piece Joe Haynes's Epilogue, on an Ass, by Dick Wilson, after the manner of Ned Shuter. imitations. End of 2nd piece, as 9 Aug

Performances

Mainpiece Title: The Spanish Barber

Cast
Role: John Actor: Wewitzer

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17830531, but Wilson in place of Gaudrey; Kenny in place of Ledger .
Cast
Role: John Actor: Egan
Related Works
Related Work: The Agreeable Surprise Author(s): John O'Keeffe

Dance: End of mainpiece, as17830611

Event Comment: Benefit for Carleton, Wilson, J. Shade & Daglish. Receipts: #284 1s. 6d. (25.3.0; 5.5.6; 2.1.0; tickets: 251.12.0) (charge: #106 1s. 4d.)

Performances

Mainpiece Title: The Chances

Cast
Role: Don John Actor: Palmer
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The Quaker

Cast
Role: Floretta Actor: Mrs Wilson.
Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Dance: The Lucky Return, as17870530, but _Hamoir, Ferrere

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Love's Pilgrimage

Related Works
Related Work: Love's Pilgrimage Author(s): John Fletcher
Event Comment: The Duke's Company. The date of the first production is uncertain. The date of licensing was 3 Jan. 1678@9, but Wilson (Six Restoration Play-Dates, p. 222) has argued that it may well have been the first new play of the season. The Prologue refers to it as "The first Play bury'd since the Wollen Act," the Act going into effect on 1 Aug. 1678. For Sandford as Creon, see Cibber, Apology, ed. Lowe, I, 131. Downes (Roscius Anglicanus, p. 37): Oedipus King of Thebes, Wrote by Mr Nat. Lee and Mr Dryden: The last Writing the first two Acts, and the first the 3 last. This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together

Performances

Mainpiece Title: Oedipus

Related Works
Related Work: Oedipus Author(s): John Dryden
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil-war

Related Works
Related Work: The Misery of Civil War Author(s): John Crowne
Event Comment: The King's Company. The date of the first production is not known. Although the play was not entered in the Term Catalogues until May 1681, Wilson (Six Restoration Play-Dates, p.222) has argued that the reference in the Prologue to the young men (presumably Gray, Goodman, and Clarke; see February 1679@80) who had gone to Scotland and returned empty-handed suggests a performance near March 1680, when these references would have more point than they would have a year later

Performances

Mainpiece Title: Thyestes

Related Works
Related Work: Thyestes Author(s): John Wright
Event Comment: The King's Company. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treapy & in ye Afternoon goes to see Rollo D. of Normandy at ye Ks playhouse (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Related Works
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher
Event Comment: The Duke's Company. Newdigate newsletters, 5 Aug. 1682: [Yesterday the] Dutchess goes to ye Dukes Theatre--that and ye Kings house haveing Joyned interests the latter being Discontinued where will be purposely Acted for her Anna Bullen being a deepe Tragedy of the beheading of the said Lady by Henry the 8th (Wilson, Theatres Notes from the Newdigate Newsletters, p. 81). See also London Mercury, 8 Aug. 1682. Juliana Brabazon to the Countess of Rutland, Aug. 1682: The Dutches of Yorke kept her bed the day after seeing Anna Bulloigne acted (HMC, 12th Report, Rutland MSS., Part V, 1889, p. 77)

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Related Works
Related Work: Vertue Betray'd; or, Anna Bullen Author(s): John Banks
Event Comment: The United Company. Newdigate newsletters, 28 Nov. 1682: This day was Acted a new play called the Duke of Guise by Mr Dryden it was formerly forbidd as reflecting upon the D of Monmouth but by ye supplication of ye Author its now allowed to be acted (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately printed, bear Luttrell's date of acquisition (Huntington Library) as 4 Dec. 1682, but above this date Luttrell has written: "30 Nov." The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 149-52. Dedication, Edition of 1683: In the Representation itself, it was persecuted with so notorious Malice by one side, that it secur'd us the Partiality of the other. In a report from the Abbe Rouchi, in London, 14 Dec. 1682, it is stated that the Duke of Guise was acted three times (Campana de Cavelli, Les Derniers Stuarts [Paris and London, 1871], I, 398). One song, Tell me Thyrsis all your anguish, with music by Captain Pack, is in the edition of 1683 and also in Choice Ayres and Songs, The Fourth Book, 1683

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise Author(s): John Dryden
Event Comment: The United Company. The players received the customary fee of #20. See A Calendar of the Middle Temple Records, ed. Hopwood, p. 179. Newdigate newsletters, 3 Feb. 1682@3: Yesterday the Governors? of ye Temple Invited the Greate Lds: of [...] together with the Ld. Keeper to dinner where afterwards they were entertayned with variety of songs & a play was Acted before them Called the Chances by the Kings players (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Chances

Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: The United Company. That the King saw a play on this evening is indicated by the Newdigate newsletters, but the reference to the play is not by title. The play which most closely fits the brief description is The Duke of Guise. Newdigate newsletters, 24 May 1684: [In] the Evening his Matye is Entertained with Mr Dryden s new play the subject of which is the last new Plott (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59)

Performances

Mainpiece Title: The Duke Of Guise

Related Works
Related Work: The Duke of Guise Author(s): John Dryden
Event Comment: The United Company. This performance is indicated in the Newdigate newsletters, 11 Jan. 1693@4: On Tuesday the Prince of Baden dyned with ye D of Linster and yesterday his Highness saw the new Opera called Diaclessia acted at the Ks play house (Wilson, More Theatre Notes from the Newdigate Newsletters, p. 59). There is, however, some uncertainty about this performance. In the first place, Dioclesian was not a new play, although new songs frequently appeared in it. In the second place, Dryden's new play, Love Triumphant, was ready for its premiere about this time, and the compiler of the Newdigate newsletters might have been mistaken in identifying the play. Yet the certain performance of The Double Dealer on 13 Jan. 1693@4 would be an awkward interruption of the initial run of Love Triumphant if it were the new play the Newdigate newsletters refer to. It seems likely, then, that Love Triumphant did not make its first appearance until mid-January. In Thesaurus Musicus, 1694, is a new song in The Prophetess, Act III, When first I saw the bright Aurelia's eyes, set by Henry Purcell and sung by Mrs Ayliff. It is also in Joyful Cuckoldom 1695. In the latter compilation are three other songs for this play: Since from my dear, sung by Mrs Hudson "in the Prophetess, as it is newly reviv'd," set by Henry Purcell; Let monarchs fight, the words by Thomas Betterton, the music by Henry Purcell, and sung by Freeman; Let ye soldiers, the words by Thomas Betterton, set by Henry Purcell, and sung by Freeman

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher
Event Comment: Mainpiece: By Command of the Princess of Wales. Tomorrow Noon will be publish'd Appius, a Tragedy, as it is acting at Covent Garden. Printed for A. Miller, D. Wilson, and T. Durham in the Strand at 1s. 6d

Performances

Mainpiece Title: Appius

Related Works
Related Work: Appius and Virginia Author(s): John Dennis
Related Work: Appius Author(s): John Moncrieff
Related Work: The Roman Virgin; or, The Unjust Judge Author(s): John Webster
Related Work: Appius and Virginia Author(s): John Webster

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Particular Desire. Tickets delivered for The Humorous Lieutenant will be taken. Receipts: #113 5s. Charges #63. Income from Tickets #152 5s. (boxes 339; pit 364; gallery 129). Profit to Mrs Bellamy #202 10s. [Her daily salary was #2 2s.; on this night she cleared more than 4 months' wages at 24 acting days per month.] Two New Renters came in: Solomon Paul Juliot and Francis Wilson at 1 share each. Rec'd of Benj. Read for 6 Box tickets for the 2nd inst. #1 10s. (Account Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Related Works
Related Work: All for Love; or, The World Well Lost Author(s): John Dryden
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Related Work: The British Enchanters: or, No Magick like Love Author(s): John Eccles

Afterpiece Title: The Englishman Returned from Paris

Dance: As17571217

Ballet: TThe Judgment of Paris. As17571217

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets delivered by Humphreys will be taken. Receipts: #267 13s. Charges: #84. Profits to beneficiaries: #183 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Miller of Mansfield

Entertainment: End Opera: Bucks Have at Ye All-Palmer

Event Comment: Barbarossa [announced on playbill of 6 Feb.] is obliged to be deferred. Wilson's violent Hoarseness prevents his performing this Evening

Performances

Mainpiece Title: The Provok'd Wife

Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Touchstone

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): John Brownsmith

Performances

Mainpiece Title: The Agreeable Surprise

Performance Comment: . As17820914, but Mrs Wilson in place of Mrs Wells; Miss Morris of Miss Harper .
Related Works
Related Work: The Agreeable Surprise Author(s): John O'Keeffe

Afterpiece Title: Harlequin Teague

Related Works
Related Work: Harlequin Teague; or, The Giant's Causeway Author(s): John O'Keeffe

Dance: As17820826

Event Comment: Tickets delivered by Miss Barnes, Miss Tidswell, Mrs Heard, Miss Richards, Dale, Stageldoir, Daglish, Kenny, Brigg, Master Wilson will be taken. Receipts: #211 14s. 6d. (27/5/0; 14/16/0; 0/7/6; tickets: 169/6/0)

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: The Gentle Shepherd

Dance: End of Act III of mainpiece, as17820917; End of Act iv Hornpipe by a Young Lady [unidentified] (Scholar of Brigg)

Song: End of mainpiece Tally Ho! by Miss Barnes

Event Comment: [In mainpiece the playbill assigns Peachum to Wilson, and Lockit to Booth, but on the Kemble playbill MS annotations substitute Booth and Thompson.] Receipts: #140 6s. (139/2; 1/4)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Capt. Macheath-Johnstone; Peachum-Booth; Lockit-Thompson; Mat o' the Mint-Mahon; Ben Budge-Ledger; Jemmy Twitcher-Painter; Crook finger'd Jack-Bates; Wat Dreary-Jones; Harry Paddington-Darley; Jailor-Stevens; Drawer-Helme; Filch-Doyle; Lucy-Mrs Kennedy; Mrs Peachum-Mrs Webb; Jenny Diver-Mrs Morton; Mrs Slammekin-Miss Platt; Mrs Vixen-Mrs Lewis; Dolly Trull-Mrs Chalmers; Sukey Tawdry-Mrs Inchbald; Mrs Coaxer-Mrs Whitfield; Molly Brazen-Miss Stuart; Betty Doxey-Miss Brangin; Polly-Mrs Bannister. hathi.
Cast
Role: . Macheath Actor: Johnstone
Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: (End of Act I) The Rival Knights

Afterpiece Title: Three Weeks after Marriage

Dance: In Act III of mainpiece Hornpipe by Miss Besford