SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Williams"/1) | (@(roleclean,performerclean) "John Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 20147 matches on Author, 3212 matches on Performance Comments, 1527 matches on Event Comments, 373 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Reddish; Modely-Dodd; Bellmour-Palmer, first time for all three in these parts; Steward-Waldron; Servant-Everard; Araminta-Mrs King; Lady Beverly-Mrs Hopkins; Celia-a Young Lady, first time.
Cast
Role: Sir John Dorilant Actor: Reddish

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: Mainpiece [1st time; CO 3]: Written by [John] O'Keeffe. The Music by Shield. With a new French Medley Overture, new Dresses, &c. The Words of the Songs to be had at the Theatre. [Mrs T. Kennedy was from the Newcastle theatre.]

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Davies, Wewitzer, Egan, Johnstone; Mrs Kennedy, Miss Wheeler, Mrs Martyr, Mrs T. Kennedy [on playbill of ij Nov.: 1st appearance on this stage], Mrs Webb, Mrs Bannister. [Cast from text (Dublin: W. Wilson, 1785), and Gazetteer, 17 Nov.: Lackland-Lewis; Lapoche-Quick; Sir Shenkin ap Griffin-Edwin; Sir John Bull-Wilson; Lord Winlove-Davies; Colonel Epaulette-Wewitzer; Drunken Butler-Egan; Robin-Darley; Henry-Johnstone; French Inn-keeper-Gaudry; Jockey-Kennedy; Postboy-Jones; Waiters-Helme, Thompson; Mrs Casey-Mrs Kennedy; Celia-Miss Wheeler; Nanette-Mrs Martyr; Miss Bull-Mrs T. Kennedy; Lady Bull-Mrs Webb; Rosa-Mrs Bannister.] hathi. hathi.
Cast
Role: Sir John Bull Actor: Wilson
Role: Henry Actor: Johnstone
Related Works
Related Work: Fontainbleau; or, Our Way in France Author(s): John O'Keeffe

Afterpiece Title: The Citizen

Dance: End of mainpiece The Belle of the Village, as17840917

Event Comment: Mainpiece: With Alterations by the Author [John O'Keeffe]. Receipts: #156 6s. (153/9; 2/17)

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Lackland-Lewis; Lepoche-Quick; Squire Tally-ho-Edwin; Sir John Bull-Wilson; Colonel Epaulette-Wewitzer; Lord Winlove-Davies; Henry-Johnstone; Mrs Casey-Mrs Kennedy; Celia-Mrs Martyr; Nannette-Mrs Morton; Miss Dolly-Mrs Wilson; Lady Bull-Mrs Webb; Rosa-Mrs Bannister .
Cast
Role: Sir John Bull Actor: Wilson
Role: Henry Actor: Johnstone
Related Works
Related Work: Fontainbleau; or, Our Way in France Author(s): John O'Keeffe

Afterpiece Title: Barataria

Dance: End of mainpiece The Wapping Landlady, as17851102

Event Comment: Mainpiece: With new Songs by the Author [John O'Keeffe], and composed by Shield. Receipts: #182 9s. (179.18.6; 2.10.6)

Performances

Mainpiece Title: Fontainbleau; Or, Our Way In France

Performance Comment: Lackland-Lewis; Lepoche-Quick; Squire Tally@ho-Edwin; Sir John Bull-Booth; Col. Epaulette-Wewitzer; Lord Winlove-Davies; Henry-Johnstone; Mrs Casey-Mrs Kennedy; Celia-Mrs Martyr; Nannette-Mrs Morton; Miss Dolly-Mrs Brown; Lady Bull-Mrs Webb; Rosa (1st time)-Mrs Billington.
Cast
Role: Sir John Bull Actor: Booth
Role: Henry Actor: Johnstone
Related Works
Related Work: Fontainbleau; or, Our Way in France Author(s): John O'Keeffe

Afterpiece Title: The Cheats of Scapin

Dance: As17861116

Event Comment: [Mainpiece: With alterations by John Philip Kemble.] Receipts: #115 14s. (81.0.6; 32.9.6; 2.4.0)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Don Pedro-Whitfield; Leonato-Aickin; Antonio-Packer; Don John-Campbell; Claudio-Barrymore; Benedick-Kemble; Borachio-Phillimore; Conrade-Caulfield; Friar-Maddocks; Balthazar-Dignum; Dogberry-Suett; Verges-Dowton; Sexton-Hollingsworth; Oatcake-Wewitzer; Seacoal-Denman; Hero-Miss Mellon; Beatrice-Miss Farren; Margaret-Miss Tidswell; Ursula-Miss Heard.
Cast
Role: Don John Actor: Campbell
Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: The Shipwreck

Related Works
Related Work: The Shipwreck; or, Perseus and Andromeda Author(s): John Weaver
Related Work: Perseus and Andromeda; or, The Spaniard Outwitted Author(s): John Galliard

Dance: In II: Masquerade-; Dance-Gentili, Mrs Wild

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Masquerade Author(s): Charles Johnson

Song: In Masquerade: Stevens's Glee, Sigh no more Ladies-Dignum, Sedgwick Cooke, Master Welsh, Mrs Bland, Miss DeCamp

Related Works
Related Work: The Masquerade Author(s): Charles Johnson
Event Comment: Afterpiece [1st time; MF 1, by John O'Keeffe. Larpent MS 1188; not published]: The Overture and Music by Attwood. European Magazine, Jan. 1798, p. 42: Written with allusion to Their Majesties' attendance at St. Paul's [on this day, at a thanksgiving service held in honor of the recent naval victories of Howe, St. Vincent and Duncan]. Receipts: #289 17s. (286.11; 3.6)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17971102, but Peter-_; Friar John-_; Apothecary-_.
Cast
Role: Romeo Actor: Johnston
Role: Friar John Actor: Thompson

Afterpiece Title: Britain's Brave Tars

Performance Comment: !; or, All for St. Paul's. Principal Characters-Incledon, Munden, Johnstone, Knight, Townsend, Claremont, Simmons, Wilde, Abbot, Curties, Miss Wheatley, Mrs Watts, Mrs Davenport. [Larpent MS lists the parts: Nutmeg, Capt. Ogle, Lieutenant Tafferel, Junk, Weatherbang, Pat Plunket, Dick, Waiters, Painter, Lady Piony, Miss Nancy.]Larpent MS lists the parts: Nutmeg, Capt. Ogle, Lieutenant Tafferel, Junk, Weatherbang, Pat Plunket, Dick, Waiters, Painter, Lady Piony, Miss Nancy.]
Related Works
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): John O'Keeffe

Song: As17971102

Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Related Works
Related Work: Joan of Arc; or, The Maid of Orleans Author(s): John Cartwright Cross

Performances

Mainpiece Title: The Tempest

Performance Comment: Adapted by Sir William Davenant and John Dryden. A possible cast: Ferdinand-Harris?; Stephano-Angel?; Trincalo-Underhill?; Ariel-Mary Davis?; Hypolito-Mrs Long?.
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Cast
Role: Vainlove Actor: Williams
Event Comment: Benefit Hallam, Robert Williams, and Peplow. Mainpiece: As it was alter'd from Shakespeare by Sir Wm D'Avenant and Mr Dryden

Performances

Mainpiece Title: The Tempest

Performance Comment: Parts-Mills, Johnson, Miller, Harper, Norris, Shepard, W. Mills, Cibber, Miss Teno, Miss Lindar; The Dance of the Winds-Roger, Lally, Essex, Boval; The Grand Devils Dance: Chief Fury-Houghton; The Dance of Watermen-Harper, others; With a Masque of Neptune and Amphitrite-.
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Strolers

Performance Comment: As17270503, but Truncheon-R. Williams; Fidelia-Miss Tenoe; Mrs Buskin-Mrs Willis.
Cast
Role: Truncheon Actor: R. Williams
Related Works
Related Work: The Strolers Author(s): John Breval
Related Work: The Play is the Plot Author(s): John Breval

Dance: End I: The Muzette-Young Rainton, Miss Robinson; III: Whitson Holidays-Boval, Miss Tenoe

Related Works
Related Work: All's Well that Ends Well Author(s): John Philip Kemble

Ballet: End Farce: The Cobler's Jealous Wife. As17270505

Event Comment: Music by Fisher. The whole to conclude with a Capital Scene by Servandoni. Books of the Songs, Chorusses &c. [of the afterpiece] to be had at the Theatre. [Customary note on all succeeding bills advertising the Sylphs this season. Mrs Williams was probably Mrs Willems.

Performances

Mainpiece Title: The Maid Of The Mill

Related Works
Related Work: The Maid in the Mill Author(s): John Fletcher

Afterpiece Title: The Sylphs; or, Harlequin's Gambols

Performance Comment: Harlequin-Lewis; Principal Sylph-Miss Brown; Other characters-Quick, King, Cushing, Fox, Baker, Thompson, Banks, Harris, Davis, Hollingsworth, Mrs Williams, Mrs Evans, Mrs White; Colombine-Miss Valois.
Related Works
Related Work: The Sylphs; or, Harlequin's Gambols Author(s): John A. Fisher

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Gainlove-Harricks; Shamwell-King; Haughty-Johnson; Young Ape@all-Mills; Old Ape@all-Shatford; Dash-Curtis; Timothy-Middleton; Officer-Smith; Vice Chancellor-Bate; Conundrum-Swords; Colonel Truemore-Powell; Lady Science-Mrs Lefevre; Victoria-Miss Miller; Kitty-Miss Dudley; Wife-Miss Shelbourne; Maid-Miss Baker; Clarinda-Mrs Clifford; Occasional Prologue-Kennedy.
Cast
Role: Haughty Actor: Johnson

Afterpiece Title: A Mirror for the Ladies

Afterpiece Title: The Wrangling Lovers

Performance Comment: Don Carlos-Holmes; Don Lorenzo-Curtis; Lopes-Swords; Sancho-Kennedy; Leonora-Mrs Williams; Jacinta-Mrs Lefevre; Prologue-Brown.
Cast
Role: Leonora Actor: Mrs Williams
Related Works
Related Work: The Mistake Author(s): John Vanbrugh

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Projects

Related Works
Related Work: The Projects Author(s): John Philip Kemble

Dance: End of Act I of mainpiece The Lucky Return, as17860105

Song: In Act V of mainpiece a song by Mrs Forster

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): John Burgoyne

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Benefit for Woodward. Mainpiece: Not acted these 5 years. [See 7 May 1766.] Charges #74 4s. Balance to Woodward #82 7s. plus income from 190 Box tickets, #47 10s.; Paid Williams 3 nights performing the Bells, #1 2s. 6d., and Gard & Singleton 3 nights for perfoming in the Lyon 7s. 6d. each (Account Book). Receipts: #156 11s

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Foppington-Woodward; Loveless-Smith; Worthy-Hull; Coupler-Quick; Lory-Cushing; Syringe-Shuter; Young Fashion-Dyer; Sir Tunbelly-Dunstall; Miss Hoyden-Mrs Mattocks; Bull-Saunders; Nurse-Mrs Pitt; Amanda-Mrs Vincent; Berinthia-Mrs Bellamy; With Sir John Vanbrugh's Original Epilogue in the Character of Foppington-Woodward.
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Afterpiece Title: Harlequin's Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): John A. Fisher
Event Comment: 3rd piece [1st time; MD 2, by John Rose; music by Thomas Attwood]: Books of the Songs to be had at the Theatre. Salary List (Enthoven Collection): Paid Rose for Caernarvon Castle #18 6s. Morning Herald, 16 Sept. 1793: This Day is published Caernarvon Castle (1s.). [This piece had reference to the birthday of the Prince of Wales, which was 12 Aug.

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Related Works
Related Work: A Quarter of an Hour before Dinner; or, Quality Binding Author(s): John Rose

Afterpiece Title: The London Hermit

Performance Comment: Characters-Bannister Jun., Suett, Aickin, Caulfield, Benson, Parsons, Usher, Johnstone, Waldron, Barrett, Bland, Cooke, Lyons, Palmer Jun., Waldron Jun., Miss Heard, Mrs Booth, Mrs Cuyler, Mrs Hale, Mrs Heard, Mrs Gibbs. [And see17930629] .And see17930629] .
Related Works
Related Work: The London Hermit; or, Rambles in Doresetshire Author(s): John O'Keeffe

Afterpiece Title: Caernarvon Castle; or, The Birth of the Prince of Wales

Related Works
Related Work: Caernarvon Castle; or, The Birth of the Prince of Wales Author(s): John Rose
Event Comment: 3rd piece [Ist time; MD 1, by John Cartwright Cross]. The Overture and Musick by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Feb. 1794: This Day is published THE PURSE (1s.)

Performances

Mainpiece Title: The Quaker

Related Works
Related Work: The Country Innocence; or, The Chamber-Maid Turn'd Quaker Author(s): John Leanerd
Related Work: The Young Quaker Author(s): John O'Keeffe

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: THE PURSE; or, Benevolent Tar

Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross
Event Comment: [Huddart, whose 1st appearance on the stage was at the Crow Street Theatre Dublin, on 14 May 1798, is identified in European Magazine, Oct. 1798, p. 258.] "In the gentle and tender scenes [Huddart] was impressive...but in the impassioned parts he was often too boisterous, and from his too eager exertion, he exhausted himself, in a great measure, before the conclusion of the piece" (Morning Herald, 16 Oct.). [Mrs Pope, as Miss Campion, had 1st appeared as Desdemona at the same theatre, 11 Mar. 1790. Mrs Wybrow was from the Royal Circus. She had appeared at cg on 6 June 1798.] Afterp iece [1st time; BALL. PI, by John Cartwright Cross. Larpent MS 1228. Text (i.e. synopsis of the ballet, and the songs) in his Circusiana (Lackington, Allen & Co., 1890), Vol. 1; it lists the cast for the Royal Circus]: Taken chiefly from the favourtie Piece of the latter Title [1st acted at the Royal Circus, 9 Apr. 1798], with Alterations and Additions by the original Author. The Music by Sanderson, and Scenery by Phillips, Lupino, Hollogan, Blackmore, &c. Receipts: #294 15s. 6d. (290.8.6; 4.7.0)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Genoese Pirate; or, Black-Beard

Related Works
Related Work: The Genoese Pirate; or, Black-Beard Author(s): John Cartwright Cross

Dance: In afterpiece: Dance of Negroes-

Event Comment: Benefit for Quick. "Quick, in July 1777, played Richard III at Bristol" (Anthony Pasquin [pseud. for John Williams], Poems [1789], II, 244). "Most people expected from Quick a comic representation of Richard the Third--but strange to tell he was earnest in the attempt, and succeeded tolerably. The audience, however, were not disposed to be very serious, and named him 'Little Dicky'" (Public Advertiser, 8 Apr.). [Address by Robert Merry (European Magazine, Apr. 1790, p. 307.] Gazetteer, 1 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #430 17s. 6d. (265.5.6; 4.15.0; tickets: 160.17.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Catherine and Petruchio

Related Works
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): John Lacy

Dance: After Singing: As17891021

Song: End: A Laugh and a Cry (composed by Blewitt)-Darley, Blanchard

Entertainment: Monologue. Preceding: an Introductory Address-Ryder

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Life's Vagaries

Performance Comment: Characters by Lewis, Quick, Johnstone, Munden, Fawcett, Bernard, Townsend, Farley, Thompson, Rees, Davenport, Burton, Rock, Follett, Cross, Williamson, Ledger, Wilde, Blurton, Abbot, Miss Wallis, Mrs Lee (1st appearance on this stage), Miss Stuart, Mrs Platt, Mrs Watts, Miss Leserve, Mrs Pope. [Cast from text (T. N. Longman, 1795), and O'Keeffe's Dramatic Works, Vol. I (T. Woodfall, 1798), and playbill of 27 Nov. 1795: Arthur D'Aumerle-Lewis; Dickins-Quick; Timolin-Johnstone; Sir Hans Burgess-Munden; George Burgess-Fawcett; Lord Torrendel-Bernard; Robin Hoofs-Townsend; L'Oeillet-Farley; Coachman-Thompson; Tradesmen-Davenport, Follett, Cross, Williamson; John-Ledger; Constable-Blurton; Robinson-Abbot; Thomas-Simmons; Augusta-Miss Wallis; Fanny-Mrs Lee; Miss Clare-Miss Stuart; Landlady-Mrs Platt; Fruit Woman-Mrs Watts; Martha-Miss Leserve; Lady Torrendel-Mrs Pope; unassigned-Rees, Burton, Rock, Wilde; Prologue-Middleton [This was spoken, as here assigned, at all subsequent performances.; An Address by way of Epilogue [not listed on playbill,-Lewis [(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].(Pocket Magazine, Mar. 1795, p. 195. It was probably intended to introduce Mrs Lee.].
Cast
Role: Timolin Actor: Johnstone
Role: Tradesmen Actor: Davenport, Follett, Cross, Williamson
Role: John Actor: Ledger
Related Works
Related Work: Life's Vagaries Author(s): John O'Keeffe

Afterpiece Title: Rosina

Cast
Role: Belville Actor: Johnstone

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Event Comment: The King's Company. Downes (Roscius Anglicanus, p. 16) refers to Hart's acting Don John. Wilson (All the King's Ladies, p. 170) lists Rebecca Marshall as possibly play1ng First Constantia. The Works of Beaumont and Fletcher (1711), p. ix: Mr Hart played the Part of Don John to the highest Satisfaction of the Audience, the Play had a great run, and ever since has been follow'd as one of the best Entertainments of the Stage. Pepys, Diary: And took them [Mrs Pepys and Betty Michell] against my vowes, but I will make good my forfeit, to the King's house, to show them a play, The Chances. A good play I find it, and the actors most good in it; and pretty to hear Knipp sing in the play very properly, All night I weepe; and sung it admirably. The whole play pleases me well; and most of all, the sight of many fine ladies--among others, my Lady Castlemayne and Mrs Middleton

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Hart?; First Constantia-Rebecca Marshall?.
Cast
Role: Don John Actor: Hart?
Related Works
Related Work: The Chances Author(s): John Fletcher
Event Comment: [By Sir John Vanbrugh and Colley Cibber.] All the Characters new drest. Mist's 13 Jan.: On Wednesday last a most horrid, barbarous, and cruel Murder was committed...upon a posthumous Child of the late Sir John Vanbroog, by one who, for some Time past, has gone by the Name of Keyber. It was a fine Child born, and would certainly have lived long, had it not fallen into such cruel Hands. Davies (Dramatic Miscellanies, III, 260-61): In all the tumults and isturbances of the theatre on the first night of a new play, which was formerly a time of more dangerous service, to the actors, than it has been of late, Mrs Oldfield was entirely mistress of herself; she thought it her duty, amidst the most violent opposition and uproar, to exert the utmost of her abilities to serve the author. In the comedy of uproar, to exert the utmost of her abilities to serve the author. In the comedy of the Provoked Husband, Cibber's enemies tried all their power to get the play condemned. The reconciliation scene wrought so effectually upon the sensible and generous part of the audience, that the conclusion was greatly and generously approved. Amidst a thousand applauses, Mrs Oldfield came forward to speak the epilogue; but when she had pronounced the first line,-Methinks I hear some powder'd critic say-a man, of no distinguished appearance, from the seat next to tne orchestra, saluted her with a hiss. She fixed her eye upon him immediately, made a very short pause, and spoke the words poor creature! loud enough to be heard by the audience, with such a look of mingled scorn, pit, and contempt, that the most uncommon applause justified her conduct in this particular, and the poor reptile sunk down with fear and trembling. See also Cibber, Apology, I, 310-11; Victor, History of the Theatres, II, 105

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Edition of 1728 lists: Lord Townly-Wilks; Lady Townly-Mrs Oldfield; Lady Grace-Mrs Porter; Manly-Mills; Sir Francis Wronghead-Cibber; Lady Wronghead-Mrs Thurmond; Squire Richard-Young Wetherilt; Jenny-Mrs Cibber; John Moody-Miller; Count Basset-Bridgwater; Mrs Motherly-Mrs Moore; Myrtilla-Mrs Grace; Mrs Trusty-Mrs Mills; Prologue-Wilks; Epilogue-Mrs Oldfield.
Cast
Role: John Moody Actor: Miller
Related Works
Related Work: The Provok'd Husband; or, A Journey to London Author(s): John Vanbrugh
Event Comment: Mainpiece: Written by Sir John Vanburgh [sic], with Alterations [by John Philip Kemble]. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 22 Oct.] Receipts: #176 1s. (140.1.0; 31.9.6; 4.10.6)

Performances

Mainpiece Title: The False Friend

Performance Comment: Characters by Kemble, Bannister Jun., Barrymore, R. Palmer, Packer, Wroughton, Miss Pope, Mrs Goodall, Miss Farren. Cast from European Magazine, Nov. 1789, p. 378: Don John-Kemble; Lopez-Bannister Jun.; Don Guzman-Barrymore; Galindo-R. Palmer; Don Felix-Packer; Don Pedro-Wroughton; Jacintha-Miss Pope; Isabella-Mrs Goodall; Leonora-Miss Farren.
Cast
Role: Don John Actor: Kemble
Related Works
Related Work: The False Friend Author(s): John Philip Kemble

Afterpiece Title: The Doctor and the Apothecary

Event Comment: The United Company. The date of the first performance is not known, but according to the Gentleman's Journal, May 1694, it followed Have at All: the other call'd The married Beau, or the Curious Impertinent, by Mr Crown, already acted many times (p. 134). The manuscript of a song composed by John Eccles and sung by Doggett is in Bodleian, School of Music Collection, c. 95, f 102. One by Henry Purcell, See, where repenting Celia lyes, sung by Mrs Ayliff, is in Thesaurus Musicus, 1695. See also Purcell's Works, Purcell Society, XX (1916), xvii-xviii

Performances

Mainpiece Title: The Married Beau; Or, The Curious Impertinent

Performance Comment: Edition of 1694. The Prologue-; see Epilogue; The Epilogue-Mr Dogget who Acts Thorneback. A copy of the 1694 quarto in the Folger Shakespeare Library has a manuscript cast which appears to be the original one; Loveley-Powell; Polidor-Betterton; Thorneback-Dogget; Sir John-Bowen; Mrs Loveley-Mrs Barry; Cecilia-Mrs Bowman; Camilla-Mrs Bracegirdle; Lionell-Mrs Verbruggen; Prologue-Mr Powell?.
Cast
Role: Sir John Actor: Bowen
Related Works
Related Work: The Married Beau; or, The Curious Impertinent Author(s): John Crowne
Event Comment: [By John Vanbrugh. Date of premiere unknown. Published 10 Feb.

Performances

Mainpiece Title: The False Friend

Performance Comment: Edition of 1702 lists: Don Felix-Griffin; Don Pedro-Wilks; Don Guzman-Mills; Don John-Cibber; Lopez-Penkithman; Galindo-Bullock; Leonora-Mrs Rogers; Isabella-Mrs Kent; Jacinta-Mrs Oldfield; Prologue-Griffin; Epilogue-Mrs Oldfield.
Cast
Role: Don John Actor: Cibber
Related Works
Related Work: The False Friend Author(s): John Philip Kemble