SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Tatham"/1) | (@(roleclean,performerclean) "John Tatham")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1682 matches on Performance Comments, 1134 matches on Event Comments, 323 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Related Works
Related Work: The City Politiques Author(s): John Crowne
Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Related Works
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): John Fletcher
Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Related Works
Related Work: The Indian Queen Author(s): John Dryden
Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication to the play, written in Rome, is dated 20 Aug. 1695 N.S., and advertisement of the play in the London Gazette, No 3200, 9-13 July 1696, represent the limits on its production. In a letter, dated (probably) November 1695, Dryden refers to the forthcoming appearance of his son's play, and on 26 May 1696 he negotiates with Tonson for its publication (Letters of John Dryden, pp. 79, 82). Probably the play appeared early in 1696, and certainly not much later than April 1696. John Barnard, The Dates of Six Dryden Letters, Philological Quarterly, XLII (1963), 400-401, believes that Dryden's letter was written ca. 26 May 1695 and that the play was probably acted in late 1695

Performances

Mainpiece Title: The Husband His Own Cuckold

Related Works
Related Work: The Husband His Own Cuckold Author(s): John Dryden Jr.
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Performance Comment: Edition of 1697: First Prologue-Mrs Cross; Prologue on the Third Day-Mrs Verbruggen; Epilogue-Lord Foppington; Sir Novelty Fashion-Cibber; Young Fashion-Mrs Kent; Loveless-Verbruggen; Worthy-Powell; Sir Tunbelly Clumsey-Bullock; Sir John Friendly-Mills; Coupler-Johnson; Bull-Simson; Serringe-Haynes; Lory-Dogget; Amanda-Mrs Rogers; Berinthia-Mrs Verbruggen; Hoyden-Mrs Cross; Nurse-Mrs Powell.
Cast
Role: Sir John Friendly Actor: Mills
Role: Coupler Actor: Johnson
Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Edition of 1697: Prologue-Mistress Bracegirdle; Epilogue [Written] by another Hand-Lady Brute, Bellinda; Constant-Verbrugen; Heartfree-Hudson; Sir John Brute-Betterton; Treble-Bowman; Rasor-Bowen; Justice of the Peace-Bright; Lady Brute-Mrs Barry; Bellinda-Mrs Bracegirdle; Lady Fancyfull-Mrs Bowman; Mademoiselle-Mrs Willis.
Cast
Role: Sir John Brute Actor: Betterton
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Performances

Mainpiece Title: Sir Martin Marall; Or, The Feign'd Innocence

Performance Comment: Dartmouth-Cory; Moody-Johnson; Sir Martin-Bullock; Warner-Booth; Sir John-Mills; Carrier-Cross; Lady Dupe-Mrs Powell; Mrs Christian-Mrs Baker; Mrs Millisent-Mrs Porter; Rose-Mrs Bradshaw.
Cast
Role: Moody Actor: Johnson
Role: Sir John Actor: Mills
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: The Chances

Performance Comment: Duke-Booth; Petruchio-Bickerstaff; Don John-Wilks; Don Frederick-Mills; Antonio-Penkethman; Peter-Norris; Anthony-Cross; Constantia-Mrs Bradshaw; 2d Constantia-Mrs Oldfield.
Cast
Role: Don John Actor: Wilks
Related Works
Related Work: The Chances Author(s): John Fletcher

Performances

Mainpiece Title: The Feign'd Innocence; Or, Sir Martin Marall

Performance Comment: Sir Martin-Bullock; Sir John-Mills; Warner-Booth; Dartmouth-Corey; Old Moody-Johnson; Landlord-Cross; Lady Dupee-Mrs Powell; Millisent-Mrs Porter; Rose-Mrs Bradshaw; Mrs Christian-Mrs Norris.
Cast
Role: Sir John Actor: Mills
Role: Old Moody Actor: Johnson
Related Works
Related Work: Feign'd Innocence; or, Sir Martin Marall Author(s): John Dryden

Performances

Mainpiece Title: The Chances

Performance Comment: Duke-Booth; Don John-Wilks; Don Frederick-Mills; Antonio-Penkethman; Petruchio-Bickerstaffe; Anthony-Norris; Constantia-Mrs Bradshaw; 2d Constantia-Mrs Oldfield; Mother-Mrs Powell; Landlady-Mrs Willis.
Cast
Role: Don John Actor: Wilks
Related Works
Related Work: The Chances Author(s): John Fletcher

Performances

Mainpiece Title: The Chances

Performance Comment: Antonio-Pinkethman; Duke-Thurmond; Don John-Wilks; Don Frederick-Mills; Petruchio-Bowman; Anthony-Bowen; Peter-Cross; 1st Constantia-Mrs Porter; 2d Constantia-Mrs Oldfield; Mother-Mrs Powell; Landlady-Mrs Willis.
Cast
Role: Don John Actor: Wilks
Related Works
Related Work: The Chances Author(s): John Fletcher

Performances

Mainpiece Title: The Chances

Performance Comment: See17091205, but Don John-Wilks; 2d Constantia-Mrs Oldfield.
Cast
Role: Don John Actor: Wilks
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The School Boy; or, The Comical Rivals

Performances

Mainpiece Title: The False Friend

Performance Comment: Pedro-Wilks; John-Cibber; Gusman-Mills; Lopez-Pinkethman; Galindo-Bullock; Leonora-Mrs Rogers; Isabella-Mrs Porter; Jacinta-Mrs Oldfield.
Cast
Role: John Actor: Cibber
Related Works
Related Work: The False Friend Author(s): John Vanbrugh
Event Comment: [Text by John Hughes. Music by John Galliard.] Never Performed before. Admission as 24 Nov. 1711, but Benches in the Pit rail'd in at the Price of the Boxes. At 6 p.m

Performances

Mainpiece Title: Calypso And Telemachus

Related Works
Related Work: Calypso and Telemachus Author(s): John HughesJohn Galliard
Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night

Performances

Mainpiece Title: Ernelinda

Related Works
Related Work: Ernelinda Author(s): John James Heidegger

Performances

Mainpiece Title: The Confederacy

Performance Comment: Clarissa-Mrs Knight; Gripe-Fra. Leigh; Moneytrap-Spillar; Dick-John Leigh; Brass-Pack; Araminta-Mrs Moor; Corinna-Mrs Schoolding; Flippanta-Mrs Spillar; Amlet-Mrs Hunt.
Cast
Role: Dick Actor: John Leigh
Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Dance: As17150106

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Essex-John Leigh; Southampton-Smith; Burleigh-Keene; Queen-Mrs Knight; Rutland-Mrs Vincent; Nottingham-Mrs Kent.
Cast
Role: Essex Actor: John Leigh
Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Dance: As17150106

Performances

Mainpiece Title: The Indian Emperor

Performance Comment: Guomar-one who never appear'd on the Stage before; Montezuma-Keene; Odmar-Smith; Orbellan-Corey; Cortez-John Leigh; Vasquez-Husband; Almeria-Mrs Knight; Alibech-Mrs Rogers; Cydaria-Mrs Cross.
Cast
Role: Cortez Actor: John Leigh
Related Works
Related Work: The Indian Emperour; or, the Conquest of Mexico by the Spaniards Author(s): John Dryden
Related Work: The Indian Emperour; or, The Conquest of Granada by the Spaniards Author(s): John Dryden

Afterpiece Title: The Slip

Dance: duPre, Miss Russell, Miss Schoolding; particularly a Scaramouch-a Gentleman for his Uiversion

Performances

Mainpiece Title: The Chances

Performance Comment: Antonio-Penkethman; Duke-Booth; John-Wilks; Frederick-Mills; Antony-Norris; Peter-Cross; 1st Constantia-Mrs Porter; 2d-Mrs Oldfield; Landlady-Mrs Willis.
Cast
Role: John Actor: Wilks
Related Works
Related Work: The Chances Author(s): John Fletcher

Afterpiece Title: The What D'ye Call It

Related Works
Related Work: The What D'Ye Call It Author(s): John Gay

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Keene; Heartfree-J. Leigh; Constant-Husband; Razor-Pack; Rake-Bullock Jr; Lady Fanciful-Mrs Cross; Lady Brute-Mrs Knight; Belinda-Mrs Thurmond; Mademoiselle-Mrs Schoolding.
Cast
Role: Sir John Actor: Keene
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance: The What D'Ye Call It-delaGarde, Mrs Bullock

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: See17160103, but Sir John-Keene.
Cast
Role: Sir John Actor: Keene.
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: The Cobler of Preston

Related Works
Related Work: The Cobler of Preston Author(s): Charles Johnson

Song:

Dance:

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John-Keene.
Cast
Role: Sir John Actor: Keene.
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Afterpiece Title: Pyramus and Thisbe

Song: As17161017

Dance: delaGarde, Thurmond Jr, Mrs Bullock, Miss Smith; Spanish Entry, as17161025; Harlequin, as17161025

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: See17170110, but Sir John-Keene.
Cast
Role: Sir John Actor: Keene.
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance: As17170110; Harlequin Executed-; or, The Farmer Disappointed-