SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Roberts"/1) | (@(roleclean,performerclean) "John Roberts")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10623 matches on Author, 2649 matches on Performance Comments, 1393 matches on Event Comments, 416 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: King-Delane; Armusia-Ryan; Quisara-Mrs Horton; Ruidias-Hale; Governor-Johnson; Emanuel-Hallam; Sforza-Arthur; Pymero-Gibson; King of Bakam-Rosco; Christophero-Roberts; Prince-A. Ryan; Priest-Mullart; Captain-Anderson; Citizens-Hippisley, Neale, James; with Enthusiastick Song-Leveridge.
Cast
Role: Governor Actor: Johnson
Role: Christophero Actor: Roberts
Related Works
Related Work: The Island Princess; or, The Generous Portuguese Author(s): John Fletcher
Related Work: The Island Princess Author(s): John Fletcher

Afterpiece Title: Cupid and Bacchus

Performance Comment: Cupid-Mrs Lampe; Followers-Rochetti, Thompson, Smith, Davis, Mrs Wright, Mrs Chambers, Miss Young, Miss Davis; Bacchus-Leveridge; Bacchanals-Salway, Waltz, Legar, Lad, Roberts; with a Masque call'd The Four Seasons: Phoebus-Rochetti; Spring-Mrs Lampe; Summer-Miss Younge; Autumn-Salway; Winter-Leveridge; with dances-Glover, Poitier, Mlle Roland Jr, Mlle Roland Sr, Villeneuve, Desse, Richardson, DelaGarde, Miss Oates, Miss Rogers, Mrs LeBrun, Mrs Ozanne, Mrs Villeneuve.
Cast
Role: Bacchanals Actor: Salway, Waltz, Legar, Lad, Roberts

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Oedipus-Delane; Jocasta-Mrs Hallam; Adrastus-Hale; Creon-Bridgwater; Haemon-Hallam; Aegeon-Rosco; Phorbas-Ryan; Ghost of Laius-Stephens; Tiresias-Roberts; Alcander-Gibson; Pyracmon-A. Ryan; Diocles-Arthur; Dymas-Clark; Citizens-Hippisley, James, Mullart, Neale, Smith, Harrington, Stoppelaer; Eurydice-Miss Burgess.
Cast
Role: Tiresias Actor: Roberts
Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden

Dance: CComic Ballet-Villeneuve, Miss Oates; Tambourine-French Girl; Miller and His Wife-French Boy and Girl

Song: TThe Parting Lovers-Laguerre, Salway, Mrs Lampe

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Oedipus-Milward; Creon-Quin; Adrastus-Mills; Haemon-Havard; Phorbas-Wright; Tiresias-Berry; Aegeon-Cashell; Diocles-Winstone; Pyracmon-Stevens; Alcander-Ridout; Dymas-Green; Citizens-Chapman, Turbutt, Shepard, Taswell, Marten, Ray, Hough; Jocasta-Mrs Roberts; Eurydice-Mrs Mills; Manto (with the Hymn to Apollo)-Mrs Clive.
Cast
Role: Jocasta Actor: Mrs Roberts
Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden

Music: With new Musick The Songs, Choruses new by Mr Arne-Lowe, Savage, Mrs Clive

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Ryan; Francisco-Delane; Lance-Arthur; Lovegood-Rosco; Merchant-Roberts; Fountain-Anderson; Hairbrain-Bencraft; Bellamour-Gibson; Roger-Mullart; Ralph-James; Humphrey-Neale; Tenant-Stoppelaer; Isabella-Mrs Bellamy; Lucy-Mrs Vincent; Shorthose-Hippisley; Widow-Mrs Horton.
Cast
Role: Merchant Actor: Roberts
Related Works
Related Work: Wit Without Money Author(s): John Fletcher

Dance: Desnoyer, Signora Barberini, Glover, Mlle Roland, Mechel, Mlle Mechel

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Milward; Belvidera-Mrs Roberts; Duke-Taswell; Renault-Berry; Bedamar-Ridout; Priuli-Wright; Pierre-Quin.
Cast
Role: Belvidera Actor: Mrs Roberts
Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: The Virgin Unmask'd

Dance: As17401201

Performances

Mainpiece Title: The Unhappy Favorite; Or, The Earl Of Essex

Performance Comment: Essex-Delane; Southampton-Giffard; Burleigh-Winstone; Raleigh-W. Giffard; Lieutenant-Ray; Rutland-Mrs Giffard; Nottingham-Mrs Bennet; Queen Elizabeth-Mrs Roberts.
Cast
Role: Queen Elizabeth Actor: Mrs Roberts.
Related Works
Related Work: The Unhappy Favourite; or, The Earl of Essex Author(s): John Banks

Afterpiece Title: The School Boy

Performances

Mainpiece Title: Aesop

Performance Comment: Aesop-Bridges; Learchus-Taswell; Oronces-W. Giffard; Sir Polidorus-Yates; Roger-Neale; Quaint-Winstone; Fruitful-Ray; Tradesman-Morgan; Priest-Usher; Euphronia-Mrs Ridout; Hortensia-Mrs Bennet; Mrs Fruitful-Mrs Egerton; Doris-Mrs Roberts.
Cast
Role: Doris Actor: Mrs Roberts.
Related Works
Related Work: Aesop Author(s): John Vanbrugh
Related Work: Aesop, Part II Author(s): John Vanbrugh

Afterpiece Title: The Lying Valet

Song: I, III: Sullivan

Dance: II, IV: As17431018

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Fryar-Bridges; Torrismond-Delane; Gomez-Collins; Lorenzo-Giffard; Bertran-W. Giffard; Raymond-Winstone; Alphonso-Anderson; Pedro-Blakes; Elvira-Mrs Giffard; Teresa-Mrs Bennet; Queen-Mrs Roberts.
Cast
Role: Queen Actor: Mrs Roberts.
Related Works
Related Work: The Spanish Fryar; or, The Double Discovery Author(s): John Dryden

Afterpiece Title: The Lying Valet

Song: I, III: Sullivan

Dance: II, IV: As17431015

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performance Comment: Tiresias the Prophet-Dr Clancy who is Blind; Oedipus-Delane; Creon-Bridges; Adrastus-Mills; Haemon-Havard; Phorbas-Berry; Aegeon-W. Giffard; Manto-Miss Budgell; Citizens-Yates, Taswell, Neale, Morgan, Arthur, Dunstall, Collins; Ghost of Laius-Woodburn; Diocles-Winstone; Pyracmon-Turbutt; Alcander-Blakes; Dymas-Green; Jocasta-Mrs Roberts; Euridice-Mrs Mills.
Cast
Role: Jocasta Actor: Mrs Roberts
Related Works
Related Work: Oedipus, King of Thebes Author(s): John Dryden
Related Work: Oedipus Author(s): John Dryden

Afterpiece Title: The School Boy

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Goodman; Hippolito-Mrs Morgan; Ferdinand-Trye; Antonio-Brown; Gonzalo-Betts; Alonso-Machen; Stephano-Smith; Mustacho-Palmer; Ventoso-Richardson; Trinculo-Morgan; Caliban-Paget; Ariel-Master Paget; Sycorax-Simms; Miranda-Mrs Roberts; Dorinda-Mrs Phillips.
Cast
Role: Miranda Actor: Mrs Roberts
Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: Harlequin Imprison'd; or, The Country Wake

Related Works
Related Work: Hob's Opera Author(s): John Hippisley

Dance: GGrand Dance of Furies-D'Esser, Le Mont, Gramont, Fribourg; First Fury-Phillips

Event Comment: Benefit for Pilfold, Wooley, and others. Tickets delivered by Ellis, Doe, Reed, Roberts, Singleton, Dixon, Robson, Fransdorf, Norbury, Bassan, Sherrard, and Bushell will be taken. @ Pilfold Box 34@Pit 163@Gallery 56@Value #38 11s.@1!2 Value #19 5s. 6d.@ Wooley 14 28 77 #15 8s. #7 14s.@ Ellis - 7 28 #3 17s. #1 18s. 6d.@ Doe - 16 43 #6 14s. #3 7s.@ Reed 14 18 35 #9 14s. #4 17s.@ Roberts 20 104 61 #26 14s. #13 7s.@ Singleton - 2 7 #1. 10s.@ Dixon 16 48 28 #14. #7.@ Robson 8 75 83 #21 11s. #10 15s. 6d.@ Fransdorf 12 31 55 #13 3s. #6 11s. 6d.@ Norbury 18 41 61 #16 15s. #8 7s. 6d.@ Bassan (Mr) 8 28 35 #9 14s. #4 17s.@ Sherrattt 6 14 14 5 #2 10s.@ Bushell - 16 17 #4 2s. #2 1s.@ Money #50 15s. 150 591 600@Total House Value #236 18s. #93 1s. 6d.@ No charges were made. The House received the 1!2 value of the tickets from each as listed above. Stephenson, Furkins, Rotten (Wroughton), Dumay, Walters, Wilkinson and Eddis are listed as paying up their deficiencies of 1!2 values (Account Book). [1,341 tickets given out.

Performances

Mainpiece Title: The Confederacy

Related Works
Related Work: The Confederacy Author(s): John Vanbrugh

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-a young Gentleman, first time; Lord Randolph-Butler; Glenalvon-Lloyd; Old Norval-Wilkins; Officer-Collet; Anna-Miss Fairlamb; Lady Randolph-Miss Roberts (with the original Scots Music); Prologue-Wilkins.
Cast
Role: Lady Randolph Actor: Miss Roberts
Related Works
Related Work: Douglas Author(s): John Home

Afterpiece Title: The Miller of Mansfield

Performance Comment: Dick-Young Gentleman who performs the part of Douglas; King-Sherrard; Miller-Swaine; Joe (with a Song)-Butler; Margery-Miss Vincent; Kate-Miss Roberts; Peggy-Miss Fairlamb.
Cast
Role: Kate Actor: Miss Roberts

Entertainment: End: Ode in Honor of Shakespeare-Swaine

Event Comment: Paid Mr Roberts, shoemaker, 2 Bills #21 2s. 10d.; Mr Thomson Smith, #23 14s. 6d.; Mr Reddish on Acct to Mr Scarr, per order #15; Rec'd of Mr C. Roberts 3 quarter's Rent to Midsummer last #7 10s. Receipts: #184 10s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Related Works
Related Work: The Beggar's Opera Author(s): John Gay

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign; Or, Love In The East Indies

Performance Comment: Principal Characters by Johnstone, Quick, Edwin, Wewitzer, Davies, Fearon, Cubitt, Darley, Mrs Kennedy; Mrs Martyr, Mrs Wilson, Mrs Bannister. [Cast from Songs (T. Cadell, 1785): Capt. Farquar-Johnstone; Gen. Howitzer-Quick; Gregory (or Tippoo)-Edwin; Squad-Wewitzer; Lieut. Sulphur-Davies; M'Saunderson-Fearon; Ensign Flag-Cubitt; Rifle-Darley; Saib-Mrs Kennedy; Drill-Doyle; Fuzee-Thompson; Miss Maria M'Saunderson-Mrs Martyr; Susan-Mrs Wilson; Miss Lucy Seymour-Mrs Bannister.] hathi. hathi.
Cast
Role: . Farquar Actor: Johnstone
Related Works
Related Work: Love and War Author(s): John O'Keeffe

Afterpiece Title: Retaliation

Dance: As17841116

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

Performance Comment: Principal Characters-Edwin, Quick, Johnstone, Davies, Fearon, Darley, Cubitt, Mrs Kennedy, Miss Wilkinson, Mrs Brown, Mrs Martyr. [Cast from playbill of 1 Oct. 1787: Gregory-Edwin; +General Howitzer-Quick; +Captain Farquar-Johnstone; +Sulphur-Davies; +Commissary-Fearon; +Rifle-Darley; +Corporal-Cubitt; +Saib-Mrs Kennedy; +Maria-Miss Wilkinson; +Susan-Mrs Brown; +Lucy-Mrs Martyr.]
Related Works
Related Work: Love and War Author(s): John O'Keeffe
Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Performances

Mainpiece Title: Julia; Or, The Italian Lover

Afterpiece Title: The First Floor

Event Comment: Mainpiece [1st time; T 5, by Robert Merry. Prologue by John Taylor. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. Oracle, 7 May 1791: This Day is published Lorenzo (1s. 6d.). Receipts: #187 3s. (182.19.6; 4.3.6)

Performances

Mainpiece Title: Lorenzo

Afterpiece Title: Two Strings to Your Bow

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Baker; Priuli-Silvester; Bedamour-Martin; Duke-Johnson; Renault-Lennet; Elliot-Tomlins; Spinosa-Richards; Officer-Scott; Pierre-Wilkinson; Belvidera-Mrs Roberts (1st appearance on this stage).
Cast
Role: Duke Actor: Johnson
Role: Belvidera Actor: Mrs Roberts
Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: Taste; or, Diversion in the Morning

Performance Comment: Carmine-Martin (1st appearance on any stage [see above]); Brush-A Gentleman (from the Theatre Royal, Richmond [unidentified]); Novice-Scott; Lord Dupe-Holiday; Alderman Pentweazel-Well; Caleb-Johnson; Boy-Sharp; Puff-Wilkinson; Lady Pentweazel-Mr Berry (2nd appearance on any stage).
Cast
Role: Caleb Actor: Johnson

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson, based on La Clemenza di Tito. by Pietro Bonaventura Trapassi? Metastasio. Text (unauthorized), Dublin: John Archer, 1796; it assigns no parts. Authors of Prologue and Epilogue unknown]: The Scenery by Marinari. Receipts: #237 10s. (169.18; 64.12; 3.0)

Performances

Mainpiece Title: The Conspiracy

Afterpiece Title: Harlequin Captive

Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Related Works
Related Work: An Evening's Love; or, The Mock Astrologer Author(s): John Dryden
Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist; Or, The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver
Event Comment: The King's Company. The date of the premiere is most uncertain. The play was apparently finished in July 1671-see C. E. Ward, The Life of John Dryden (Chapel Hill, North Carolina, 1961), p. 83-and the play may have been acted before April 1672. For the possibilities see Macdonald, Bibliography of Dryden, p. 110, and Nicoll, Restoration Drama, pp. 404-5. The Prologue and Epilogue are in Covent Garden Drollery, 1672. The song, Whilst Alexas lay prest, the music by Nicholas Staggins, was printed in Westminster Drollery (entered in the Stationers' Register, 3 June 1672) and in Choice Songs and Ayres, The First Book, 1673. Another song, Why should a foolish Marriage Vow, set by Robert Smith, is also in Choice Songs and Ayres, 1673

Performances

Mainpiece Title: Marriage A La Mode

Related Works
Related Work: Marriage A La Mode Author(s): John Dryden
Related Work: The Frenchified Lady Never in Paris Author(s): John Dryden
Related Work: Secret Love; or, The Maiden Queen Author(s): John Dryden

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Ryan, Walker, Hippisley, Egleton, Bullock, Spiller, Mrs Younger, Mrs Bullock, Mrs Parker, Mrs Moffet, Mrs Egleton; but edition of 1726 lists: Colonel Mockyouth-Hippisley; Beaumine-Walker; Galliard-Ryan; Squire Pert-Egleton; Sir John Cuddy-Bullock Jr; Trust-Spiller; Roger-Bullock Sr; Flora-Mrs Moffet; Graciana-Mrs Younger; Mrs Mincemode-Mrs Bullock; Mrs Fading-Mrs Parker; Frizle-Mrs Egleton;In which will be perform'd a Pastoral Entertainment of Musick-; Vocal Parts-Leveridge, Leguerre, Salway, Mrs Chambers, and others; the edition of 1726 lists: Strephon-Leveridge; Damon-Legare; Phyllis-Mrs Chambers; Prologue-; Epilogue-Mrs Younger in Boy's Cloaths.
Cast
Role: Sir John Cuddy Actor: Bullock Jr

Dance: Proper Dances-DuPre, Salle, Lally, Mrs Bullock, Mrs Wall, Mrs Anderson

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Cast
Role: Sir John Actor: Garrick, 1st time
Related Works
Related Work: The Provok'd Wife Author(s): John Vanbrugh

Dance: Muilment

Performances

Mainpiece Title: Barbarossa

Performance Comment: Barbarossa-The Gentleman who performed King Henry [on 25 Sept.]; Othman-Comerford; Sadi-Johnson; Aladin-Smith; Officer-Lewis; Slave-Dancer; Selim-Stokes; Zaphira-Mrs Massey; Irene-Miss Reynolds; The original Prologue [in character-Master Kenny.
Cast
Role: Sadi Actor: Johnson
Related Works
Related Work: Barbarossa Author(s): John Brown

Afterpiece Title: The King and the Miller of Mansfield

Performance Comment: The King-A Gentleman of Rotherhithe (1st appearance on any stage [unidentified]); Dick-Johnson; Lord Lurewell-Smith; Keeper-Lewis; Joe (with a song)-Comerford; John Cockle (the Miller of Mansfield)-Newton; Peggy-Mrs Wilks; Kate-Miss Taylor; Madge-Mrs Ross.
Cast
Role: Dick Actor: Johnson
Role: John Cockle Actor: Newton

Song: As17760925