SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Lacy"/1) | (@(roleclean,performerclean) "John Lacy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11042 matches on Author, 1862 matches on Performance Comments, 1204 matches on Event Comments, 324 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King John

Performance Comment: King John-Kemble; Prince Henry-C. Kemble; Arthur-Master Welsh; Pembroke-Dignum; Essex-Caulfield; Salisbury-Whitfield; Hubert-Bensley; Faulconbridge-Palmer; R. Faulconbridge-Waldron; James Gurney-Welsh; English Herald-Trueman; Sheriff-Cooke; Executioner-Evans; King Philip-Aickin; Lewis-Barrymore; Austria-Phillimore; Cardinal Pandulpho-Packer; Elinor-Mrs Hopkins; Constance-Mrs Siddons; Blanch-Miss Mellon.
Cast
Role: King John Actor: Kemble

Afterpiece Title: The Doctor and the Apothecary

Event Comment: Benefit John Clegg, a Youth of Nine Years of Age, lately arriv'd from Ireland. At the Desire of several Ladies of Quality. Pit and Boxes half a guinea. Gallery 5s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Violin-John Clegg; Concert-Kytch

Event Comment: Mr Salomon having insinuated that he alone is in possession of a correct Score of this celebrated Oratorio, I feel compelled, in justice to myself, to state that the Oratorio was published by subscription at Vienna, and that the printed Copy, from which I had the Parts transcribed, was delivered by Dr Haydn to a subscriber in Vienna, and brought from thence expressly for me, and on which is the Doctor's initials. The accuracy with which it was performed, and the enthusiasm with which it was received, are, I hope, convincing proofs that no other directions are necessary to "produce the effect required by the Author." I should not thus have obtruded myself, but I conceived it requisite to justify myself from the imputation of having attempted to impose a spurious production upon that public to whom I am under so many obligations. I am, with the greatest respect and gratitude, their most obedient servant, John Ashley. March 29. [On 29 Mar. the following card had appeared in most of the daily newspapers: Mr Salomon having received from Dr Haydn an early Copy of his New Oratorio called The Creation of the World, and having been favoured by him exclusively with particular directions on the style and manner in which it must be executed, in order to produce the effects required by the Author, begs to acquaint the Nobility and Gentry, that he means to perform it on Monday, the 21st of April next, at the King's Theatre. The performance took place on that date in the Ancient Music Room, i.e. the large concert-room situated inside the King's, on the east side, level with the first tier of the boxes. The reason for this change was, states the playbill, "the present Performances in the Opera House not allowing sufficient time to erect an Orchestra on the Stage." The principal singers were Mme Mara, Mme Dussek, Small, Page, Denman, Bartleman. Samuel Wesley presided at the organ and at the piano forte.

Performances

Mainpiece Title: The Creation Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Event Comment: [As afterpiece Public Advertiser announces The Rival Candidates, but see Hopkins Diary, 12 Oct.] The Managers met again to-day, but nothing settled. Hamlet was given out. I saw Mr Sheridan, he told me that Mr Lacy and he had agreed that no Play should be given out, nor any Bills put up, till they had settled this Affair, which was to be done to-Morrow at Mr Wallis's (the Attorney's) where they were all to dine. I waited on Mr Lacy, who agreed to the same, and no Bills or Paragraph were sent to the Papers. All the Business of the Theatre is at a Stand, and no Rehearsal called. Wed. 16th--Mr Sheridan, Dr Ford and Mr Linley dined today by Appointment with Mr Wallis where Mr Lacy was to have met them; about four o'clock he sent a verbal Message that he could not come to Dinner, but would wait upon them in the Evening, and about nine o'clock he came, and everything was settled to the Satisfaction (of them all) and a Paragraph sent to the Papers, and the Hypocrite and Christmas Tale was advertised for Friday, but no Play was to be done on Thursday--Covent Garden did not play on Friday (Hopkins Diary). Public Advertiser, 16 Oct., summarizes the proprietors' dispute: the Drury Lane patent had been purchased [in 1747] by David Garrick and James Lacy. On his death Lacy had devised his half-share to his son, Willoughby Lacy; on his retirement from the stage Garrick had sold his half-share to Sheridan, Ford and Linley. The original agreement between Garrick and Lacy, as recited in a document retained by the attorney Albany Wallis was that, in case of the sale of either share of the patent, or any part of either share, the seller was obligated to offer the first refusal to purchase to the other partner, and that this was to be done only when the theatre was closed for the summer. In selling one half of his share to Robert Langford and to Edward Thompson, Willoughby Lacy was--so argued his three partners--acting illegally: he had not offered to them the first refusal, and he was negotiating the sale at a time when the theatre was open. Public Advertiser, 17 Oct.. prints a statement from Lacy saying that he did not feel himself bound by the original agreement between his father and Garrick, but that, in the interest of the business of the theatre, he had asked Langford and Thompson to withdraw their claim to partnership, to which request they had acceded. Receipts: #130 9s. 6d

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Performance Comment: Teague (with song)-Moody; Col. Careless-Jefferson; Col. Blunt-Aickin; Lieut. Story-Fawcett; Mr Day-Baddeley; Obadiah-Parsons; Abel-Burton; Committee@Men-Waldron; Mrs Day-Mrs Bradshaw; Arabella-Miss Jarratt; Ruth-Miss Pope; Edition of 1792 (John Bell) adds: Tavern@boy-Everard; Bailiff-Griffiths; Soldier-Blanchard; Chairman-Heath; Gaol@keeper-Kear; Bookseller-Carpenter; Porter-Wrighten; Mrs Chat-Mrs Cartwright.

Afterpiece Title: The Waterman

Event Comment: [Extra night] By Grant from the Proprietors, a Free Night; Benefit for Lacy, formerly of the Theatre Royal, Drury Lane. [Address by John Taylor (Poems, I, 68).] Receipts: #97 3s. (53.15.6; 40.16.6; 1.10.0; odd money: 1.1.0; tickets: none listed) (charge: free)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Othello Moor of Venice

Performance Comment: Duke of Venice-Maddocks; Brabantio-Packer; Gratiano-Sparks; Lodovico-Webb; Othello-Lacy; Cassio (1st time)-Holland; Iago (1st time)-Cory; Roderigo (1st time)-Talbot; Montano-DeCamp; Gentlemen-Wentworth, Ryder; Officers-Evans, Fisher; Desdemona-Mrs Powell; Aemilia-Mrs Sparks.
Cast
Role: Othello Actor: Lacy

Song: End 2nd piece: Crazy Jane-Mrs Bland

Entertainment: Imitations. After Singing: Imitations-Caulfield; Monologue. Previous: An Address-Lacy

Performance Comment: After Singing: Imitations-Caulfield; Monologue. Previous: An Address-Lacy.
Cast
Role: An Address Actor: Lacy.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-28 April 1696, suggests that it was acted not later than the period preceding Passion Week (6-11 April 1696). In addition, the large number of minor performers in the cast suggests a Lenten performance by the young actors. In Act I, Scene i, there is an Entertainment of Instrumental Musick, Compos'd by Signior Finger: Then a Song, set by Mr John Eccles, and Sung by Young La Roche. In III, iii: A Dialogue set by Seignior Baptist. The play is an adaptation of John Webster's Cure for a Cuckold. A Comparison Between the Two Stages (1702): The City Bride, by another Player, Damn'd

Performances

Mainpiece Title: The City Bride Or The Merry Cuckold

Performance Comment: Edition of 1696: Prologue-Mr Thurmond; Bonvile-Boman; Friendly-Thurmond; Justice Merryman-Bright; Summerfield-Scudemore; Mr Ventre-Arnold; Mr Spruce-Bayly; Compasse-Freeman; A Councellor-Davis; Pettifog-Trefusis; Dodge-Eldred; Arabella-Mrs Boman; Clara-Mrs Boutell; Mrs Ventre-Mrs Lacy; Peg-Mrs Perin; Nurse-Mrs Lawson; Lucy-Miss Prince; Epilogue-the City-Bride.
Cast
Role: Mrs Ventre Actor: Mrs Lacy

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Performance Comment: Carlos-Adams; King-Smith; John-Lacy; Gomez-Giffard; Marquis of Posa-Hill; Queen-Mrs Purden; Eboli-Mrs Turner; Henrietta-Mrs Mountfort; With a New Prologue address'd to the Town-Mr Adams.
Cast
Role: John Actor: Lacy
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. This was a new play, but it is not clear that this day was the premiere. BM Add. Mss. 34217, in Hotson, Commonwealth and Restoration Stage, p. 246: @For the surprizall it was a good proofe@By its getting them mony it took well enough@Without which Divell take the Play@Be it never so good the Actors say@But they may thanke God with all their hart@That Lacy plaid Brankadoros part.

Performances

Mainpiece Title: The Surprizal

Performance Comment: Brancadoro-Lacy.
Cast
Role: Brancadoro Actor: Lacy.
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Langbaine (English Dramatic Poets, p. 477): This Play has been received with Success (as I said) in our Time; and as I remember, the deceas'd Mr Lacy acted Jonny Thump, Sir Gervase Simple's Man, with general Applause

Performances

Mainpiece Title: Love In A Maze

Performance Comment: [The Changes] Jonny Thump-Lacy.
Cast
Role: Jonny Thump Actor: Lacy.
Event Comment: The King's Company. This is the first known performance of the comedy, but it may not be the premiere. Evelyn, Diary: At night saw acted the Committe, a ridiculous play of Sir R. Howards where that Mimic Lacy acted the Irish-footeman to admiration: a very Satyrus or Roscius. Downes, Roscius Anglicanus, p. 16: @For his Just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling; The Court gave him the Bays.

Performances

Mainpiece Title: The Committee

Performance Comment: Teague-Lacy; Prologue-. Edition of 1665 has Prologue, but no actors' names, no epilogue.
Cast
Role: Teague Actor: Lacy
Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Performance Comment: [The Changes] Thump-Lacy. See also 17 May 1662.
Event Comment: The King's Company. For an edition of this play from the MS prompt copy, see The Change of Crownes, ed. F. S. Boas (Oxford University Press, 1949). For the consequences of Lacy's ad libbing, see 16, 20, and 22 April, and 1 May. Pepys, Diary: I to the King's house by chance, where a new play: so full as I never saw it; I forced to stand all the while close to the very till I took cold, and many people went away for want of room. The King and Queene, and Duke of York and Duchesse of York there, and all the Court, and Sir W. Coventry. The play called The Change of Crownes; a play of Ned Howard's the best that ever I saw at that house, being a great play and serious; only Lacy did act the country-gentleman come up to Court, who do abuse the Court with all the imaginable wit and plainness about selling of places, and doing every thing for money. The play took very much.... Gervase Jaquis to the Earl of Huntington, 16 April: Here is another play house erected in Hatton buildings called the Duke of Cambridgs play-house, and yester-day his Matie the Duke & many more were at the King's Playe house to see some new thing Acted (Hastings MSS, HA 7654, Huntington Library)

Performances

Mainpiece Title: The Change Of Crowns

Performance Comment: Country Gentleman-Lacy.
Cast
Role: Country Gentleman Actor: Lacy.
Event Comment: The King's Company. Pepys, Diary: To the King's house, and there did see Love in a Maze, wherein very good mirth of Lacy, the clown, and Wintersell, the country-knight, his master

Performances

Mainpiece Title: The Changes Or Love In A Maze

Performance Comment: Thump?-Lacy; Sir Gervase Simple?-Wintersell. See also 1 May 1667.
Cast
Role: Thump? Actor: Lacy
Event Comment: uthor unknown.] Benefit Morgan and Lacy. Receipts: money #10 5s.; tickets #93 13s. Probable attendance: boxes, 10 by money and 118 by tickets; stage, 3 by money; pit, 11 by money and 259 by tickets; first gallery, 14 by money and 253 by tickets; second gallery, 57 by money

Performances

Mainpiece Title: The Ancient History Of Caradoc The Great Or The Valiant Welshman

Performance Comment: Caradoc-Walker; Cartismandua-Mrs Berriman; Octavian-Hulet; Gald-Milward; Codigunc-Ogden; Claudius Caesar-Huddy; Ostorius Scapula-Berriman; Cunedag-Lacy; Morgan Earl of Anglesey-Hippisley; Roger the Quest Man-Morgan; With a New Prologue-.
Cast
Role: Cunedag Actor: Lacy

Song: TThe Genius of England-Salway

Dance: TTwo Pierrots-Nivelon, Salle; Peasant-Poitier, Mrs Bullock; French Sailor and his Wife-Salle, Mlle Salle

Event Comment: Benefit Lacy, Pitt, Mrs Rice. Written by Mr Farquhar. Receipts: money #4 10s.; tickets #87 11s. Probable attendance: boxes, 3 by money and 76 by tickets; stage, 4 by money; pit, 4 by money and 261 by tickets; first gallery, 4 by money and 294 by tickets; second gallery, 18 by money

Performances

Mainpiece Title: Love And A Bottle

Performance Comment: As17280406 but Club-Bullock; Brush-Pitt; Rigadoon-Lacy; Pamphlet-Chapman; Beggar-Giffard; Pindress-Mrs Rice; Bulfinch-Mrs Cook.
Cast
Role: Rigadoon Actor: Lacy

Dance: SScottish Dance-Mrs Bullock; Grand Dance of Moors-Glover, Newhouse, Pelling, Lanyon, Mrs Ogden, Mrs Anderson, Miss LaTour; Fingalian-Newhouse, Mrs Ogden

Event Comment: Benefit Theo. Lacy. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

Performance Comment: Lear-Huddy; Edgar-Giffard; Gloucester-W. Giffard; Bastard-Theo. Lacy; Kent-Bardin; Albany-R. Williams; Cornwall-Machen; Burgundy-Bullock; Gentleman Usher-Penkethman; Goneril-Mrs Seal; Regan-Mrs Thomas; Cordelia-Mrs Giffard.
Cast
Role: Bastard Actor: Theo. Lacy

Dance: TThe White Joke-Eaton

Event Comment: Benefit of Prompter (Steed). Receipts: money #20 19s. 16d.; ticekts #62. Tickets for Lacy and Miss Horsington taken

Performances

Mainpiece Title: The Fond Husband

Afterpiece Title: The Tragedy of Tragedies

Performance Comment: King Arthur-Hulett; Tom Thumb-Miss S. Rogers, the Lilliputian Lucy; Grizzle-Lacy; Merlin-Hallam; Ghost of Gaffer Thumb-Salway; Noodle-Houghton; Doole-Aston; Foodle-Hale; Dollalolla-Mrs Martin; Huncamunca-Mrs Egleton; Glumdalca-Hall.
Cast
Role: Grizzle Actor: Lacy

Dance: TTwo Pierrots-Poitier, Pelling; Hornpipe-Jones, Mrs Ogden

Event Comment: RRylands: Lacy play'd. Receipts: #40

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Lacy; Inventor of the Theatre in Ranelagh Gardens; Aboan-Berry; Capt Driver-Johnson; Daniel-Neale; Imoinda-Mrs Butler; Widow-Mrs Macklin; Charlot Weldon-Mrs Ridout; Lucy Weldon-Miss Brunette; Governor-Turbutt; Blandford-Ridout; Stanmore-Winstone; Jack Stanmore-Ray; Hotman-Hill.
Cast
Role: Oroonoko Actor: Lacy
Role: Capt Driver Actor: Johnson
Related Works
Related Work: Oroonoko Author(s): John Hawkesworth

Afterpiece Title: Miss Lucy in Town

Event Comment: This play was wrote by Mr Shirly & was at Lisbon when Acted--it was receiv'd with great Applause--only a little groaning at some of the Love Scenes; the prologue greatly lik'd--he says the play attempted after ye Manner of Shakespear (Cross). Paid salary list at #51 7s. 7d. per diem, #308 5s. 6d.; Blakes per order #1 1s.; Maltair added to salary list at 10s. per day. Paid Lacy as per draft #105; Xmas box to Prince and Princess's footmen #2 2s.; Mr Maltair for 11 days #5 10s. (Treasurer's Book). [Maltair is presumably the dancer Maltare who had appeared at dl in 1740.] Receipts: #180 (Cross); #185 13s. (Treasurer's Book)

Performances

Mainpiece Title: Edward The Black Prince Or The Battle Of Poictiers

Performance Comment: Edward-Garrick; Lord Ribemont-Barry; Cardinal Perigort-Berry; King John-Sowdon; Arnold-Havard; Duke of Athens-King; Charney-Winstone; Audley-Palmer; Chandos-Blakes; Warwick-Usher; Salisbury-Bridges; Dauphin-Simpson; Tourain-Marr; Louisa-Miss Murgatroyd; Mariana-Mrs Ward [from 1st edition but listed in the order in which the actors' names appear in General Advertiser]; Archbisop of Sens-Burton; Prologue-Havard; Epilogue-Mrs Clive [1st edition].1st edition].
Cast
Role: King John Actor: Sowdon
Event Comment: By Command of Their Majesties. Mrs Davies Miss Tittup--La! La! King sent a letter to $Sheridan desiring to be off his Engagement--all made up at night. Mattocks came and told me that Lacy had sold Half his Share of the Patent to Mr Langford (The Auctioneer) and Captain Thomson (Authour of the Syrens &c.). I acquainted Sheridan of it--he had not heard it before (Hopkins Diary). Receipts: #267 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Afterpiece Title: Bon Ton or High Life above Stairs

Performance Comment: Sir John Trotley-King; Colonel Tivy-Brereton; Davy-Parsons; Jessamy-Lamash; Mignon-Burton; Lord Minikin-Dodd; Miss Tittup-Mrs Davies; Lady Minikin-Miss Pope.
Cast
Role: Sir John Trotley Actor: King

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: John Moody Actor: Moody
Role: Trusty Actor: Mrs Johnston
Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Performance Comment: Cyrus-A Gentleman [Lacy]; Cambyses-Smith; Mithranes-Bensley; Harpagus-Packer; Astyages-Palmer; Mirza-Whitfield; Officer-Norris; Aspatia-Miss Hopkins; Mandane-Mrs Yates.
Related Works
Related Work: Cyrus the Great; or, The Tragedy of Love Author(s): John Banks
Related Work: Cyrus Author(s): John Hoole

Afterpiece Title: A Peep behind the Curtain

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Coblers Opera

Dance: TTwo Pierrots-Salle, Mrs Pelling; Fingalian-Newhouse, Mrs Ogden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis

Afterpiece Title: The Coblers Opera