Event Comment: 2nd piece [1st time; MD 3, by James Boaden; some of the songs written by George Colman, ynger]: With new Musick, Scenes, Dresses, and Decorations. The new Musick by Dr Arnold. With an appropriate Overture, accompanied by two Pedal Harps and the Union Pipes, by Weippert, C. Jones, and Murphy. The Scenery by Marinari. The Dresses and Decorations designed by A. Johnston, and executed by him and Mrs Egan. Books of the Songs to be had at the Theatre. "Any exertion of impartial criticism to check the prevalent taste for the marvellous and the horrific which so wantonly conjures up the spirit (it was once thought had been for ever laid) of gross superstition and Gothic barbarism must, we fear, prove at present unavailing" (Times, 23 July). Morning Chronicle, 30 July 1798: This Day is published Cambro-Britons (2s.)

Event Comment: Flora's Figarys appears in Herbert, Dramatic Records, p. 148, under this date. As Flora's Vagaries, it had been acted at Christ Church, Oxford, on 8 Jan. 1663. The play was not published before 1670, and the entry in Herbert's list has sometimes been regarded as the date of licensing, sometimes as the date of a performance in London. Nicoll, Restoration Drama, p. 427, assigned it to ca. January 1662@3 at Vere St, presumably because "Mr Bird" in the cast in the quarto of 1670 referred to Theophilus Bird, who died before 3 Nov. 1663. But the cast in the edition of 1670 is presumably that for 5 Oct. 1667, when Pepys saw the play and referred to Nell Gwyn and Mrs Knepp as acting in it; they, too, are listed in the quarto of 1670 but could hardly have played in it in 1663. If the cast in the 1670 edition is not that for 3 Nov. 1663 and if the "Mr Bird" is Theophilus Bird Jr, then the obstacles to consiuering 3 Nov. 1663 as the date of a performance rather than of licensing are less formidable. [I am indebted to professor John Harold Wilson for much of this argument.

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Event Comment: TThe Jovial Crew, as advertised for this Day cannot be perform'd on account of the indisposition of Miss Brent. Positively the last time of the company's performing this season. Boxes #5 17s. 6d. Paid Younger a bill for writing parts #2 12s. Paid Ross in full to make his sallery #300 for the season: #60. The Account Book indicates a deficit this night of #1240 12s. 4d. after all salaries are paid. This deficit was reduced by #301 18s. 8d. on May 27 by deductions from the annual salaries of 23 actors and dancers for 19 nights on account of "the death of His Late Majesty King George the Second." A little more than 10 per cent was taken from the salary of each: From Miss Macklin's salary of #300, was deducted #31 16s. 10d., &c. The others who were similary taxed were: @Name Salary Deduction@Ross #300 #31 16s. 10d.@Maranesi & Mrs Maranesi[Wife #270 #28 13s. 2d.@Sparks #250 #26 10s. 8d.@Dyer & Mrs Dyer[Wife #250 #26 10s. 8d.@Beard #210 #22 5s. 9d.@Ridout #180 #19 2s. 1d.@Poitier Jr #150 #15 18s. 6d.@Miss Capdeville #150 #15 15s. 5d.@Barrington #100 #10 12s. 3d.@Bencraft #100 #10 12s. 3d.@LaLauze #100 #10 12s. 3d.@Poitier Sr #80 #8 9s. 9d.@Leppie #80 #8 9s. 9d.@Mrs Jansolien #60 #6 7s. 4d.@Mrs Viviez #60 #6 7s. 4d.@Rotchford #50 #5 6s. 1d.@Mrs Marianne #50 #5 6s. 1d.@Hussey #35 #3 14s. 3d.@Mrs Welsch #35 #3 14s. 3d.@Mrs Crawford #35 #3 14s. 3d.@ On 30 May the deficit was further reduced by receipts from 26 actors for advances, one-half value of tickets for their benefit performances, &c., plus #200 from John Rich, in the amount of #506 6s. 5d. (Account Book).] Receipts: #43 7s. 6d. (Account Book)

Event Comment: [By Charles Johnson.]Receipts: #63 11s