SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Dryden Esq"/1) | (@(roleclean,performerclean) "John Dryden Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1782 matches on Performance Comments, 1657 matches on Event Comments, 371 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister. 3rd piece [1st time: INT 1. Larpent MS 1218; not published]: A Sequel [to Sylvester Daggerwood], written by John? O'Keeffe. Times, 24 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. Receipts: #318 17s. (86.6.0; 44.4.6; 2.0.6; tickets: 186.6.0, of which Bannister to pay for half over #100) (charge: none listed)

Performances

Mainpiece Title: The Tempest

Related Works
Related Work: The Tempest Author(s): John Dryden
Related Work: The Tempest; or, The Enchanted Island Author(s): John Dryden

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Eleventh of June; or, The Daggerwoods at Dunstable

Related Works
Related Work: The Eleventh of June; or, The Daggerwoods at Dunstaple Author(s): John O'Keeffe

Afterpiece Title: Blue-Beard

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Blue Devils

Performance Comment: Characters-Fawcett, Munden, Wathen, Waldron Jun., Mrs Gibbs. [Cast adjusted from text (John Cawthorn, 1808): Megrim-Fawcett; Demisou-Munden; James-Wathen; Bailiff-Waldron Jun,; Annette-Mrs Gibbs.]
Event Comment: The last Night of the Company's performing this season. [This was John Palmer's last appearance in London. He died on the stage of the Liverpool theatre, while acting in The Stranger, on 2 Aug. 1798.] Receipts: #164 19s. (113.2.6; 50.9.0; 1.7.6)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): John DaltonJohn Milton

Dance: In I afterpiece: Dancing-Mlle Parisot, Sga Bossi DelCaro

Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald, adapted from Das Kind der Liebe, by August Friedrich Ferdinand von Kotzebue. Prologue by John Taylor; Epilogue by Thomas Palmer (see text)]. Afterpiece [1st time; MF 2, by Charles Smith]: The Music composed by Attwood. The Overture accompanied on the Harp by Weippert. Morning Herald, 28 Nov. 1798: This Day is published Lovers' Vows [sic] (2s.). Times, 26 Oct. 1798: This Day is published A Day at Rome (1s.). Receipts: #197 15s. 6d. (194.3.6; 3.12.0)

Performances

Mainpiece Title: Lover's Vows

Performance Comment: Principal Characters by Pope, Munden, H. Johnston, Knight, Murray, Powel, Thompson, Rees, Curties, Mrs Johnson, Mrs Davenport, Miss Leserve, Mrs H. Johnston. [Cast from text (G. G. and J. Robinson, 1798): Frederick-Pope; Verdun the Butler-Munden; Anhalt-H. Johnston; Count Cassel-Knight; Baron Wildenhaim-Murray; Cottager-Powel [in text: Davenport (see17981022)]; Landlord-Thompson; Farmer-Rees; Countryman-Curties [in text: Dyke]; Agatha Friburg-Mrs Johnson; Cottager's Wife-Mrs Davenport; Country Girl-Miss Leserve; Amelia Wildenhaim-Mrs H. Johnston; Prologue-Murray; [This was spoken, as here assigned, at the 1st 9 performances only (see17981029).] Epilogue-Munden. [This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]This was spoken, as here assigned, at all subsequent performances, except on 22 Nov. and on 12 June 1799.]

Afterpiece Title: A Day at Rome

Event Comment: Afterpiece [1st time; M. INT 1, by Thomas John Dibdin. Prologue by Richard Cumberland (see text)]: The Overture and Music composed by Attwood, with some favorite Selections from the Works of Dibdin and Mazzinghi. Books of the Songs, including a descriptive Sketch of the Ballet, to be had at the Theatre. Morning Herald, 5 Nov. 1798: This Day is published The Mouth of the Nile (1s.). Receipts: #309 3s. 6d. (303.0.6; 6.3.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Mouth of the Nile

Performance Comment: Vocal Characters-Incledon, Fawcett, Townsend, Emery, Dibdin Jun., Wilde, Gray, Linton, Street, Thompson, Miss Walcup, Miss Sims. +Characters in the Ballet-Farley, Bologna Jun., Follett, Dyke, Bologna, Blurton, Platt, Mrs Watts, Mrs Bologna, Miss Burnett, Mrs Masters, Mrs Wybrow; [Cast from text (J. Barker, 1798), and playbill of 9 Nov. 1799: Michael (an Egyptian Peasant)-Incledon; William-Fawcett; Jack Junk-Townsend; Old Peasant-Emery [in text: Simmons (see17981029)]; Pat-Dibdin Jun.; French Officer-Wilde; Peasants, Sailors-Gray, Linton, Street, Thompson, Cranfield, Lewiss, Rauner, Powers, Platt; Adela-Miss Walcup; Susan-Miss Sims; [Commencing with a Grand Ballet of Action, expressive of Egyptian Costume, contrasted with the Habits and Manners of the Turks and Arabs; and introducing, thro' the Medium of a Domestic Story, the Effects produced by the Landing of the French Army, and subsequent Arrival of the British Fleet at the Mouth of the Nile. Comic Dialogue and Songs form the Second Part, for the purpose of introducing a correct Scenic Representation of the Battle of the Glorious First of August [1798]. An Occasional Prologue-H. Johnston.
Event Comment: Afterpiece [1st time in London; F2, by Thomas John Dibdin, 1st acted at Maidstone, 12 July 1798]. Receipts: #286 3s. (279.13; 6.10)

Performances

Afterpiece Title: The Jew and the Doctor

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Performance Comment: Principal Characters-Incledon, Fawcett, H. Johnston, Betterton, Townsend, Simmons, Miss Webb (1st appearance), Follett; Miss Wheatley, Miss Walcup, Mrs Whitmore, Mrs Johnson. [Cast from Songs (T. Rickaby [1798]): Henrico-Incledon; Jocelin-Fawcett [in Songs: Emery (see17981214)]; Albert-H. Johnson; Rudolph-Betterton; Bertolt-Townsend; Gariga-Simmons; Adolphus-Miss Webb; Rosella-Miss Wheatley; Cicely-Miss Walcup; Algonde-Mrs Whitmore; Adelaide-Mrs Johnson; unassigned-Follett; Chorus of Soldiers and Followers in the Black Forest-Oddwell, Clarke, Sawyer, Curties, Little, Thomas, Everett, J. Linton, Smith, Lee, Powers, Lewiss; Chorus of Guards in the Castle-Linton, Gray, Street, Abbot, Kenrick, Silvester, Jones, Fairclough, Tett, Russel.

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: Mainpiece [1st time; C 5, by Joseph George Holman. Prologue by William Thomas Fitzgerald; Epilogue by John Taylor (see text)]: With new Dresses, Scenery, &c. [Afterpiece in place of The Farmer, advertised on playbill of 11 Jan.] Morning Chronicle, 26 Mar. 1799: This Day is published The Votary of Wealth (2s.). Receipts: #326 10s. 6d. (321.2.6; 5.8.0)

Performances

Mainpiece Title: The Votary Of Wealth

Performance Comment: Principal Characters by Lewis, Pope, Munden, Fawcett, H. Johnston, Murray, Emery, Thompson, Abbot, Curties, Wilde, Lee, Mrs Pope, Mrs H. Johnston, Miss Chapman, Mrs Davenport, Miss Betterton. [Cast from text (T. N. Longman and O. Rees, 1799), and playbill of 25 Sept. 1799: Drooply-Lewis; Leonard Vizorly-Pope; Oakworth-Munden; Sharpset-Fawcett; Henry Melville-H. Johnston; Cleveland-Murray; Old Vizorly-Emery; Mastyr of Hotel-Thompson; Bailiff-Abbot; Servant-Curties; Waiter-Wilde; Simpson-Blurton; Julia Cleveland-Mrs Pope; Gangica-Mrs H. Johnston; Mrs Cleveland-Miss Chapman; Lady Jemima Vizorly-Mrs Davenport; Caroline-Miss Betterton; unassigned-Lee; Prologue-Murray; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 9 performances only (see17990128).]These were spoken, as here assigned, at the 1st 9 performances only (see17990128).]
Cast
Role: Henry Melville Actor: H. Johnston
Role: Gangica Actor: Mrs H. Johnston

Afterpiece Title: Rosina

Event Comment: Afterpiece [1st time; P 2, by Thomas John Dibdin; pantomime by Charles Farley]: With new Scenery, Machinery, Tricks, Dresses, and Decorations. The Overture, Airs and Chorusses by Attwood. The Pantomime Music by Attwood, Mountain, and Ealy [recte Eley]. The Scenery by Phillips, Lupino, Hollogan, Blackmore, Thorne, Wilkins, &c. The Machinery and Tricks by Cresswell, Sloper and Goostree. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #364 (353.12; 10.8)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Event Comment: 2nd piece [1st time; C 3, by Thomas John Dibdin, altered from Die Versohnung, by August Friedrich Ferdinand von Kotzebue. Author of Prologue unknown. Epilogue by the author (see text)]: With new Scenery, Dresses, &c. [3rd piece in place of The Old Cloathsman, advertised on playbill of 6 Apr.] Receipts: #180 3s. (177.1; 3.2)

Performances

Mainpiece Title: Fun And Frolic

Cast
Role: Captain O'Neill Actor: Johnstone

Afterpiece Title: The Birth Day

Performance Comment: Principal Characters by Munden, Fawcett, H. Johnston, Murray, Waddy, Abbot, Mrs Davenport, Mrs Whitmore, Mrs Pope. [Cast from text (T. N. Longman and O. Rees, 1800): Captain Bertram-Munden; Jack Junk-Fawcett; Harry Bertram-H. Johnston; Mr Bertram-Murray; Lawyer Circuit-Waddy; William-Abbot; Mrs Moral-Mrs Davenport; Ann-Mrs Whitmore; Emma-Mrs Pope; Prologue-H. Johnston; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]
Cast
Role: Harry Bertram Actor: H. Johnston
Role: Prologue Actor: H. Johnston
Related Works
Related Work: The Birth Day; or, The Prince of Arragon Author(s): John O'Keeffe
Event Comment: Benefit for Pope. 1st piece [1st time; D 4. Larpent MS 1249; not published synopsis of plot in Universal Magazine, Apr. 1799, p. 273]: Translated from [Der Graf von Burgund, by August Friedrich Ferdinand von? Kotzebue (Author of The Stranger, Lover's Vows, &c.) by Miss Anne? Plumptre, and adapted to the English Stage by Alexander? Pope. Morning Chronicle, 25 26 Mar.: Tickets to be had of Pope at his house, No. 5, Half Moon-street, Piccadilly. [This was Mrs Abington's last appearance on the stage.] "The perpetuated evidence of youth was in character with her person and her powers; the slimness of her figure, the fulness of her voice, the freshness of her spirits, the sparkle of her eye, and the elasticity of her limbs, savoured alike of a juvenility that puzzled the mind, whilst it pleased it: of her it was justly said that 'she had been on the stage thirty years; she was one-and-twenty when she came, and one-and-twenty when she went!'" (John Bernard, Retrospections of the Stage, 1830, II, 228-29). Receipts: #334 19s. 6d. (194.1.0; 2.5.0; tickets: 138.13.6)

Performances

Mainpiece Title: The Count Of Burgundy

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Netley Abbey

Performance Comment: Captain Oakland-Incledon; Oakland-Munden; Gunnel-Fawcett; Jeffery-Townsend; Sterling-Abbot; M'Scrape-Johnstone; Ellen Woodbine-Miss Walcup; Lucy Oakland-Mrs Follett; Catherine-Mrs Martyr.
Cast
Role: M'Scrape Actor: Johnstone

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Performance Comment: Being the intermediate part of the Night's Entertainment. End I of the Play John Appleby (1st time)-Fawcett; End II Black Ey'd Susan-; End III Poor Tom; or, Sailor's Epitaph-Incledon; Here a sheer hulk-Incledon; End IV Pull Away; or, Howe, St. Vincent, Duncan & Nelson-Fawcett; End Play Monsieur Tonson (Founded on Fact, and read at Freemason's Hall, in the Winter of 1795)-Fawcett.

Afterpiece Title: The Princess of Georgia

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, H. Johnston, Townsend, Simmons, Clarke, Miss Waters, Mrs Chapman, Miss Sims, Mrs H. Johnston. [Cast from Larpent MS: Giobar-Incledon; Morad-Munden; Acba-Fawcett; Daracardin-H. Johnston; Iskouriah-Townsend; Nainda-Miss Waters [in MS: Mrs Atkins]; Zara-Miss Sims; Illidia-Mrs H. Johnston [in MS: Mrs Pope]; unassigned-Simmons, Clarke, Mrs Chapman; Ambassadors and Suite from Armenia-Dyke, Hawtin, Abbot, Wilde, Blurton, Street, L. Bologna; Ladies of the Harem-Ms Gilbert, Ms Leserve, Ms Norton, Ms Masters, Ms Lloyd, Ms Burnett, Ms Walcup, Ms Blurton.
Cast
Role: Daracardin Actor: H. Johnston
Role: Illidia Actor: Mrs H. Johnston
Event Comment: Benefit for Knight. 2nd piece [1st time; F 1, by Thomas John Dibdin. Larpent MS 1252; not published]. 3rd piec : Not acted these 9 years. [Miss A. DeCamp had appeared as a dancer with the dl Company at king's in the season of 1792-93.] Morning Chronicle, 22 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #392 3s. (185.12.6; 3.18.0; tickets: 202.12.6)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Tagg in Tribulation

Afterpiece Title: Poor Vulcan

Song: End II: song-Incledon; End: Old Towler-Incledon; The Beggar's Song-Townsend

Entertainment: A Variety of Imitations-Rees

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.
Cast
Role: Fitzharding Actor: Johnson
Role: Helen Actor: Mrs Johnson
Role: Sir Edward Mortimer Actor: H. Johnston

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.
Related Works
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): John Lacy

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: 2nd piece [1st time; MD 5, by George Holman, based on Die Rauber, by Johann Christoph Friedrich von Schiller. Prologue by John Taylor (Poems, I, 65)]: With new Scenery, Dresses and Decorations. The Musick composed by Attwood, and selected from Dr Arnold, Callcott, and Mozart. Books of the Songs to be had at the Theatre. Morning Chronicle, 4 Sept. 1799;: This day is published The Red Cross Knights (2s.). Ibid, 22 Aug.: It was remarked from its extreme length and the frequent fall of the drop scene that it was a play in ten acts instead of five--indeed this method of preparing for a new scene disjoints the business, and of course tends greatly to injure the effect

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Red-Cross Knights

Afterpiece Title: The Purse

Related Works
Related Work: The Purse; or, Benevolent Tar Author(s): John Cartwright Cross
Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by John Taylor; Epilogue by George Colman, ynger (see text)]: With new Scenes and Dresses. Morning Chronicle, 7 Dec. 1799: This day is published Management (2s.). Afterpiece: In 3 acts. Receipts: #259 18s. (254.3.6; 5.14.6)

Performances

Mainpiece Title: Management

Afterpiece Title: The Miser

Related Works
Related Work: The Miser; or, Wagner and Abericock Author(s): John Thurmond
Event Comment: [In mainpiece the playbill retains Miss Biggs as Angela, but "On account of the sudden indisposition of Miss Biggs, Miss Heard will perform the part of Angela, and hopes for the usual indulgence of the audience" (printed slip attached to Kemble playbill).] Afterpiece [1st time; MF 2, by Thomas John Dibdin, based on Der Wildfang, by August Ferdinand Friedrich von Kotzebue. Prologue by Miles Peter Andrews (London Chronicle, 4 Feb. 1800)]: The Overture and Musick composed by Kelly [with one selection from Paisiello]. Books of the Songs to be had in the Theatre. Receipts: #264 17s. (139.8.6; 122.17.0; 2.11.6)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: Of Age To-morrow

Event Comment: Mainpiece [1st time; C 5, by Thomas Morton; with incidental music by John Moorehead. Prologue by William Thomas Fitzgerald; Epilogue by Miles Peter Andrews (see text)]: With New Scenes [by Richards (Universal Magazine, Feb. 1800, p. 157)] and new Dresses. Morning Chronicle, 8 July 1800: This day is published Speed the Plough (2s.). Receipts: #256 7s. (253.4.6; 3.2.6)

Performances

Mainpiece Title: Speed The Plough

Performance Comment: Principal Characters by Pope, Munden, Fawcett, Knight, H. Johnston, Murray, Davenport, Waddy, Atkins, Street, Abbot, Curties, Klanert, Miss Murray, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. [Cast from text (T. N. Longman and O. Rees, 1800): Sir Philip Blandford-Pope; Sir Abel Handy-Munden; Bob Handy-Fawcett; Farmer Ashfield-Knight; Henry-H. Johnston; Morrington-Murray; Evergreen-Davenport; Gerald-Waddy; Peter-Atkins; Postillion-Abbot; Young Handy's Servant-Klanert; Susan Ashfield-Miss Murray; Dame Ashfield-Mrs Davenport; Lady Handy-Mrs Dibdin; Miss Blandford-Mrs H. Johnston; unassigned-Street, Curties; Prologue-Betterton; [This was spoken, as here assigned, at the 1st 9 performances only (see18000219).] Epilogue-Fawcett. [This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .This was spoken, as here assigned, at the 1st 19 performances only (see18000306] .
Cast
Role: Henry Actor: H. Johnston
Role: Miss Blandford Actor: Mrs H. Johnston

Afterpiece Title: Rosina

Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin. Larpent MS 1280; not published]: With New Music, Dresses and Decorations. The Music composed by Attwood. Books of the Songs to be had in the Theatre. Receipts: #354 16s. (347.18; 6.18)

Performances

Mainpiece Title: Speed The Plough

Cast
Role: Henry Actor: H. Johnston
Role: Miss Blandford Actor: Mrs H. Johnston

Afterpiece Title: True Friends

Performance Comment: Principal Characters by Incledon, Johnstone, Murray, Townsend, Emery, Davenport, Simmons, Mrs Davenport, Mrs Dibdin, Mrs H. Johnston. Cast from Songs J. Barker, 1800): Carlos-Incledon; Father Dominico-Johnstone; Durano-Murray; Binnacle-Townsend; Olla Podrida-Emery; Juan-Davenport; Iacomo-Simmons; Blondella-Mrs Davenport; Beatrice-Mrs Dibdin; Theodora-Mrs H. Johnston.
Cast
Role: Father Dominico Actor: Johnstone
Role: Theodora Actor: Mrs H. Johnston.
Event Comment: Afterpiece [1st time; MF 2, by Thomas John Dibdin]: With appropriate music (composed and selected by Attwood), Scenery, &c. Books of the Songs to be had at the Theatre. Receipts: #256 17s. (251.10; 5.7)

Performances

Mainpiece Title: Speed The Plough

Cast
Role: Henry Actor: H. Johnston
Role: Miss Blandford Actor: Mrs H. Johnston

Afterpiece Title: St

Related Works
Related Work: A Song for St Cecilia's Day Author(s): John Dryden
Related Work: The Fair of St. Germain Author(s): John Ozell
Related Work: The Island of St. Marguerite Author(s): John St. John
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): John O'Keeffe
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): John O'Keeffe
Related Work: Mary Queen of Scots Author(s): John St. John
Related Work: St. Andrew's Festival; or, The Game at Golf Author(s): John Peter Roberdeau

Dance: In I afterpiece: A Dance-King; In II: Dance-Blurton, Platt, L. Bologna, Wilde, Klanert, Whitmore, Lewiss, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Mrs Dibdin, Mrs Watts. [These were danced, as here assigned, in all subsequent performances. For Harp see18000331

Event Comment: Account-Book, 5 Apr.: Received from John Ashley charge for oratorios #380; Paid One Years Insurance on #10,000 of the Theatre at the Phoenix Fire Office to Lady Day next #115

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the Grand Piano Forte-Master Neate; End II: cobcerto on the violin-G. Ashley

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph

Related Works
Related Work: Cadmus et Hermione Author(s): John Baptist Lully

Performances

Mainpiece Title: The Rage

Afterpiece Title: The Critic; or, A Tragedy Rehears'd

Performance Comment: Dangle-Farley; Sir Fretful Plagiary-Munden; Puff-Knight; Sneer-Murray (Their 1st appearance in those characters); Signor Pasticcio-Delpini; Interpreter-Klanert; Italian Girls-Mrs Atkins, Miss Wheatley; Mrs Dangle-Mrs Chapman; Tragedians Lord Burleigh-Johnstone (1st appaarance in that character); Governor-Waddy; Earl of Leicester-Whitfield; Sir Walter Raleigh-Claremont; Master of the Horse-Atkins; Sir Christopher Hatton-Simmons; Beef@Eater-Rees; Don Ferolo Whiskerandos-Fawcett (1st appearance in that character); Confidante-Mrs Whitmore; Nieces-Mrs Watts, Miss Leserve; Tilburina-Mrs Mattocks (1st appearance in that character). Edition of 1807 (John Cawthorn) adds: Under Prompter-$Wilde.

Song: End IV: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon; Afterpiece conclude: Rule Britannia-Incledon, Townsend, Hill, Chorus

Related Works
Related Work: The Lad of the Hills; or, The Wicklow Gold Mine Author(s): John O'Keeffe
Related Work: The Lad of the Hills Author(s): John O'Keeffe
Related Work: The Wicklow Mountains Author(s): John O'Keeffe
Related Work: The Rout Author(s): John Hill
Event Comment: Benefit for the Humane Society. A new grand Commemorative Oratorio [1st time; in two parts], as originally performed by Busby, in aid of the Fund for the Naval Pillar, including the new Music [by Busby: Song and Chorus, From where the sun; Song, To thy brave sons; Recitative and Song, Peace to the soul, Around the ever-honoured urn], introduced in the Grand National Concert, performed the 28th of May, at the Opera House. Leader of the Band-Cramer. Organ-Russell. The performance to be conducted by Busby, who will preside at the Piano Forte. Tickets, at playhouse prices, to be had at all the principal music shops...and of Busby, No. 9, China Terrace, Vauxhall Road. The Doors to be opened at 6:00. To begin at 7:00. "The words [of Part I] are taken entirely from Gray's well-known Pindaric Ode, The Progress of Poesy," with six introductory lines written by John Gretton andthe concluding stanzas by Thomas Dutton; the text of Part II by Gretton (Dramatic Censor, II, 285-86)

Performances

Mainpiece Title: Britannia