Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe and Charles Bonnor; later (see 29 Jan. 1784) altered as Harlequin Rambler. MS: Larpent 642; not published; synopsis of action in Public Advertiser, 24 Dec]: The Overture and all the Music new, with entire new Scenery, Machinery, Dresses, Decorations and New Performers. The Pantomime invented by O'Keeffe, the Music composed by Shield, the Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. Nothing under Full Price will be taken. Books of the Songs (T. Cadell, 1783) [which list no cast] to be had at the Theatre. Receipts: #288 1s. (277/18; 10/3)

Event Comment: [In mainpiece the playbill assigns Lord Lumbcrcourt to Wilson, but "Lee Lewes was the substitute for Wilson, and far indeed better than the man he appeared for" (Public Advertiser, 31 Jan.).] Afterpiece [1st time; P 2, by John O'KeerFe]: The Music composed by Shield. The Scenery designed by Richards and Carver, and executed by them, Hodgins, and others. The 1st Part of this Pantomime is an Alteration of the Last New One [Friar Bacon (see 23 Dec. 1783)], and the 2nd Part entirely new and never before exhibited. Nothing under Full Price will be taken. "If Macklin once loses the Catch Word he is gone irretrievably." At the end of the 3rd act, at half price, some apprentices coming into the pit talked so loudly that "Macklin stopped; he lost himself. ... He came to the Side of the Stage, and stooping down to the Talkers, said, 'Gentlemen, I must beg you to be silent; my Hearing and Recollection are not so perfect as they were; I cannot proceed for your Talking'" (Public Advertiser, 5 Feb.). Receipts: #286 14s. (282/15; 3/19)

Event Comment: Afterpiece: Altered from Sir John Vanbrugh's The Relapse. Never perform'd here. [Miss Christian is identified in Public Advertiser, 9 Aug.]

Event Comment: Benefit for Mrs Bannister. Afterpiece: Written by [John] O'Keeffe, Author of The Son-in-Law, Agreeable Surprise, Young Quaker, &c &c. Tickets to be had of Mrs Bannister, No. 6, Great Russel-strcet, Covent Garden

Event Comment: Afterpiece [1st time; MF 2, by John O'Keeffe. Text (ist authorized) in Cumberland's British Theatre, Vol. xxxi]: Written by the Author of The Agreeable Surprise, Son-in-Law, &c. The Overture and new Airs composed by Dr Arnold. Books of the Songs to be had at the Theatre

Event Comment: Afterpiece [1st time; ENT 2]: Consisting of Dialogue, Music [chiefly by Henry Purcell and Thomas Linley Sen. (Boaden, Kemble, I, 225)], and Machinery. Altered from [David Garrick's alteration of] King Arthur, by Dryden. With great Variety of very capital Scenery, new Dresses, and Decorations. [The alteration was probably made by John Philip Kemble.] Receipts: #148 11s. (107/13/0; 39/17/6; 1/0/6)

Event Comment: Afterpiece [1st time; F 2]: Written by [John] O'Keeffe. [Prologue by the author (see text). Text 1st published in O'Keeffe's Dramatic Works, Vol. II (T. Woodfall, 1798).]

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe; incidental music by Dr Arnold. Text 1st published in O'Keeffe's Dramatic Works, vol. III (T. Woodfall, 1798)]

Event Comment: Afterpiece: By the Author of The Son-in-Law, Agreeable Surprise, &c. [John O'Keeffe]

Event Comment: Mainpiece: With Alterations by the Author [John O'Keeffe]. Receipts: #179 15s. 6d. (177/15/6; 2/0/0)

Event Comment: [Lawrence is identified in European Magazine, Dec. 1785, p. 467, which notes that he "formerly performed in Dr Stratford's Lord Russell [at DL, 20 Aug. 1784]."] Receipts: #137 11s. (89/13/0; 43/17/6; 4/0/6)

Event Comment: [In mainpiece the playbill retains Mrs Wells, but she "was so ill last night that she could not perform the part of Jane Shore. It was undertaken by Mrs T. Kennedy" (Public Advertiser, 21 Dec.).] Afterpiece [1st time; P 2, by John O'Keeffe]: The Pantomime, and the whole of the Scenery, Machinery, Dresses, &c. designed and invented by Loutherbourg, and executed under his superintendance and direction by Richards, Carver, Hodgins, Catton Jun., Turner, assisted by two other celebrated artists [all subsequent playbills have "a celebrated artist"; he was the Rev. Matthew William Peters (Public Advertiser, 16 Dec.)]. The Music entirely new, composed by Shield. Books containing a short account of the Pantomime, as well as the Recitatives, Airs, Duets, Trios and Chorusses, and a Description of the Procession, to be had at the Theatre. Nothing under Full Price will be taken. [This was the last theatrical piece for which De Loutherbourg designed the scenery. For a detailed account of it see "De Loutherbourg and Captain Cook", by Ralph G. Allen, Theatre Research, IV, 195-211.] Account-Book, 17 Oct.: Paid De Loutherbourg on acct. #120; 20 Dec.: Paid Goodwin for copying Music #10 14s.; 14 Feb. 1786: Paid O'Keeffe in full for Omai #40. Receipts: #309 19s. (302/7; 7/12)

Event Comment: Afterpiece [1st time; MF 2]: Written by the Author of The Poor Soldier [John O'Keeffe. Text 1st published in his Dramatic Works, Vol. IV (T. Woodfall, 1798)]. With new Scenes, Dresses, &c. The Airs partly compiled, the new Music, Overture, and all the Accompaniments composed by Shield. Books of the Songs to be had at the Theatre. Account-Book, 6 Apr.: Paid O'Keeffe in full for Love in a Camp #105. Receipts: #189 2s. 6d. (175/1/6; 14/1/0)

Event Comment: Afterpiece [1st time in London; F 2, by John Philip Kemble, 1st acted at Manchester, 25 Mar. 1778, as The Female Officer. MS: Larpent 723; not published; synopsis of plot in Public Advertiser, 20 Feb. Prologue by James Cobb (European Magazine, Feb. 1786, p. 129)]. Receipts: #222 8s. 6d. (192/0/0; 29/6/0; 0/7/6; tickets not come in: 0/15/0)

Event Comment: Mainpiece [1st time; T 5, by John Delap. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 22 Mar. 1786: This Day is published The Captives (1s. 6d.). Receipts: #222 1s. (204/17; 14/16; 2/8)

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. MS: Larpent 743; not published; synopsis of plot in Public Advertiser, 14 Aug. The following season reduced to an afterpiece of 2 acts]: With new Scenes, Dresses and Decorations. The Overture, new Airs and Accompaniments by Dr Arnold. The Scenes painted by Rooker. Books of the Songs to be had at the Theatre

Event Comment: Afterpiece [1st time; F 2, by John Scawen. Prologue by the author (European Magazine, Dec. 1786, p. 435). Larpent MS 749; not published; composer of songs unknown]; A Farce with Songs [for which see Morning Chronicle, and Morning Herald, both 8 Dec.]. Receipts: #237 2s. (233.16.6; 3.5.6)

Event Comment: Afterpiece [1st time; F 2, By John O'Keeffe. Prologue by George Colman elder (Colman, Prose, III, 276)]. The curtain was obliged to be dropt before the piece was finished, amidst the disapprobation of a very splendid and numerous audience" (Public Advertiser, 29 Jan.). Receipts: #219 6s. 6d. (216.5.0; 3.1.6)

Event Comment: Afterpiece [1st time; CO 2, by Robert Jephson and John O'Keeffe, i.e. an abridgement by O'Keeffe of Jephson's The Campaign (see 12 May 1785). Not in Larpent MS; not published; synopsis of plot in Universal Magazine, Mar. 1787, p. 155]: With new Scenes, Dresses, &c. A new Overture composed by the celebrated Haydn. The Airs by Gretry, Hook, J. C.? Bach, Paisiello, Duny [recte Duni], Carolan, Shield and Tenducci. Books of the Songs to be had at the Theatre. Receipts: #265 11s. 6d. (257.11.6; 8.0.0)