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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Day"/1) | (@(roleclean,performerclean) "John Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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14003 results for: Keyword - John Day
We found 9825 matches on Author, 3059 matches on Event Comments, 1992 matches on Performance Comments, 823 matches on Performance Title, and 0 matches on Roles/Actors.

13676
April 1696 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not certain, but the fact that the play was advertised in the London Gazette, 6-11 May 1696, suggests that it was first acted not later than April 1696. A song, Come, Hodge, come, Robin, set by John Eccles and sung by Wiltshire and Mrs Hudson, was printed in Deliciae Musicae, The Second Book of the Second Volume, 1696. Dedication, Edition of 1696: Which I wrote three Years ago....nor the Displeasure of the Judicious, who I hope will not condemn this Play from the appearance it had upon the Stage, where it suffer'd in the Acting....Tho. Dogget. A Comparison Between the Two Stages (1702), pp. 16-17: Ramble: Oh that's Dogget's: The Players have all got the itching Leprosie of Scribling as Ben. Johnson calls it; twill in time descend to the Scene-keepers and Candle-snuffers: Come, what came on't? Sullen: Not then directly Damn'd, because he had a part in't himself, but it's now dead and buried

Performances

Mainpiece Title: The Country-wake

Related Works
Related Work: Hob's Opera Author(s): John Hippisley

13677
August 1696 @ Bartholomew Fair

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

13678
09 March 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

13679
June 1697 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the Prologue refers to The World in the Moon, suggesting a premiere during (or shortly after) the run of that opera. Since The Innocent Mistress was advertised in the Post Boy, 29-31 July 1697, this fact points also to a late June premiere. A song, When I languished and wished, set by John Eccles and sung by Mrs Hodgson, is in Wit and Mirth, Second Edition, 1707. Gildon, English Dramatick Poets, p. iii: This is a diverting Play, and met with good Success, tho' acted in the hot Season of the Year. A Comparison Between the Two Stages (1702), p. 20: Tho' the Title calls this Innocent, yet it deserves to be Damn'd for its Obscenity

Performances

Mainpiece Title: The Innocent Mistress

13680
01 November 1697 @ Inner Temple

Event Comment: Betterton's Company. This performance is recorded in A Calendar of the Inner Temple Records, ed. Inderwick, III, 227. Post Boy, 30 Oct.-2 Nov. 1697: There was Yesterday a very great Feast in the Temple, there being present the High Honourable the Lord Chancellor, with Divers of the Judges; after Dinner there was a Play Acted. John Oldmixon, Reflections on the Stage (London, 1699), p. 69: The Bar-Gown has often been play'd with, and shewn in a more despicable Figure, yet the Lawyers don't think it worth their while to cry out against Comedy, as aiming at the ruin of the Courts in Westminster-hall, and the Judges themselves have desir'd Love for Love, with all the faults Mr Collier has laid to its charge, to be presented 'em, and were extreamly well pleas'd with their entertainment, tho' the Lawyer there makes a trivial appearance

Performances

Mainpiece Title: Love For Love

13681
28 January 1700 @ Lincoln's Inn Fields

Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

13682
13 May 1700 @ Drury Lane Theatre and Lincoln's Inn Fields

Event Comment: Both playhouses were closed for the burial services of John Dryden. See The Patentee; or some Reflections in Verse (1700), titlepage

Performances

13683
11 December 1700 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-. Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia

Performance Comment: Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia.

13684
16 April 1703 @ Girdlers Hall

Event Comment: Benefit John Wilford. The Hall is in Basinghall Street. At 8 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-several Eminent Masters

13685
28 April 1704 @ York Buildings

Event Comment: Benefit John Banister Jr. At the usual hour

Performances

Mainpiece Title: Concert

Music: Newly composed by Keller, with vocal Music-Signora Maria Gallia; instrumental Music-Paisible, Gasperini, laTour, Banister, others Masters

Related Works
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich

13686
09 May 1704 @ Lincoln's Inn Fields

Event Comment: Genest, II, 309, lists Don John; or, The Libertine Destroy'd, probably as a mistake for 1 May

Performances

13687
02 October 1704 @ Lincoln's Inn Fields

Event Comment: A new Farce, never acted but twice. [By John Corey. Date of premiere unknown.

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Cast
Role: Johnson Actor: Booth.
Related Works
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond

13688
01 February 1707 @ Drury Lane Theatre

Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

13689
19 January 1709 @ Queen's Theatre

Event Comment: Benefit Cavaliero Nicolini Grimaldi. And (at the Desire of several Persons of Quality) the Boxes are to be open'd to the Pit, and none to be admitted but by printed Tickets, which are deliver'd by him. [Ch. Dering, writing to John Percival, stated that Nicolini got 800 guineas.-Egmont MS, p. 246.

Performances

Mainpiece Title: Pyrrhus And Demetrius

13690
15 September 1709 @ Queen's Theatre

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

13691
04 February 1710 @ Drury Lane Theatre

Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Performances

Mainpiece Title: Don Quixote, Part Ii

Related Works
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: The Conquest of Granada by the Spaniards, Part II Author(s): John Dryden

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202

13692
24 February 1710 @ Couch's Drawing Room

Event Comment: Benefit James Graves and John Garee. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Several Eminent Masters

13693
11 January 1711 @ Stationer's Hall

Event Comment: Benefit John Geree. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-several Eminent Masters

13694
06 February 1711 @ Clerkenwell

Event Comment: Mr Skeete reported that John Honeycott, the master of the charity school at Clerkenwell, had yesterday [6 Feb.], with the children of the above school, publickly acted the play called Timon of Athens, and by Tickets signed by himself had invited several people to it (Minutes of the Society for Promoting Christian Knowledge, in Secretan, pp. 129-30)

Performances

Mainpiece Title: Timon Of Athens

13695
25 April 1711 @ Queen's Theatre

Event Comment: At the Desire of several Ladies of Quality. Lady Hervey to John Hervey, 26 April: Yesterday I dined with Lady Dalkeith, and she and Lady Katt: supd with me after the Opera, which was as full as ever I saw it at a subscription, but that was by way of party, in order to get it empty on Saturday (Hervey, I, 301)

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis

13696
20 December 1711 @ Coachmaker's Hall

Event Comment: Benefit Thomas and John Baston. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; several Pieces on the French and Arch Lutes- the famous Henricus Fonthornoycts

Dance: An Entry-Mr Thurmond Jr, who hath so often perform'd with the greatest Applause

13697
06 February 1712 @ Clerkenwell Charity School

Event Comment: Minutes of the Society for Promoting Christian Knowledge, 7 Feb.: Mr Skeate reported that John Honeycott the master of the Charity School at Clerkenwell had yesterday with the Children of the School publickly acted the play called Timon of Athens, and by Tickets signed by himself invited Several people to it

Performances

Mainpiece Title: Timon Of Athens

13698
07 February 1712 @ Stationer's Hall

Event Comment: Benefit John Geree. Postponed from 25 Jan

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

13699
05 April 1712 @ Queen's Theatre

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Related Works
Related Work: Antiochus Author(s): John Mottley

Afterpiece Title: Thomyris (the famous Scene only)

13700
08 December 1712 @ Stationer's Hall

Event Comment: Benefit Thomas and John Baston. At 6 p.m. Tickets 2s. 6d. [The discontinuance of The Spectator on 6 Dec. caused an interruption in the advertisement of plays until 10 Dec.

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Where will be perform'd several select Songs with Symphonies out of the Operas-; that celebrated Sonata for the Violin and Lute, so often performed on the Stage-Signior Gasperini, Mr Pasiable

Dance: Spanish Entry, Dutch Skipper-a scholar of DuRuel