SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Day"/1) | (@(roleclean,performerclean) "John Day")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 3059 matches on Event Comments, 1992 matches on Performance Comments, 823 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Performance Comment: As17960220, but Lord Rakeland-Benson; Mrs Hamford-Mrs Maddocks; John-_; William-_.
Event Comment: 2nd piece [1st time; C 3, by Thomas John Dibdin, altered from Die Versohnung, by August Friedrich Ferdinand von Kotzebue. Author of Prologue unknown. Epilogue by the author (see text)]: With new Scenery, Dresses, &c. [3rd piece in place of The Old Cloathsman, advertised on playbill of 6 Apr.] Receipts: #180 3s. (177.1; 3.2)

Performances

Mainpiece Title: Fun And Frolic

Cast
Role: Captain O'Neill Actor: Johnstone

Afterpiece Title: The Birth Day

Performance Comment: Principal Characters by Munden, Fawcett, H. Johnston, Murray, Waddy, Abbot, Mrs Davenport, Mrs Whitmore, Mrs Pope. [Cast from text (T. N. Longman and O. Rees, 1800): Captain Bertram-Munden; Jack Junk-Fawcett; Harry Bertram-H. Johnston; Mr Bertram-Murray; Lawyer Circuit-Waddy; William-Abbot; Mrs Moral-Mrs Davenport; Ann-Mrs Whitmore; Emma-Mrs Pope; Prologue-H. Johnston; Epilogue-Mrs Pope. [These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]These were spoken, as here assigned, at the 1st 11 performances only (see17990516).]
Cast
Role: Harry Bertram Actor: H. Johnston
Role: Prologue Actor: H. Johnston
Related Works
Related Work: The Birth Day; or, The Prince of Arragon Author(s): John O'Keeffe
Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)

Performances

Mainpiece Title: Wild Oats

Performance Comment: Rover-Lewis; Harry-Holman; Sir George Thunder-Davenport; Ephraim Smooth-Munden; John Dory-Fawcett; Sim-Knight; Banks-Murray; Midge-Clarke; Gammon-Thompson; Jane-Mrs Martyr; Amelia-Miss Chapman; Lady Amaranth-Mrs Pope.
Cast
Role: John Dory Actor: Fawcett
Related Works
Related Work: Wild Oats; or, The Strolling Gentleman Author(s): John O'Keeffe

Afterpiece Title: Sunshine after Rain

Performance Comment: Principal Characters by Incledon, Munden, Fawcett, Knight, Johnstone, Mrs Davenport, Mrs Atkins. Cast from Songs (J. Barker, 1799): Captain Mortimer-Incledon; Squeez'em-Munden; Doctor Scarecrow-Fawcett; Clump-Knight; Terence-Johnstone; Goody Benson-Mrs Davenport; Clarissa-Mrs Atkins.
Cast
Role: Terence Actor: Johnstone

Afterpiece Title: The Jolly Crew; or, Tars at Anchor

Performance Comment: Principal Characters-Incledon, Johnstone, Munden, Fawcett, Townsend, Linton, Street; In which: Thursday in the Morn-Incledon; Kicking up a Row-Johnstone; Four and Twenty Fidlers-Munden; The Tight [or, Snug] Little Island (written by T. Dibdin)-Townsend; Boxing the Compass-Fawcett; Catches, Glees-Incledon, Johnstone, Townsend.

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Related Works
Related Work: Obi; or, Three-Finger'd Jack Author(s): John Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

Event Comment: Benefit for Townsend and Mrs Johnson. 3rd piece [1st time in London; F 1, by William Dunlap]: Performed with distinguished Applause at the John St.? Theatre, New York [on 9 Jan. 1797]; compressed into one act [from two], and adapted for the English Stage by a Gentleman [perhaps the author]. "Commencing at half past eleven o'clock, and after a tiresome variety of other entertainments, the audience thought they had had enough for their money, and demanded the fall of the curtain before the conclusion of [Tell Truth and Shame the Devil]" (Monthly Mirror, June 1799, p. 367). Morning Chronicle, 8 May: Tickets to be had of Townsend, No. 9, Leicester-place. [Mrs Johnson not listed.] Receipts: #442 17s. 6d. (108.1.0; 1.11.0; tickets: 333.5.6, of which Townsend sold 218.2.0; Mrs Johnson 115.3.6)

Performances

Mainpiece Title: The Iron Chest

Performance Comment: As17990423, but Fitzharding-Johnson (from the Park? Theatre, New York; 1st appearance on this stage); Samson (1st time)-Townsend; Helen (for that night only)-Mrs Johnson; Chorus of Robbers-_; Chorus of Servants-_.
Cast
Role: Fitzharding Actor: Johnson
Role: Helen Actor: Mrs Johnson
Role: Sir Edward Mortimer Actor: H. Johnston

Afterpiece Title: Catherine and Petruchio

Performance Comment: As17990316but Catherine (for that night only)-Mrs Johnson.
Related Works
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): John Lacy

Afterpiece Title: Tell Truth and Shame the Devil

Performance Comment: Principal Characters-H. Johnston, Murray, Johnson, Mrs Litchfield. [Probable cast: Tom Holton-H. Johnston; +Whitely-Murray; +Semblance-Johnson (see George C. D. Odell, Annals of the New York Stage, 1927, I, 429); Susan-Mrs Litchfield. Text $T. and J. Swords, New York, 1797) lists the American cast.]

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

Event Comment: At Cushing's Booth. This present Monday, being the last Day of the Fair

Performances

Mainpiece Title: King John

Cast
Role: King John Actor: Redman
Role: Pembroke Actor: Johnson

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains

Event Comment: MMr Garrick better in his health (Cross). [Gray's Inn Journal contained this day two full pages of satiric comment upon pantomimes inprogress at both houses, nothing Blakes' entrance in Fortunatus with a hare and a brace of partriges, and Cook's use of a hare and a gun at Covent Garden, as encouragements to poaching and in violation of the game laws.

Performances

Mainpiece Title: King John

Cast
Role: King John Actor: Mossop, 1st time

Music: As17540123

Dance: Devisse, Mlle Auguste

Event Comment: By Command. Prince of Wales, Princess Dowager Prince Ed: & another Girl with. (Cross). A person last Tuesday in the playhouse at Drury Lane, that had some difference with another (whom he don't know) about a seat in the Pit, would be glad of a private conference, to be convinced who was in the fault; the publisher hereof may be seen 'Change at the usual hours every day this week to appoint a place for said conference (Public Advertiser). Receipts: #200 (Cross)

Performances

Mainpiece Title: King John

Cast
Role: King John Actor: Mossop, 1st time

Music: As17540123

Dance: Several Entertainments-Devisse, Mlle Auretti, Mlle Auguste

Event Comment: Last time of performing till the Holidays. Boxes #72 15s. Paid Macklin one fifth part of #128 15s. being the surplus after #63 allowed for the charge as per agreement--#25 15s. Paid Mr Roubiliac as per bill #30 14s. Paid Stephen Gom, carpenter at Cowley a bill for work done from 6 Dec. 1759 to this day #53 (Account Book). Receipts: #191 15s. (Account Book)

Performances

Mainpiece Title: King John

Cast
Role: King John Actor: Sparks

Afterpiece Title: Love a-la-Mode

Dance: The Last New Dance-Poitier Jr, Mlle Capdeville

Event Comment: Mainpiece: By Desire. Rec'd 1 yrs rent of Mrs Johnson to Lady Day last, 1773, #6 (Treasurer's Book)

Performances

Mainpiece Title: King John

Cast
Role: King John Actor: Reddish
Role: Lady Faulconbridge Actor: Mrs Johnston

Afterpiece Title: The Note of Hand

Event Comment: At Common Prices. N.B. Part of the Company will continue to Act two Days in a Week during the Summer Session. Original Weekly Journal, 6 June: A Quarrel happening in Drury-Lane Play-House, betwixt a Gentleman and an Officer, they immediately drew their Swords, and the Latter was wounded in the Arm

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Related Work: London's Triumph: Presented in severall Delightfull Scaenes: And Celebrated in Honour of the truly Loyal, and known deserver of Honour, Sir John Robinson Author(s): John Tatham
Related Work: Sir Courtly Nice; or, It Cannot Be Author(s): John Crowne
Related Work: The Rambling Justice; or, The Jealous Husbands: With the Humours of Sir John Twiford Author(s): John Leanerd
Related Work: Mary Queen of Scots Author(s): John St. John
Related Work: The Island of St. Marguerite Author(s): John St. John
Related Work: Aglaura Author(s): John Suckling
Related Work: Brenoralt; or, The Discontented Colonel Author(s): John Suckling
Related Work: The Goblins Author(s): John Suckling
Related Work: Aminta: The Famous Pastoral Author(s): John Dancer
Related Work: The Little French Lawyer Author(s): John Fletcher
Related Work: The Beggar's Bush Author(s): John Fletcher
Related Work: Philaster Author(s): John Fletcher
Related Work: The Loyal Subject Author(s): John Fletcher
Related Work: Philaster; or, Love Lies a Bleeding Author(s): John Fletcher

Music: With the Original Shepherd's Musick by the late Henry Purcell-Birkhead, Bowman

Event Comment: Written by Shakespear. Receipts: #37 2s. 6d. [In Daily Post, 20 Sept., King Lear had been advertised for this day.

Performances

Mainpiece Title: King Henry The Ivth: With The Humours Of Sir John Falstaff

Event Comment: The Third Day. As 11 April. Afterpiece: With Additions and Alterations

Performances

Mainpiece Title: A Fool Made Wise

Afterpiece Title: Sir John Falstaff in Masquerade

Event Comment: 1 Benefit Paget. Tickets given for Comus taken this day, Several Gentlemen desiring to see him as Falstaff. [Originally scheduled for 4 April were Comus and a new Farce The Biter Bit; or, Vintner in the Suds.

Performances

Mainpiece Title: 1 Henry Iv; With The Humours Of Sir John Falstaff

Afterpiece Title: 1 The Miller of Mansfield

Event Comment: PPhillips and Hussey's Company. 2s. 6d., 1s. 6d., 6d. [Concert formula used.] To begin at 12 and end at 10 p.m. Mainpiece: [first announced on 26th and 29th as The Careful Father; or, The Extravagant Son. Notice of performance repeated 2,3,6 (but Cushing as Drunken Peasant), 6,7 (but Phillips as Drunken Peasant), 12, 13, 14, and 15 May. Probably acted every day of May Fair.

Performances

Mainpiece Title: The Prodigal Son; With The Comical Humours Of Sir John Oldcastle And A Pert Chambermaid

Afterpiece Title: The Harlot's Progress

Dance: NNew Hornpipe, Drunken Peasant-Phillips; Sailor's Dance called the Jovial Crew-Phillips

Song: Grand Chorus in Honor of his Royal Highness the Duke on his brave Defeat of the Rebels-

Event Comment: At the Great Tiled Booth, Bowling Green, Southwark, A Diverting Droll, By a Company of Comedians. To begin each day at 12 and end at 10 at Night during the time of the Fair

Performances

Mainpiece Title: King Edward Iv; Or, The Lives Of Robin Hood And Little John, With The Comical Humours Of The Pindar Of Wakefield

Entertainment: EEquilibres on a small wire-Cooke

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Thomas Vaughan (see text)]: The Dresses and Scenery are new. Morning Chronicle, 26 Nov. 1794: This Day is published The Wedding Day (1s.). Powell: Wedding Day rehearsed at 10; Siege of Belgrade at 11. Receipts: #295 2s. 6d. (207.7.6; 76.7.0; 11.8.0)

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]

Event Comment: See Pepys, Diary, 27 Jan. For several decades this day was regularly observed as a Fast Day, with no plays acted

Performances

Mainpiece Title: A Fast Day For The Martyrdom Of Charles I

Event Comment: Pepys, Diary: To church, it being thanksgiving-day for the cessation of the plague; but, Lord! how the towne do say that it is hastened before the plague is quite over, there dying some people still, but only to get ground for plays to be publickly acted, which the bishops would not suffer till the plague was over; and one would thinke so, by the suddenness of the notice given of the day, which was last Sunday, and the little ceremony

Performances

Mainpiece Title: A Fast Day

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Mariage de Figaro, by Pierre Augustin Caron de Beaumarchais; incidental music by William Shield. In 1789 reduced to an afterpiece of 3 acts. Prologue by the author (Europaen Magazine, Dec. 1784, p. 467)]: With new Dresses, Decorations, &c. Public Advertiser, 10 Mar. 1785: This Day is published The Follies of A Day (1s. 6d.). [For an account of Holcroft's shorthand transcription of the original, taken down during a performance in Paris, and the hasty rehearsals of it in London, see Elbridge Colby, A Bibliography of Thomas Holcroft, 1922, pp. 48-50.]

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Figaro-Benson; Count Almaviva-Thome (2nd appearance on this stage); Don Bartolo-Wright; Don Guzman (the stuttering Counsellor)-Wellman; Basil-Payne; Bounce-Banister; Doublefee-Kerridge; Courier-Meadow; Oyer-Stuart; Servant-Mast. Payne; Anthonio (the drunken Gardener)-Waldron; Page (with the elegant and favorite song, Ah well-a-day, my poor heart)-Miss Cranford; Countess-Miss Bird; Marcelina-Mrs Monk; Agnes-Mrs Benson; Susan-Mrs Wellman .

Afterpiece Title: The Poor Soldier

Related Works
Related Work: The Poor Soldier Author(s): John O'Keeffe

Afterpiece Title: Harlequin Skeleton

Event Comment: Mainpiece [1st time; CO 5, by Hannah Cowley. Author of Prologue unknown. Epilogue by the author (see text)]: With Songs, Duetts, and Chorusses composed by Mazzinghi. With new Scenery, Dresses, and Decorations. Books of the Songs, &c. to be had at the Theatre. [Afterpiece in place of The Padlock, advertised on playbill of 2 Dec.] Morning Herald, 23 Feb. 1792: This day is published A Day in Turkey (1s. 6d.). Receipts: #263 16s. (261.15.6; 2.0.6)

Performances

Mainpiece Title: A Day In Turkey; Or, The Russian Slaves

Afterpiece Title: Hob in the Well

Related Works
Related Work: Hob's Wedding Author(s): John Leigh
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley
Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Performance Comment: As17460117, but Mrs Day-Mrs Cross; A New Occasional Prologue on the Duke of Cumberland's Defeat of the Rebels-Cibber.
Cast
Role: Mrs Day Actor: Mrs Cross
Role: Day Actor: Ray

Afterpiece Title: May Day; or, The Merry Milkmaids of Islington

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: (FFast Day) (Cross)

Performances

Mainpiece Title: Fast Day

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day