SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Condill"/1) | (@(roleclean,performerclean) "John Condill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11035 matches on Author, 1695 matches on Performance Comments, 1144 matches on Event Comments, 323 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 5, by Henry James Pye. Prologue by William Sotheby; Epilogue by John Taylor (see text)]: With new Dresses and Decorations. "From the first drawing up of the curtain, till its final fall, we could not discover one single flight of fancy, one solitary scene of woe...It is but justice to add that for a first night the performers, with the exception of Barrymore, were very perfect in their respective parts [and see 27 Jan.]" (Dramatic Censor, I, 175, 181). Receipts: #309 13s. (246.4.6; 61.0.6; 2.8.0)

Performances

Mainpiece Title: Adelaide

Performance Comment: Characters by Aickin, Kemble, Barrymore, C. Kemble, Cory, Maddocks, Mrs Siddons, Miss Heard, Mrs Coates. Cast from text (John Stockdale, 1800): King Henry-Aickin; Prince Richard-Kemble; Prince John-Barrymore; Clifford-C. Kemble; Legate-Cory; Officer-Maddocks; Adelaide-Mrs Siddons; Emma-Miss Heard; Abbess-Mrs Coates; Prologue-C. Kemble; Epilogue-Miss Mellon.
Cast
Role: Prince John Actor: Barrymore

Afterpiece Title: The First Floor

Performances

Mainpiece Title: The English Princess Or The Death Of Richard The Third

Related Works
Related Work: The English Princess; or, The Death of Richard III Author(s): John Caryll
Related Work: The English Princess; or, The Death of Richard the Third Author(s): John Caryll
Event Comment: The Duke's Company. The date of the premiere is not known. Although the play was not in print until 1671, it was acted on 9 May 1670 and again at Dover on 19 or 20 May 1670. Downes (p. 29) placed the comedy among the plays of 1669, but the presence of Mrs Johnson (who, according to Downes, p. 31, did not join the company until 1670) and the performances in May 1670 suggest that the comedy was first given in the spring of 1670. Downes (pp. 29-30): The Play being Singularly well Acted, it took 12 Days together

Performances

Mainpiece Title: Sir Salomon Or The Cautious Coxcomb

Performance Comment: Edition of 1671: Prologue. No actors' names. Epilogue. Downes (Roscius Anglicanus, pp. 29-30): Sir Solomon-Betterton; Peregrine Woodland-Harris; Single-Smith; Wary-Sandford; Timothy-Underhill; Betty-Mrs Johnson; Julia-Mrs Betterton.
Cast
Role: Betty Actor: Mrs Johnson
Related Works
Related Work: Sir Salomon; or, The Cautious Coxcomb Author(s): John Caryll

Performances

Mainpiece Title: Sir Salomon Or The Cautious Coxcomb

Related Works
Related Work: Sir Salomon; or, The Cautious Coxcomb Author(s): John Caryll

Performances

Mainpiece Title: The Generous Enemies Or The Ridiculous Lovers

Related Works
Related Work: The Generous Enemies; or, The Ridiculous Lovers Author(s): John Corye

Performances

Mainpiece Title: Sir Solomon Or The Cautious Coxcomb

Related Works
Related Work: Sir Salomon; or, The Cautious Coxcomb Author(s): John Caryll
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: Londons Triumph Or The Goldsmiths Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: The United Company. The date of the first performance is not known; It is one of several plays which may have been acted in or near December, for three were entered in the Term Catalogues at approximately the same time. Of the three, The Mistakes was given first near Christmas 1690; the other two may have come earlier in the month. A song, When Sylvia was kind, the music composed by John Eccles, is in Joyful Cuckoldom, ca. 1695. In the text of the play is a song, Corinna in the bloom of youth, sung by Mrs Botoler

Performances

Mainpiece Title: Alphonso King Of Naples

Performance Comment: Edition of 1691: The Prologue-Mr Powell by Mr John Haynes; Alphonso-Bowman; Ferdinand-Powell; Cesario-Mountfort; Tachmas-Hodgson; Vincentio-Bridges; Sigismond-Cibber; Oswell-Freeman; Fabio-Bowen; Attendant-Kirkham; Urania-Mrs Bracegirdle; Ardelia-Mrs Richardson; Epilogue-Mrs Knight by Mr D'Urfey.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that it was advertised in the Post Boy, 27-29 Feb. 1695@6 and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than January 1695@6. It may have appeared around the turn of the year. One song, While Phillis does drink, set by John Eccles and sung by Coper; and another, So well Corinna likes the joy, the composer not named but sung by Young Laroch, a Boy of seven, are in Deliciae Musicae, The First Book of the Second Volume, 1696. Downes, Roscius Anglicanus, p. 45: A Comedy, wrote by Mr George Greenvil, when he was very Young; Extraordinary Witty, and well Acted; but offending the Ears of some Ladies who set up for Chastity, it made its Exit. A Comparison Between the Two Stages (1702), p. 20: And a good Comedy, tho it had the Misfortune to be ill receiv'd

Performances

Mainpiece Title: The She gallants

Performance Comment: Edition of 1696: Prologue to the She@Gallant-Mr Betterton; Epilogue-Mrs Bracegirdle; Bellamour-Betterton; Philabel-Hodgson; Frederick-Thurman; Sir Toby Cusifle-Underhill; Sir John Aery-Bowen; Vaunter-Dogget; Courtall-Bailie; Lady Dorimen-Mrs Barry; Angelica-Mrs Bracegirdle; Constantia-Mrs Bootell; Lucinda-Mrs Bowman; Plackett-Mrs Lee.
Cast
Role: Sir John Aery Actor: Bowen
Related Works
Related Work: Tu Quoque; or, The City Gallant Author(s): John Cooke
Related Work: The Amorous Gallant; or, Love in Fashion Author(s): John Bulteel
Related Work: The Wild Gallant Author(s): John Dryden
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Related Work: The She Gallant Author(s): John O'Keeffe
Related Work: The Positive Man Author(s): John O'Keeffe

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Performances

Mainpiece Title: Aesop

Related Works
Related Work: Aesop Author(s): John Vanbrugh
Related Work: Aesop, Part II Author(s): John Vanbrugh

Performances

Mainpiece Title: Aesop

Related Works
Related Work: Aesop Author(s): John Vanbrugh
Related Work: Aesop, Part II Author(s): John Vanbrugh

Performances

Mainpiece Title: Aesop Part Ii

Related Works
Related Work: Aesop, Part II Author(s): John Vanbrugh

Performances

Mainpiece Title: Aesop

Related Works
Related Work: Aesop Author(s): John Vanbrugh
Related Work: Aesop, Part II Author(s): John Vanbrugh

Performances

Mainpiece Title: Aesop

Related Works
Related Work: Aesop Author(s): John Vanbrugh
Related Work: Aesop, Part II Author(s): John Vanbrugh

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh

Performances

Mainpiece Title: The Country House

Related Works
Related Work: The Country House Author(s): John Vanbrugh

Performances

Mainpiece Title: A Cure For Jealousie

Related Works
Related Work: A Cure for Jealousie Author(s): John Corye

Performances

Mainpiece Title: The Relapse Or Virtue In Danger

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 16-18 April 1700, suggests that the first production came before Easter, March 31. A song, Delia tired Strephon with her flame, with music by John Eccles and sung by Bowman, is in Wit and Mirth, 1706

Performances

Mainpiece Title: The Beau Defeated Or The Lucky Younger Brother

Performance Comment: Edition ca. 1700: Prologue-Mr Bowman; Epilogue-a Boy; Sir John Roverhead-Bowman; Elder Clerimont-Trout; Younger Clerimont-Verbruggen; Belvoir-Thurmond; Lady Landsworth-Mrs Bracegirdle; Mrs Rich-Mrs Barry; Mrs Clerimont-Mrs Bowman; Lady la Basset-Mrs Prince; Mrs Fidget-Mrs Willis.
Cast
Role: Sir John Roverhead Actor: Bowman

Performances

Mainpiece Title: The Relapse

Related Works
Related Work: The Relapse; or, Virtue in Danger Author(s): John Vanbrugh