Event Comment: By His Majesty's Command. King only (Cross). Receipts: #220 (Cross)

Event Comment: Receipts: #160 (Cross)

Event Comment: Benefit for Tomlingson, Baker & 4 more (Cross). [Bride, Robinson, Palmer, Walker.] Receipts: #200 (Cross)

Event Comment: Receipts: #120 (Cross)

Event Comment: We staid 'till ten Minutes after six when ye Audience made a great noise to begin, & when the Curtain went up, pelted the Actors and wou'd not suffer'em to go on till Mr Garrick told'em, we began by the green room Clock, & that we had not much exceeded the time-one above call'd out it was half an hour after six but we proceeded without farther Interuption (Cross). Receipts: #200 (Cross)

Event Comment: By Command of The King (Cross). Receipts: #210 (Cross)

Event Comment: MMiss Haughton did second Constantia-Cross">Mrs Cibber gave it up-some days ago ($Cross). [Early in the next year was published The Devil upon Crutches in England; or, Night Scenes in London. By a Gentleman of Oxford. Chapter V gives a Short View of the Theatres including sharp criticism of 'the most barefaced bawdry Farce...that ever disgraced the stage, in which the Manager, who has caused it to be reviv'd, is to perform the principal part. The Play, Sir, is call'd the Chances...and this is the tenth night of its representation to crowded houses...Your fair country women...are fond of the most fulsome obscenity on the stage."] Receipts: #150 (Cross)

Event Comment: New Tragedy by John Brown never Acted before (playbill). This author is conceal'd, but is it ye first dramatic piece he ever wrote-Great Applause and deservedly (Cross). Receipts: #160 (Cross)

Event Comment: AAs You Like It deferr'd Occasioned by the Indisposition of Miss Macklin. Receipts: #150 Cross)

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Event Comment: Myson: had his Oratorio at ye Haymarket (Acis & Gal) all well (Cross). Mainpiece: By Particular Desire. Receipts: #160 (Cross)

Event Comment: [O+Oracle, Comedy Published by Mrs Cibber.] Receipts: #200 (Cross)

Event Comment: Benefit for Miss Haughton. Miss Haughton shar'd the House with ye Managers. She play'd and was brought to Bed 4 hours after (Cross). Receipts: #180 (Cross)

Event Comment: By Particular Desire. Receipts: #160 (Cross)

Event Comment: Receipts: #210 (Cross)

Event Comment: One Mr Ham did Jaffier--like a Gent: no Voice upon the whole bad ($Cross). Receipts: #200 (Cross)

Event Comment: Receipts: #200 (Cross)

Event Comment: Receipts: #200 (Cross)

Event Comment: Benefit for Signora Lucchi, There will be no building on the stage. Tickets to be had of Sga Lucchi at her lodgings, a Grocer's in James St, CG, and of Varney at the Stage Door. Receipts: #150 (Cross)

Event Comment: MMrs Macklin dy'd (Cross). The Rout deferred by indisposition of a principal performer. Receipts: #140 (Cross); #132 15s. 6d. (Winston MS 8)

Event Comment: MMr Oram buried at St. Martins (Cross). [This year was translated and published Rousseau's Letter to M D'Alembert (Preface and 190 pp.) on the effect of dramatic entertainments on mankind. Thesis: Aim of the stage is to amuse; authors succeed when they follow the whims of the public. "Let us not then attribute to the stage a power of changing opinions or manners, when it is only that of following or heightening them."] Receipts: #130 (Cross); #129 16s. 6d. (Winston MS 8)

Event Comment: MMr Taswell dy'd -an excellent Actor, the best in that Way since Johnson (Cross). Receipts: #160 (Cross); #165 16s. 6d. (Winston MS 8)

Event Comment: Tomorrow will be reviv'd a Tragedy (not acted these 30 years) call'd The Ambitious Stepmother. Antony and Cleopatra is deferr'd a few days. Receipts: #200 (Cross); #197 13s. (Winston MS 8)

Event Comment: Mainpiece: By Particular Desire. Receipts: #180 (Cross); #196 1s. (Winston MS 8)

Event Comment: Benefit for Miss Haughton. Mainpiece: By Particular Desire. Tickets at Mr Harrache's, Jeweller, in Pall-Mall. No Building on Stage. Receipts: #130 (Cross); charges #63 (Winston MS 8)