SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "John Blow"/1) | (@(roleclean,performerclean) "John Blow")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9825 matches on Author, 1711 matches on Performance Comments, 1156 matches on Event Comments, 355 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Afterpiece Title: The Lottery

Performances

Mainpiece Title: King Henry Iv; With Humours Of Sir John Falstaff

Afterpiece Title: Thomasand Sally; or, The Sailor's Return

Performances

Mainpiece Title: King John

Afterpiece Title: Neck or Nothing

Performances

Mainpiece Title: King John

Afterpiece Title: The Cunning Man

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Shuter; Hotspur-Aickin; Henry-L'Estrange; Worcester-Fearon; Poins-Davies; Northumberland-Johnson; Westmoreland-Griffiths; Vernon-R. Palmer; Blunt-Wright; Bardolph-Lloyd; Gadshill-Stephens; Carriers-Parsons, Waldron; Prince of Wales-Palmer; Hostess-Mrs Love; Lady Piercy-Miss Hopkins.
Cast
Role: Northumberland Actor: Johnson
Related Works
Related Work: The Conquest of Granada, Part I Author(s): John Dryden
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part I Author(s): John Crowne
Related Work: The Destruction of Jerusalem by Titus Vespasian, Part II Author(s): John Crowne
Related Work: The Destruction of Jerusalem, Part II Author(s): John Crowne
Related Work: Aesop, Part II Author(s): John Vanbrugh
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksy-Johnson; Nephew-L'Estrange; Bates-Fearon; Thomas-Waldron; Sir Patrick O'Neal-Palmer; Irish Widow, with Epilogue song-Mrs Greville.
Cast
Role: Kecksy Actor: Johnson

Entertainment: End: Bucks Have at Ye All-Palmer

Event Comment: By authority [of the Lord Chamberlain]. At the Desire of the most noble Order of Bucks. Benefit for West and Johnson. Tickets to be had of West at the Black Lion, Russel-street; of Johnson at the Golden-cross, Charing-cross. Tickets delivered by Comerford will be receiv'd. Doors to be opened at 5:00. To be begin exactly at 6:30. [Mrs West was from the China Hall, Rotherhithe. Author of Prologue unknown.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Performance Comment: Falstaff-Johnson; King Henry-A Gentleman (1st appearance on any stage [unidentified]); Prince of Wales-Frodsham; Worcester-Comerford; Northumberland-Kenny; Hotspur-West (1st appearance in that character); Hostess Quickly-Mrs Fowler; Lady Percy-Mrs West (1st appearance in Town); Occasional Prologue, written by a gentleman eminent in the Republic of Letters,-West.
Cast
Role: Falstaff Actor: Johnson

Afterpiece Title: The Deuce is in Him

Entertainment: End: Imitations-Gentleman [unidentified]

Performances

Mainpiece Title: The First Part Of King Henry Iv; With The Humours Of Sir John Falstaff

Afterpiece Title: The Portrait

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Afterpiece Title: The St

Related Works
Related Work: A Song for St Cecilia's Day Author(s): John Dryden
Related Work: The Fair of St. Germain Author(s): John Ozell
Related Work: The Island of St. Marguerite Author(s): John St. John
Related Work: The Shamrock; or, The Anniversary of St. Patrick Author(s): John O'Keeffe
Related Work: Britain's Brave Tars!!; or, All for St. Paul's Author(s): John O'Keeffe
Related Work: Mary Queen of Scots Author(s): John St. John
Related Work: St. Andrew's Festival; or, The Game at Golf Author(s): John Peter Roberdeau

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Hob in the Well

Related Works
Related Work: Hob's Wedding Author(s): John Leigh
Related Work: Hob's Opera Author(s): John Hippisley
Related Work: Sequel to the Opera of Flora; or, Hob's Wedding Author(s): John Hippisley

Afterpiece Title: Britain's Glory; or, A Trip to Portsmouth

Song: In 3rd piece: Within a mile of Edinburgh-Mrs Bland; Rule Britannia-

Dance: Piece to conclude: Dance of Sailors-

Entertainment: Monologue End: (by permission of the Author [John Taylor]) Monsieur Tonson-Palmer; [Imitations End II: a Variety of Imitations-Caulfield

Performances

Mainpiece Title: L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: L'Allegro ed Il Penseroso 3

Music: End I: concerto on the Grand Piano Forte-Miss MacArthur; End II: concerto on the clarionet-John Mahon

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Twins; or, Is It He, or his Brother

Related Works
Related Work: The Elder Brother Author(s): John Fletcher
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher

Song: By permission of Dibdin End I: Advice; or, Old Mary and John-Bannister Jun; End II: The Country Club-Bannister Jun; III: Tom Tough-Bannister Jun

Performances

Mainpiece Title: The Sophy

Related Works
Related Work: The Sophy Author(s): Sir John Denham

Performances

Mainpiece Title: The Sophy

Related Works
Related Work: The Sophy Author(s): Sir John Denham

Performances

Mainpiece Title: The Woodman

Performance Comment: Sir Walter Waring-Quick; Capt. O'Donnel-Johnstone; Fairlop (1st time)-Bowden; Medley-Townsend; Bob (1st time)-Haymes; Filbert-Cross; Ralph-Linton; Welford-Incledon; Dolly-Mrs Martyr; Miss Di Clacket (1st time)-Mrs Davenport; Polly-Miss Standen; Emily (with an additional song; for that night only)-Miss Poole.
Cast
Role: O'Donnel Actor: Johnstone

Afterpiece Title: The Naval Volunteers; or, Britain's Bulwark

Performance Comment: in which: O why to be happy (composed by Shield)-Incledon, Bowden, Linton; Blow high blow low (composed by Dibdin)-Bowden; The Little Sailor Boy-Fawcett; Our Laws Constitiution and King (composed by Shield)-Bowden, Incledon; The Land of Potatoes-Johnstone; The Death of Admiral Benbow-Incledon; Ye Gentlemen of England (composed by Callcott)-Incledon, Townsend, Linton; To conclude with Rule Britannia-.

Afterpiece Title: Catharine and Petruchio

Related Works
Related Work: Sauny the Scot; or, The Taming of a Shrew Author(s): John Lacy

Dance: In 2nd piece: Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: a Representation of a Ship in Distress, in which The Storm-Incledon; In the course of the Evening: Old Towler [both]-Incledon

Event Comment: "When Euphrasia stabs Dionysius, she exclaims, 'A daughter's arm, fell monster, strikes the blow, Yes, first she strikes...' All, or at least the greatest part of this seems to be intended to precede the blow; and yet probability requires that the blow of a woman that kills an armed warrior should be unforeseen and sudden. Mrs Siddons felt the force of this. She strikes Dionysius without speaking a word, and repeats the passage over him as he lies on the ground" (Monthly Mirror, July 1800, p. 41). Receipts: #154 11s. 6d. (90.17.6; 62.8.0; 1.6.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Captive of Spilburg

Dance: As17981205

Event Comment: Pepys, Diary: With my wife to the King's house, but there found the bill torn down and no play acted.... Here [at lif; see below] met with Mr Rolt, who tells me the reason of no play to-day at the King's house. That Lacy had been committed to the porter's lodge for his acting his part in the late new play [see 15 April], and that being thence released he come to the King's house, there met with Ned Howard, the poet of the play, who congratulated his release; upon which Lacy cursed him as that it was the fault of his nonsensical play that was the cause of his ill usage. Mr Howard did give him some reply, to which Lacy [answered] him, that he was more a fool than a poet; upon which Howard did give him a blow on the face with his glove; on which Lacy, having a cane in his hand, did give him a blow over the pate. Here Rolt and others that discoursed of it in the pit this afternoon did wonder that Howard did not run him through, he being too mean a fellow to fight with. But Howard did not do any thing but complain to the King of it; so the whole house is silenced, and the gentry seem to rejoice much at it, the house being become too insolent

Performances

Event Comment: The King's Company. The date of the first performance is not known, but its listing in the Term Catalogues, November 1681, suggests late October as a likely latest date for its premiere. If Mithridates was acted in mid-October at the opening of Drury Lane, Sir Barnaby Whigg may well be the first new play offered by the King's Company in the autumn. A Song in Act I, Blow Boreas Blow, with music apparently by Henry Purcell, is in A Third Collection of New Songs...Words by Mr D'Urfey, 1685, and in Dramatic Works of Henry Purcell, Purcell Society, III (1917), xiv-xv

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans

Performances

Mainpiece Title: Concert

Performance Comment: An Ode Upon the New-Year, Performed Before their Majesties. Set to Musick by Dr Blow. The Words by N. Tate, Servant to their Majesties.
Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Davis; Duke-Aickin; Frederick-Palmer; Jacques-Lee; Oliver-Johnston; Le Beu-M'George; Amiens-the Gentleman who sung in the Conscious Lovers; Charles-Keen; Corin-Castle; Adam-Hurst; Denis-Mahon; William-Hamilton; Silvius-Quick; Touchstone-Shuter; Celia-Mrs M'George; Phebe-Miss Madden; Audrey-Mrs Worley; Rosalind-Mrs Dancer.
Cast
Role: Oliver Actor: Johnston

Afterpiece Title: Lethe

Performances

Mainpiece Title: Acis And Galatea; Messiah

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Afterpiece Title: A Grand Selection

Performance Comment: Break his Bands of Sleep asunder-Chorus (Alexander's Feast); What sweeter than the new blown Rose-Miss Hagley [World: Sga Storace], Kelly (Joseph); The Soldier tir'd of War's Alarms-Mrs Crouch (Artaxerxes, by Dr Arne); Shake the Dome-Chorus (Solomon); Dove sei amato bene-Sga Storace (Rodelinda); The good we wish for, Thy glorious deeds-Reinhold (Samson); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: End II oratorio: concerto on the violoncello-Mason

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Performance Comment: O the Pleasures of the Plain!=-Chorus; For us the Zephyr blows-Miss Hagley; Ye verdant plains, Hush ye pretty warbling Quire-Miss Davies; Where shall I seek-Spence; Stay Shepherd stay, Shepherd what art thou pursuing-Miss Broadhurst; Lo! here my Love, Love in her Eyes-Kelly; O didst thou know the Pains, As when the Dove-Mrs Crouch; Happy we-Miss Hagley, Dignum; Happy we [repeated]-Chorus.

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: As17910323

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: O the pleasures of the plains-Chorus [Acis and Galatea]; When storms the proud-Reynolds; O Judah-Chorus [Athalia]; Here amid-Miss Sharp [Alexander Balus]; What's sweeter than the new blown rose-Mrs Crouch, Kelly [Joseph]; Your harps and cymbals sound-Chorus [Solomon]; Why doth the God of Israel sleep-Incledon [Samson]; I know that my redeemer liveth-Mme Dussek [The Messiah]; Kings shall be thy nursing fathers-Grand Chorus [Coronation Anthems].Coronation Anthems].

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Mr Oakly-Pope; Major Oakly-Quick; Sir Harry Beagle-Fawcett; Capt. O'Cuttcr-Johnstone; Charles Oakly-Holman; Russet-Munden (Their 1st appearance in those characters); Lord Trinket-Lewis//Lady Freelove-Mrs Mattocks; Harriet-Mrs Mountain (Their 1st appearance in those characters); Mrs Oakly-Mrs Pope .
Cast
Role: O'Cuttcr Actor: Johnstone

Afterpiece Title: THE SAILOR'S FESTIVAL; or, All Alive at Portsmouth

Performance Comment: SCENE I. The Deck of a Man of War. Blow bigh, blow low by Incledon. We be three poor Mariners by Johnstone, Incledon, Linton. Jack at the Windlass by Fawcett. The Mid-Watch, When 'tis Night, by Incledon. The good Subjects of England by Incledon, Richardson, Townsend. SCENE II. A Landscape. The Disconsolate Sailor, When my Money was gone, by Mrs Martyr, in character. When Daisies mead by Miss Barnett. SCENE III. Irish Song by Johnstone. Treble Hornpipe by Byrn, Holland, Mme Rossi. Rule Britannia by Incledon. With a Representation of the Grand Fleet at Anchor in Portsmouth Harbour .

Performances

Mainpiece Title: The Jealous Wife

Cast
Role: O'Cuttcr Actor: Johnstone

Afterpiece Title: TRUE BLUE

Performance Comment: Lieutenant (with Blow high, blow low, The Mid Watch, Rule Britannia)-Incledon; True Blue- Davies; Careful- Rees/ / Nancy-Mrs Mountain .

Afterpiece Title: THE UPHOLSTERER

Dance: In 2nd piece Hornpipe by Blurton

Performances

Mainpiece Title: Everyone Has His Fault

Afterpiece Title: THE TWO MISERS

Music: End of Act II of mainpiece concerto on the Piano Forte, composed by Krumpholtz, accompanied by the Full Band, by Miss Poole

Song: End of Act IV of mainpiece Mad Bm, in character, by Miss Poole