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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Johann Christian Brandes"/1) | (@(roleclean,performerclean) "Johann Christian Brandes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 46 matches on Performance Comments, 28 matches on Author, 28 matches on Event Comments, 11 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Perseus and Andromeda; or, the Cheats of Harlequin

Performance Comment: Perseus-Lowe; Cepheus-Howard; Aethiopian-Baker; Cassiope-Miss Young; Mercury-Vincent; Andromeda-Miss Falkner; Amazons-Miss Davis, Miss Allen, Miss Ferguson, Mrs Cushing, Miss Morrison; Cyclops-Roberts, Smith, Bennet, Davis; Infernals-Villeneuve, Desse, Dennison, Gardiner, Christian; Harlequin-Miles; Hussar-Bencraft; Colombine-Miss Haughton; Hussar's Servant-Arthur; Valet-Holtham; Petit Maitre-LaLauze.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Merlin's Cave; or, Harlequin Skeleton

Performance Comment: Chasseur Royal-Lowe; Merlin-Howard; Diana-Miss Davis; Aerial Spirits-Cooke, Villeneuve, Desse, Christian, Gardner; Madam Cointrie, Mrs Villeneuve, Mrs Gondou, Miss Batchelor; Jupiter in the character of Harlequin-Miles; Mercury-Vincent; Doctor-Bencraft; Colombine-Miss Haughton; Pierrot-Lalauze.

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Perseus and Andromeda

Performance Comment: As17511012, but Infernals-Dennison, _Christian; Amazons-Miss +Mullart.
Cast
Role: Infernals Actor: Dennison, _Christian

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Necromancer

Performance Comment: As17511120, but Scaramouche-Mr Cointrie who replaces Christian; Scaramouche Woman-Mrs Villeneuve replacing Miss Batchelor.

Performances

Mainpiece Title: The Man Of Mode; Or, Sir Fopling Flutter

Performance Comment: Dorimant-Ross; Sir Fopling Flutter-Woodward; Medley-Havard; Young Bellair-Palmer; Mrs Loveit-Mrs Cibber; Emelia-Mrs Cowper; Belinda-Mrs Davies; Shoemaker-Burton; Handy-Jefferson; Smirk-Simson; Orangewoman-Mrs Bradshaw; Old Bellair-Phillips; Lady Townly-Mrs Bennet; Lady Woodvil-Mrs James; Pert-Mrs Cross; Busy-Miss Minors; Harriet-Miss Haughton; In Act IV a Masquerade Dance proper to the play-Devisse, Gerrard, Christian, Morris, Shawford.

Afterpiece Title: The Shepherd's Lottery

Performances

Mainpiece Title: Theodora

Performance Comment: Parts were: Valens-; Didymus-; Septimus-; Theodora-; Irene-; Chorus of Christians-; Chorus of Heathens-.
Cast
Role: Chorus of Christians Actor:

Performances

Mainpiece Title: Theodora

Performance Comment: But with "new Additions and Alterations by Mr Handel since it was last presented." Valens-; Didymus-; Septimus-; Theodora-; Irene-; Chorus of Christians-; Chorus of Heathens-.
Cast
Role: Chorus of Christians Actor:

Music: As17610206

Performances

Mainpiece Title: Theodora

Performance Comment: Parts were Valens-; Didymus-; Septimus-; Theodora-; Irene-; Chorus of Christians-; Chorus of Heathens-.
Cast
Role: Chorus of Christians Actor:

Music: As17670306

Performances

Mainpiece Title: Agmunda; Huniades

Performance Comment: As Huniades 18 Jan., but Christian Characters-Bensley; Kemble_; R._ Palmer; Barrymore_; Mahometan Characters-Phillimore; Epilogue-Bannister Jun., Suett.
Cast
Role: Christian Characters Actor: Bensley

Afterpiece Title: The Humourist

Event Comment: Benefit for Mrs Jordan. Afterpiece [1st time; F 2, by Simon, based partly on La Bonne Mere, by Jean Pierre Claris deFlorian; incidental music by Johann Gottlieb Nicolai. Larpent MS 940; not published]: To conclude with a Rural Breakfast [a representation of that given by the Countess of Buckinghamshire for the Prince of Wales at her villa near London (Genest, VII, 53)], and a Dance by the Characters. Morning Herald, 31 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5s. 10d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, adapted from Le Complaisant, by Antoine de Feriol comte de Pont-de-Veyle, and from Clavigo, by Johann Wolfgang von Goethe. It has been attributed to John Fenwick (Genest, VII, 360-61; London Chronicle, 14 Feb. 1798). But for Holcroft's acknowledgment of authorship see his Life, ed. Elbridge Colby, 1925, II, 170. Author of Prologue unknown. Epilogue by the author (Knapp, p. 88)]. Times, 12 Apr. 1798: This Day will be published He's Much to Blame (2s.). "Mrs Mattocks has of late habituated herself to a constant titter, which destroys the effect of her best scenes" (Times, 14 Feb.). Receipts: #249 1s. (240.5; 8.16)

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Event Comment: Mainpiece [1st time; D 5, by Thomas Holcroft, based on Diego und Leonore, by Johann Christoph Unzer. Prologue and Epilogue by Francis Godolphin Waldron (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 125)]: With new Scenes, Dresses, and Decorations. The Scenery by Marinari. [Johnston was from cg.] Times, 12 July 1798: This Day is published The Inquisitor (2s.)

Performances

Mainpiece Title: The Inquisitor

Afterpiece Title: The Flitch of Bacon

Event Comment: [See Minutes of the Society for Promoting Christian Knowledge in Secretan, p. 107: "1703. Dec. 16: Also that at the bottom of the said paper a query might be put, whether acting the 'Tempest' upon the next Wednesday after the late dreadful storm, at the new play-house in Little Lincoln's Inn Fields, was proper or reasonable." See also The Terrible Stormy Wind and Tempest (1705), p. 24.

Performances

Mainpiece Title: The Tempest

Event Comment: Mr Skeete reported that John Honeycott, the master of the charity school at Clerkenwell, had yesterday [6 Feb.], with the children of the above school, publickly acted the play called Timon of Athens, and by Tickets signed by himself had invited several people to it (Minutes of the Society for Promoting Christian Knowledge, in Secretan, pp. 129-30)

Performances

Mainpiece Title: Timon Of Athens

Event Comment: Minutes of the Society for Promoting Christian Knowledge, 7 Feb.: Mr Skeate reported that John Honeycott the master of the Charity School at Clerkenwell had yesterday with the Children of the School publickly acted the play called Timon of Athens, and by Tickets signed by himself invited Several people to it

Performances

Mainpiece Title: Timon Of Athens

Event Comment: Benefit the Widow and Children of Christian Steffkins. At 6 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Singing-New Italian Lady

Event Comment: Benefit Michael Christian Festing. Tickets 5s. 7 p.m

Performances

Mainpiece Title: Concert

Music: With several Pieces on the Chamber Horn-

Event Comment: Benefit John Christian Schickhard, lately arrived from Germany. In the Great Room at the Three Tuns and Bull-Head. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Event Comment: Benefit Christian. By particular Desire of several Gentlemen and Ladies. Tickets 2s. 6d. 6:30 P.M. The Hampstead Song is printed, and will be given gratis at the Place of Performance

Performances

Mainpiece Title: Concert

Event Comment: To Macklin the Player: The Laity as well as Priests of all Religons are the same. Macklin, Thou mayst remember when thou wert learning the part of Shylock in the Merchant of Venice, thou camest daily to the Change, and artfully dids't introduce thyself into my company, till thou hads't stolen my Face, my Looks, and not content with the Index, thou did'st turn over the volume of my Mind, as it if thy Author had been wanting in the manner of his character, and dids't show me on the stage to the Disgrace of my Tribe, for which we wish thee not in Abraham's Bosom, thou may'st be sure. Now if thou hast a mind to compromise the Affair, and serve thyself at thy Benefit time, publicly delcare what Place thou did'st frequent, and what set of Christians thou did'st herd with, before thou playd'st the part of Iago in the Moor of Venice; Comply and our Rancor to thee will be turn'd into Love and Service. s@Zorobabel. PS I will call to thee tonight at thy Synagogue in the Hay-market, about the sixth Hour, as you players reckon, for intelligence.-Daily Advertiser

Performances

Mainpiece Title: Othello

Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Vocal Parts-Sga Sybilla, Miss Young, Waltz, Hague, Messing Jr; Act I: The overture in Otho-; A Concerto of Geminiani-; A Solo on the German Flute-Balicourt; Powerful Guardians, Come ever Smiling Liberty by Handel-Sga Sybilla; Concerto on the Bassoon-Miller; Solo on the Violincello-Jones; First Trumpet-Snow; A Grand Concerto with Trumpets French Horns, and four Kettle Drums-John Mitchell Axt; who has had the honour to perform before several Sovereigns and English General Officers with great applause. Between the Acts: Preamble on Kettle Drums-Axe; a piece of music-six of the best French Horns; in England, never attempted before. Act II: The Music on the Thanksgiving Day-; compos'd by John Frederick Lampe, as it was perform'd on Thursday the 9th day of October 1746, in the Savoy. The words oy Christian Benjamin Schlaiblin, dedicated to the Duke of Cumberland. Concluding with the Water Music of Handel-;accompanied with four kettle drummers-.
Event Comment: At the New Theatre in the Haymarket (where Mr Foote lately appeared), an Orator's head will be dissected secundum artem. The Orators will be shewn lying in state with Heiroglyphicks and Monumental Inscriptions. The Question will be whether they will be allow'd Christian burial? If t'is granted, a funeral Oration will be pronounced by Martinus Scriblerus. Places for the Boxes to be taken at the theatre. Thus orator to orator succeeds@Another and another after him@and the last.

Performances

Mainpiece Title: A Course Of Comic Lectures

Event Comment: Benefit for Burton and Philips. Last time of performing the Afterpiece this season. Tickets deliver'd by Mr Hayes will be taken. Mainpiece: Not acted these 6 years. [See 2 Feb. 1753.] This month was published An Answer to that Important Question Whether it is lawful for the Professors of the Christian Religion to go to plays (32 pp.) [Advises members of the Congregation to read Scriptures instead.] Also published A Letter of Abuse to David Garrick. Receipts: #160 (Cross)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Tamer Tam'd

Song: I: Miss Young

Dance: II: A Comic Dance [dancers unspecified]-; III: A Hornpipe-Harrison; IV: A New Comic Dance-

Event Comment: Did I tell you that the Archbishop tried to hinder the Minor from being played at Drury Lane? For once the Duke of Devonshire was firm, and would only let him correct some passages, & even of those the Duke has restored some. One that the Prelate effaced was 'You snub-nosed son of a bitch.' Foote says he will take out a license to preach Sam Cant against Tom Cant. (Walpole to Montagu, 24 Nov.). [See also Duke of Devonshire's statement to Garrick concerning the alteration of some lines, Private Correspondence, ed. Boaden, I, 120. See Gentlemen's Magazine, p. 502: Extracts from Christian and Critical remarks on a droll or interlude, call'd the Minor, said to be acted by authority; and Mr Foote's answer. Ten columns of alternate attack and justification.

Performances

Mainpiece Title: The Minor

Afterpiece Title: A Duke and no Duke

Dance: I: The Colliers, as17601024; II: The Mad Doctor, as17601014