SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jean Pierre de Ours de Mandajors"/1) | (@(roleclean,performerclean) "Jean Pierre de Ours de Mandajors")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 1040 matches on Performance Title, 657 matches on Performance Comments, 403 matches on Event Comments, 297 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Ines De Castro

Dance: As17981211

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Les Deux Jumelles, as17990129

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

Performances

Mainpiece Title: Ines De Castro

Dance: As17990212

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

Performances

Mainpiece Title: Ines De Castro

Dance: As17981211

Performances

Mainpiece Title: Ines De Castro

Dance: As17990202

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

Performances

Mainpiece Title: Ines De Castro

Dance: As17990418

Performances

Mainpiece Title: Ines De Castro

Dance: As17990330

Performances

Mainpiece Title: Ines De Castro

Dance: End I: La Double Epreuve, as17990617 End Opera: La Fille Mal Gardee, as17990418

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

Performances

Mainpiece Title: Ines De Castro

Dance: As17990617

Performances

Mainpiece Title: Ines De Castro

Dance: As18000304

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

Performances

Mainpiece Title: Ines De Castro

Dance: As18000322

Event Comment: GGenest, IV, 248, suggests Sowdon for the Gentleman who played Pierre

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Pierre-a Gentleman who never appear'd on any stage before; Jaffier-Ryan; Priuli-Bridges; Duke-Rosco; Bedamar-Gibson; Renault-Paget; Elliot-Ridout; Belvidera-Mrs Giffard.

Afterpiece Title: The Lottery

Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

Performance Comment: Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg.
Related Works
Related Work: The Fair of St. Germain Author(s): Jean François Regnard

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performances

Mainpiece Title: Le Festin De Pierre; Ou, L'atthee Foudroye; Or, Don John; Or, The Libertine Destroy'd

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard
Related Work: Le Prince Travestie; ou, L'Illustrie Avanturier; or, Harlequin an Innocent Traytor Author(s): Pierre Marivaux
Related Work: La Double Inconstance; ou, Arlequin a la Cour Malgre Luy Author(s): Pierre Marivaux

Afterpiece Title: Le Francois a Londres

Dance:

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Performances

Mainpiece Title: Richard Coeur De Lion

Afterpiece Title: The Romp

Event Comment: Afterpiece [1st time; MD 3, by John Burgoyne]: From the French of Michel Jean? Sedaine. With new Scenery, Dresses and Decorations. The Music by the celebrated Gretry [adapted by Linley Sen.]; and the Paintings by Greenwood. Books of the Dialogue & also of the Songs to be had at the Theatre. Morning Chronicle, 25 Oct 1786: This Day is published Richard Coeur de Lion (1s. 6d.). Receipts: #226 (191.3; 32.14; 2.3)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: Dance-the two young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: L'embarras Des Richesses

Afterpiece Title: La Sylphide

Dance:

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Lottery

Dance: IV: L'Entree de Flore, as17511017; Peasant Dance, as17511017