SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jean Pierre Claris de Florian"/1) | (@(roleclean,performerclean) "Jean Pierre Claris de Florian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 995 matches on Performance Title, 583 matches on Performance Comments, 301 matches on Author, 196 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

Event Comment: Rich's Company. The date of the first production is not known, but the fact that it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695, indicates that it was probably acted not later than September 1695. Three songs were published separately: O how you protest, possibly set by Henry Purcell and sung by Mrs Knight; 'Twas within a Furlong, the words by Thomas D'Urfey, set by Henry Purcell, and sung by the Girl [Miss Cross]; and Man is for the woman made, the words by Pierre Motteux and set by Henry Purcell, are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XX (1916), xix-xx. Preface, Edition of 1696: Notwithstanding the many Accidents that concurr'd to the Ruin of this Play, it succeeded above my Expectations: And I must own my self infinitely oblig'd to the Town, in receiving so favourably, what I at first never design'd for the Stage. Gildon, English Dramatick Poets, p. 121: This particular Play met with pretty good Success, for the Season of the Year, considering it the first Essay by a Young Writer, unacquainted with the Town. A Comparison Between the Two Stages (1702), p. 18: Sullen: Mock-Marriage, a young Fellows of the Town, a Retainer, and kind of Pensioner to the Stage. Ramble: What was it's Fate? Sullen: Damn'd, Damn'd

Performances

Mainpiece Title: The Mock marriage

Event Comment: A new Entertainment of Vocal and Instrumental Musick (after the manner of an Opera...the vocal part being compos'd by Mr Weldon, and the Instrumental by Mr Dieuport. [Text by Pierre Motteux.

Performances

Mainpiece Title: Concert

Afterpiece Title: Britains Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

Event Comment: [By Pierre Motteux. Premiere.

Performances

Mainpiece Title: Farewell Folly Or The Younger The Wiser

Event Comment: Never Acted before. [By Pierre Motteux.] By Subscription. Admission to boxes and pit by subscribers' tickets only; first gallery 5s., upper gallery 2s

Performances

Mainpiece Title: The Temple Of Love

Event Comment: We hear that the play Venice Preserv'd is in Rehearsal at the Theatre Royal in Covent Garden, and is to be perform'd on Friday next; and that the part of Pierre will be attempted by a Gentleman who never appear'd on any stage before (General Advertiser). [This month was published A Letter to a certain Patentee, in which the Conduct of Managers is impartially considered, and a few Periods bestowed on those darlings of the Publick, Mr G k, Mr F te, Mrs P d, &c." Addressed to Rich it is criticism of his personnel policies as manager, with side comments on his morals, and some on his performances: of his Orpheus and Eurydice, the author agrees that three flaming scenes of Hell, now left out, should have been omitted from the beginning. The Serpent, however, generally behaves himself so well, that "I have had more real pleasure in his appearance than if he had been a living one." Dislikes his replacing Ryan with Hallam, dislikes his abuse of Mrs Pritchard, criticizes his casting Hippisley as Polonius, since Polonius requires more than Hippisley can give, the latter being able to act only in the comic way.

Performances

Event Comment: On Tuesday last Information was laid before Justice Fielding by a Tradesman in Westminster, that one of his Apprentices had robbed him, in order to equip himself for acting a Play, and that the said Play was to be acted that Evening by several Apprentices, and other idle Persons, at the old Tennis-Court in James St. Upon this the Justice despatched Mr. Welch in the Evening with a Party of Soldiers to apprehend the Persons concerned in the Representation of the Play, which was the Tragedy of Venice Preserved. Jaffier, Pierre, Belvidera, and most of the principal Characters, were taken, and some of them, particularly Belvidera, were brought in their Theatrical attire before the Justice. The Men all appeared to be young Apprentices and the Woman a young Milliner; wherefore the Justice was unwilling to proceed against them as Rogues and Vagabonds, as they are made by the last Vagrant Act; in which case they must have been committed to Bridewell, which might have proved their Ruin; He treated them therefor as guilty of an unlawful assembly, and a common Nuisance; for which they were either bound for their good Behavior, or committed for want of Sureties, and soon after discharged. It was sworn before the Justice that Sunday had been the usual Day of rehearsing their Parts (General Advertiser, 17 Aug.)

Performances

Mainpiece Title: Venice Preserved

Performances

Mainpiece Title: The Orphan Of China

Performance Comment: Zamti-Holland; Etan-Powell; Timurkan-Havard; Mirvan-Packer; Orasmin-Ackman; Zimventi-Keen; Octar-Bransby; Morat-Burton; Hamet-the gentleman who performed Pierre (first time) [Bensley]; Mandane-Mrs Yates.

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: By Particular Desire. Paid salary 1st 5 days at #84 6s. 11d. per diem, #421 14s. 7d.; Mr S. French, six days #1 10s.; Mr Roye on acct 1st. #4 4s.; Mr Clinch, per order #5 5s. (Treasurer's Book). [This is the last payment to Mr S. French. Mr Roye hereafter seems to take his place at #4 10s. per week during the rest of the season. Query. Pierre Royer, painter? His name spelled Royer in the Treasurer's Book, 3 Jan. 1773. His total season's payment #153. Not further itemized.] Receipts: #171 8s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Greek Words Universal Motion

Performances

Mainpiece Title: Andromeda

Performances

Mainpiece Title: Tarugos Wiles Or The Coffee House

Performances

Mainpiece Title: Catilines Conspiracy

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The French Conjuror

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performances

Mainpiece Title: The Duke Of Guise

Performances

Mainpiece Title: The Reformd Wife

Performances

Mainpiece Title: The Indian Emperor Or The Conquest Of Mexico By The Spaniards

Afterpiece Title: Acis and Galatea

Dance: L'Abbe, Mrs Elford

Performances

Mainpiece Title: Almyna Or The Arabian Vow

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Cheats of Scapin

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music Italian and English-; [Note, At the Desire of several Gentlemen, Mrs Fitzgerald's voice accompanied by] Trumpet and German Flute-Mr Grano; [The Consort opening with an entire new Trumpet Sonata-

Performances

Mainpiece Title: Les Fourberies Darlequin Ou Letourdye

Afterpiece Title: Le George Dandin

Dance: