SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jean Jacques Rousseau"/1) | (@(roleclean,performerclean) "Jean Jacques Rousseau")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 103 matches on Author, 48 matches on Event Comments, 26 matches on Performance Comments, 2 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Event Comment: By Command of their Majesties. Mr Garrick played Lusignan and Lord Chalkstone. It is almost impossible to express how finely he played both characters. The Prologue was called for. Mr Garrick went on directly to speak it--as soon as he appeared a general clap and a loud huzza,--and there was such a noise from the House being so crowded, very few heard anything of the prologue.--As soon as the play began there was a great disturbance in the Gallery, and some called out, Guards Guards! that they could not go on.--Mr Lacy went on the Stage, and looked up to the gallery, and came off again without saying anything.--They soon grew quiet, and the play went on.--Monsr Rousseau sat in Mr Garrick's box (Hopkins Diary). [Account in the Public Advertiser of the original story upon which VanBrugh founded some circumstance in his Provok'd Wife, signed Heartfree. The Gentleman's Magazine, January, in the Historical Chronicle section noted that Jean Jacques Rousseau arrived in England on 13 Jan. and "was at the play on the 23rd, and presented himself in the upper Box fronting his Majesty."

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Dance: End: New Tambourine-Aldridge, Miss Baker

Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Event Comment: Benefit for Bannister. 3rd piece [1st time; F 1, by Horatio Edgar Robson, based on La Bonne Mere, by Jean Pierre Claris de Florian]: Now reading with universal Applause by Mons. LeTexier. Public Advertiser, 9 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street. Ibid., 8 Oct. 1788: This Day is published Look before You Leap (1s.)

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Cast
Role: Serjeant Actor: Davies

Afterpiece Title: Look before You Leap

Related Works
Related Work: Look before You Leap Author(s): Jean Pierre Claris de Florian

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

Event Comment: 2nd piece [1st time; ball. P 3, adapted by Sir George Collier from La Mort du Capitaine Cook a son Troisieme Voyage au Nouveau Monde, by Jean Francois Mussot, dit Arnould. For a detailed synopsis of the action, see 13 Apr.]: As now representing in Paris with uncommon Applause. With the original French Music. New Dresses, Scenery, Machinery and Decorations. Books, containing a description of the Ballet [by James Byrne (World, 23 Mar.)], to be had at the Theatre. Receipts: #257 16s. 6d. (247.16.0; 10.0.6)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Death of Captain Cook

Related Works
Related Work: The Death of Captain Cook Author(s): Jean François Mussot

Afterpiece Title: The Poor Soldier

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau
Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #1 8s.; from John Palmer in part of his bond #70; Paid 5 days salary list #367 13s. 4d. Receipts: #173 16s. 6d. (Treasurer's Book). Went to the 2 shilling Gallery to see the new tragedy, with its musical entertainment The Cunning Man, a sort of translation of Rousseau's Devin du Village. Holland, Powell and Bensley played Warwick, Edward and Pembroke very well. Mrs Yates did great justice to Queen Margaret. Mrs Palmer did Elizabeth. The Prologue was spoken by Bensley, the Epilogue by Mrs Yates. The characters were very richly dressed in the dresses of the time. The improper use of ridiculous modern dresses on the stage often offends me (Diary of Sylas Neville, unpublished MS portion)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau
Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

Related Works
Related Work: A Key to the Lock Author(s): Michel Jean Sedaine
Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Performances

Mainpiece Title: Cadmus Et Hermione

Performances

Mainpiece Title: Arlequin Laron, Juge Et Grand Prevost

Afterpiece Title: La Baguette de Vulcain

Related Works
Related Work: La Baguette de Vulcain Author(s): Jean François Regnard

Entertainment:

Performances

Mainpiece Title: Harlequin L'homme A Bonne Fortune

Related Works
Related Work: Arlequin L'homme a bonne fortune Author(s): Jean François Regnard

Afterpiece Title: Hob

Dance: Dutch Burgher Master and his Frow-delaGarde, Mrs Bullock; Moreau's Grand Comic Wedding Dance-; Tumbling by Harlequin Scaramouch Mezetin Piero-; Scene in Imitation of Elard and his Two Sons-; Les Postures-

Performances

Mainpiece Title: Le Divorce; Ou, Arlequin Fourbe Et Demi

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

Entertainment: Carillon-Harlequin, others; Vaulting, Tumbling as usual-

Performances

Mainpiece Title: Le Divorce; Ou, Harlequin Fourbe, Fourbe Et Demi

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

Entertainment: Vaulting, Tumbling-; A Comick Entertainment of Singing and Dancing call'd Le Carillon-

Performances

Mainpiece Title: Arlequin Esprit Follet

Afterpiece Title: Le Divorce

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard

Entertainment: Dancing and Tumbling-; particularly Dancing-Mr Glover being the first Time of his Performance in publick since his return from the Court of Paris; Salle, Mlle Salle

Performances

Mainpiece Title: Le Divorce

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard

Afterpiece Title: Le Carillion

Dance: As17200509

Entertainment: Tumbling-

Performances

Mainpiece Title: Le Divorce

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard

Afterpiece Title: Le Deuils

Dance:

Performances

Mainpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Afterpiece Title: L'Epreuve Reciprogue

Dance:

Performances

Mainpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Afterpiece Title: Les Trois Freres Riveaux

Music:

Dance:

Performances

Mainpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Afterpiece Title: Crispin Rival de Son Maitre

Music:

Dance:

Performances

Mainpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Afterpiece Title: George Dandin

Performances

Mainpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Afterpiece Title: Le Grondeur

Performances

Mainpiece Title: Timon Le Misantrope

Afterpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Song:

Dance:

Performances

Mainpiece Title: L Foire De St

Afterpiece Title: La Baguette de Vulcain

Related Works
Related Work: La Baguette de Vulcain Author(s): Jean François Regnard

Song:

Dance:

Performances

Mainpiece Title: La Fausse Coquette; Ou, Arlequin Magicien

Related Works
Related Work: Le Divorce; ou, Arlequin Fourbe et Demi Author(s): Jean François Regnard
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

Afterpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Dance:

Performances

Mainpiece Title: Arlequin Astrologue, Ramoneur, Statue, Enfant, & Perroquet: With A New Scene Of Arlequin Skelleton

Afterpiece Title: Arlequin Hulla

Related Works
Related Work: Arlequin Hulla Author(s): Jean-Antoine Romagnezi

Dance: The Caprice by Miss Chateauneuf