SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "James Dyer"/1) | (@(roleclean,performerclean) "James Dyer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2178 matches on Author, 1849 matches on Performance Comments, 409 matches on Event Comments, 19 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Miser

Performance Comment: Lovegold-Quick; Frederick-Clarke; Ramille-Farley; Taylor-Wilde; James-Rees; Lawyer-Dyke; Sparkle-Abbot; Satin-Lee; Upholsterer-Ledger; Mariana-Mrs Mountain; Mrs Wisely-Mrs Platt; Lappet-Mrs Mattocks.
Cast
Role: James Actor: Rees
Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Related Work: The Miser Author(s): James Wild

Dance: As17971025

Song: In: Old Towler-Incledon; a new Duetto, composed by Mme Mara,-Incledon, Mme Mara

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Sailors Prize

Afterpiece Title: Blue Devils

Performance Comment: Characters by Munden, Fawcett, Knight, Simmons, Mrs Gibbs. Cast from text (John Cawthorn, 1808): Demisou-Munden; Megrim-Fawcett; James-Knight; Bailiff-Simmons; Annette-Mrs Gibbs.
Cast
Role: James Actor: Knight

Song: In 2nd piece: New Sea Ballad-Incledon; Master Teddy Shemus O'Shaughnessey O'Finnigen Delany's History of Himself-Johnstone; Fat Dolly the Cook-Munden; Soldier's Song-Townsend; New Ballad-Mrs Martyr; To conclude with: Hearts of Oak, Rule Britannia-

Entertainment: Monologue and SingingEnd 1st piece: (for that night only) [an aquatic, historic, romantic, eccentric, sadly comic story, in character, Travels of Trudge, [including Trudge's Exordium on the Quay, [a new song, Under@Ground Lodging, [Trudge's Escape and Voyage; Wowski's Prattle on Shipboard; Mishaps at Barbadoes; a new song, The Marvellous [to Jemmy Linkum Feedle-Fawcett. [This was chiefly based on episodes from Inkle and Yarico.

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Liar

Performance Comment: Sir James Elliot-R. Palmer; Old Wilding-Aickin; Young Wilding-Palmer; Papilion-Wewitzer; Miss Grantham-Miss Mellon; Miss Godfrey-Miss Heard; Kitty-Miss Tidswell.
Cast
Role: Sir James Elliot Actor: R. Palmer

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Battle of Hexham or Days of Old

Afterpiece Title: Blue Devils

Performance Comment: Characters-Fawcett, Munden, Wathen, Waldron Jun., Mrs Gibbs. [Cast adjusted from text (John Cawthorn, 1808): Megrim-Fawcett; Demisou-Munden; James-Wathen; Bailiff-Waldron Jun,; Annette-Mrs Gibbs.]
Cast
Role: James Actor: Wathen

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: The Miser

Performance Comment: Lovegold-Emery; Frederick-Clarke; Ramille-Farley; Taylor-Wilde; James-Rees; Lawyer-Dyke; Sparkle-Abbot; Satin-Lee; Upholsterer-Street; Mariana-Mrs Coates; Mrs Wisely-Mrs Platt; Lappet-Mrs Davenport.
Cast
Role: James Actor: Rees
Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Related Work: The Miser Author(s): James Wild

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: Lord Townly-Pope; Manley-Murray; Sir Francis Wronghead-Munden; Count Basset-Clarke; Squire Richard-Knight; John Moody-Thompson; James-Abbot; Constable-Whitmore; Poundage-Rees; Lady Grace-Miss Chapman; Lady Wronghead-Mrs Davenport; Miss Jenny-Mrs Gibbs; Mytrilla-Mrs Watts; Mrs Motherly-Mrs Platt; Trusty-Mrs Litchfield; Lady Townly-Mrs Johnson (from the Theatre in America; 1st appearance on this stage). 1st appearance on this stage).
Cast
Role: James Actor: Abbot

Afterpiece Title: The Maid of the Mill

Performances

Mainpiece Title: The Wonder

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): James Cobb

Afterpiece Title: The Liar

Performance Comment: Sir James Elliot-R. Palmer; Old Wilding-Aickin; Young Wilding-Powell; Papillion-Wewitzer; Servants-Fisher, Evans; Waiter-Webb; Miss Grantham-Miss Mellon; Miss Godfrey-Miss Heard; Kitty-Miss Tidswell.
Cast
Role: Sir James Elliot Actor: R. Palmer

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Deaf Lover

Performance Comment: Meadows-Munden; Old Wronghead-Davenport; Young Wronghead-Clarke; Canteen-Claremont; Groom-Simmons; John-Thompson; Sternhold-Street; James-Farley; William-Abbot; Bob-Lee; Cook-Follett; Sophia-Miss Chapman; Maid-Mrs Watts; Betsey Blossom-Mrs Martyr.
Cast
Role: James Actor: Farley

Afterpiece Title: The Mouth of the Nile

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Miser

Performance Comment: Lovegold-Quick; Frederick-Holland; Ramilie-Russell; Lost-Hollingsworth; Servant-Evans; James-Caulfield; Mrs Wisely-Mrs Sparks; Mariana-Miss Heard; Lappet-Miss Pope.
Cast
Role: James Actor: Caulfield
Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Related Work: The Miser Author(s): James Wild

Song: In IV 1st piece: Masquerade Scene-; Orphan Bess the Beggar Girl (the Musick by Hook)-; End 1st piece: A Musical Address (accompanied on the harp by Weippert, the Musick by Dr Arnold)-Miss Leak; In 2nd piece: The Country Club-Bannister Jun

Performances

Mainpiece Title: The Jew

Afterpiece Title: My Grandmother

Afterpiece Title: Blue Devils

Performance Comment: Megrim-Fawcett; Demisou-Palmer; James-Wathen; Annette-Mrs Gibbs.
Cast
Role: James Actor: Wathen

Performances

Mainpiece Title: Management

Afterpiece Title: The Miser

Performance Comment: Lovegold-Emery; Frederick-Whitfield; Ramille-Farley; Taylor-Wilde; James-Rees; Lawyer-J. Whitmore; Sparkle-Abbot; Satin-Lee; Upholsterer-Street; Mariana-Mrs Chapman; Mrs Wisely-Mrs Platt; Lappet-Mrs Davenport.
Cast
Role: James Actor: Rees
Related Works
Related Work: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest Author(s): James Lacy
Related Work: The Miser Author(s): James Wild

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Mock Doctor

Performance Comment: Sir Jasper-Maddocks; Leander-Surmont; Gregory-Bannister Jun,; James-Trueman; Harry-Evans; Davy-Hollingsworth; Robert-Wentworth; Helebore-Sparks; Dorcas (1st time)-Miss Mellon; Charlotte-Miss Heard; Maid-Mrs Jones.
Cast
Role: James Actor: Trueman

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Mock Doctor

Performance Comment: As17991128, but James-Fisher; Harry-_; Davy-_; Robert-_; Helebore-_.
Cast
Role: James Actor: Fisher

Song: As17991213

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Liar

Performance Comment: Sir James Elliot-Palmer; Old Wilding-Archer; Young Wilding-Powell; Papillion-Wewitzer; Miss Grantham-Miss Mellon; Miss Godfrey-Miss Heard; Kitty-Miss Tidswell.
Cast
Role: Sir James Elliot Actor: Palmer

Song: As17991228

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Liar

Performance Comment: As18000114, but Sir James Elliot-Trueman; added: Servants-Fisher, Ryder; Waiter-Webb.
Cast
Role: Sir James Elliot Actor: Trueman

Song: As17991228

Performances

Mainpiece Title: Blue Devils

Performance Comment: Megrim-Fawcett; Demisou-Palmer; James-Wathen; Annette-Mrs Gibbs.
Cast
Role: James Actor: Wathen

Afterpiece Title: The Jew

Afterpiece Title: The Castle of Sorrento

Song: 3rd piece: Chorus-Kenrick, Little, Willoughby, Dibble, Aylmer

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Liar

Performance Comment: Young Wilding-Palmer (1st appearance in that character); Old Wilding-Davenport; Papillion-Farley; Waiter-Ledger; Servants-Abbot, Chippendale; Sir James Elliot-Trueman; Miss Godfrey-Miss Gaudry; Kitty-Mrs Hale; Miss Grantham-Miss Chapman.
Cast
Role: Sir James Elliot Actor: Trueman
Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second King Of England With The Death Of Rosamond

Event Comment: The United Company. The date of the first performance is not known, but it had been acted by the time the January 1692@3 issue of the Gentleman's Journal appeared in March (on page 1 of that issue, the editor states that We are now in March): Mr Southerne's New Comedy, call'd, The Maid's last Prayer, or Any rather than fail, was acted the 3d time this evening, and is to be acted again to morrow. It discovers much knowledge of the Town in its Author; and its Wit and purity of Diction are particularly commended (p. 28). The first song in the play, Tho you make no return to my passion, composed by Henry Purcell, was sung, according to the printed play, by Mrs Hodgson; by Mrs Dyer, according to Thesaurus Musicus, First Book, 1693. The second song, composed by Samuel? Akeroyd, was sung by Mrs Ayliff (Thesaurus Musicus, The First Book, 1693). Another song, No, no, no, no, resistance is but vain, written by Anthony Henley, composed by Henry Purcell, and sung by Mrs Ayliff and Mrs Hodgson, Act IV, is in Purcell's Works, Purcell Society, XX (1916), xiv-xv. A song, Tell me no more I am deceiv'd, written by William Congreve, set by Henry Purcell, and sung by Mrs Ayliff, is in Works, XX (1916), xv-xvi. According to the London Gazette, No. 2852, 9-13 March 1692@3, the play was published "this day" (13 March 1692@3)

Performances

Mainpiece Title: The Maids Last Prayer Or Any Rather Than Fail

Event Comment: Benefit Neale and Mrs Vincent. At the Desire of several Persons of Quality. Mainpiece: Written by the late Mr Hughes. Receipts: money #28 15s. 6d.; tickets #85 16s. Tickets at Neale's, a Silk Dyer, in David Street, near Grosvenor Square

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Stage Coach

Dance: TTambourine-Miss Rogers; Scottish Dance-Glover, DuPre, Pelling, Delagarde, Mrs Ogden

Event Comment: Benefit LaLauze. By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets to be had and places to be taken of Page at the Stage Door. None to be admitted without printed tickets, which will also be deliver'd at the Office, and at LaLauze's lodgings, at the Widow Gwinn's, a Silk Dyer in Drury Lane, near the Castle Tavern. Servants will be allowed to keep places on the stage, which (for the better accommodation of the ladies) will be enclos'd and formed into an amphitheatre. N.B. As I had the Misfortune to break the great tendon of my leg, when dancing on the stage at the above theatre in January last, I think it highly incumbent on me to acquaint the public in general and my good friends in particular, that I am in a fair (but not speedy) way of recovery; and as Mr Rich has kindly granted me a benefit sooner than usual, towards supporting me in my unlucky situation, I take this opportunity to interest the good-natured town to dispense with my personal application, and favour me with their company as usual, which will add to the many obligations I have already received, and shall be ever acknowledged with a sincere sense of gratitude, by their most humble and obedient servant, LaLauze

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Mad Welchman Actor: James

Afterpiece Title: The School Boy

Dance: LLa Provencale, as17420212; Chacone, as17411230; Tyrolean Dance, By Command, as17420206

Event Comment: Benefit Neale and Desse. Tickets to be had of Neale, a Silk Dyer in David St., Moor's in the Playhouse Passage; and at Mr Desse'd, at Gresham's, Shoemaker, in York St., Covent Garden. London Daily Post and General Advertiser announced Chrononhotonthologos as afterpiece by Rylands has The King and Miller, Receipts: #140

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The King and Miller of Mansfield

Dance: I: By particular desire, a Chacone-Desse; III: Running Footman's Dance, as17420428

Song: IV: Song-Lowe

Event Comment: Benefit the author of this bad new play, which would have sunk the 1st night but for Garrick's acting (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Wedding Day

Event Comment: Author's second Benefit. He did not get above #30 each Benefit (Winston MS. from Dyer MS.)

Performances

Mainpiece Title: The Wedding Day

Dance: II: Les Chasseurs-Checo Torinese, Chiaretta Aquilanti, Mlle Bonneval; IV: Les Moisoneurs de la Styrie, as17421201