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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "James Dance"/1) | (@(roleclean,performerclean) "James Dance")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8484 results for: Keyword - James Dance
We found 4020 matches on Performance Title, 2401 matches on Performance Comments, 2178 matches on Author, 792 matches on Event Comments, and 1 matches on Roles/Actors.

8251
25 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Performance Comment: ], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi .

8252
21 April 1784 @ Covent Garden

Performances

Mainpiece Title: Cymon

Performance Comment: As17840327but omitted: Dorus's song, all the Dances .

Afterpiece Title: Rosina

Dance: End of mainpiece The Rival Nymphs, as17840318athi

8253
27 April 1784 @ Covent Garden

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

8254
08 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Rival Knights

Afterpiece Title: Rose and Colin

Dance: End of Act II of mainpiece a Dramatic Romance, Adelaide de Brabant; or, The Triumph of Virtue. Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere

Performance Comment: Principal Characters by Bithmere, Le Boeuf, Mme Bithmere. ["An infant son of Grimaldi (i.e. Joseph, aged 6) performs in an astonishing manner" (Gazetteer, 12 May).] End of Act IV an Allemande and Dance, called Malbrough (composed by Vestris Jun.) by Le Boeuf and Mme Bithmere .

8255
21 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: A Fete

Performance Comment: scene I. Hornpipe, as17840517; Poor ThomasDay by Chapman, Wilson, Barry more, scene III. Thou hast gone awa' from me Mary by Miss Phillips. scene III. As scene III, 26 Apr., but added: Wilson. scene IV. An Italian Air, as17840412 To conclude with a Dance [probably The Sportsmen's Return] by Mr and Miss Hamoir .

Afterpiece Title: The Rival Candidates

8256
21 September 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Irish Widow

Dance: End of Act I of afterpiece The Irish Fair by Williamson and Miss M. Stageldoir. [This was danced, as here assigned, at all subsequent performances.]

Performance Comment: Stageldoir. [This was danced, as here assigned, at all subsequent performances.] hathi.

8257
25 September 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Harlequin Junior

Dance: End of Act II of mainpiece The Sportsmen's Return, as17840916; In Act III Hornpipe by Mills. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

8258
18 October 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Williamson, the Miss Stageldoirs, &c. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

Song: In Act III of mainpiece a song by Williames. [This was included, as here assigned, in all subsequent performances.]

8259
18 December 1784 @ King's Theatre

Event Comment: A Comic Opera (1st time [in London; 1st performed at Rome, 1777]); the Music entirely new, by Anfossi. With new Scenes, painted by Novosielski; new Dresses and Decorations by Sestini, both for the Opera and Dances. By their Majesties Command No Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00, and begin exactly at 7:00 [see 7 June 1785]. Subscriptions are received at Messrs Ransom, Moreland and Hammersley's, bankers, No. 57, Pall-mall; who will deliver the Subscription Tickets. The Nobility and Gentry, Subscribers to the Opera-House, are respectfully intreated to send for them, as, in order to prevent future mistakes, no body can be admitted without producing a Ticket

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Divertissement (composed by Lepicq) by Nivelon, Mlle Dorival (from the Opera-House in Paris; their 1st appearance), Frederic, Mme Julien, Mlle Fusi, Mme Bithmer (their 1st appearance), Henry, Zuchelli, Sg and Sga Pitrot Angiolini (from the King's Theatre at Naples; their 1st appearance); End of Opera a new Grand Ballet (composed by Lepicq) Le Parti de Chasse d'Henry IV-King Henry rv-Angiolini; the other Characters by Lepicq, Mme Rossi, Frederic, Mlle Dorival, Zuchelli, Nivelon, Sga Pitrot Angiolini

8260
01 January 1785 @ King's Theatre

Event Comment: On account of the sudden Indisposition of Sga Ferrarese the new Serious Opera [Demetrio, announced in Public Advertiser, 31 Dec. 1784] is unavoidably postponed [see 8 Jan.]. 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I Divertissement, as17841218; End of Opera Le Tuteur Trompe, with the Fandango, by Lepicq, Mme Rossi, Frederic, Zuchelli, Mme Bithmer, Henry, Nivelon, Mlle Dorival

8261
11 January 1785 @ King's Theatre

Event Comment: 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17841218; End of Opera The Deserter. Skirmish-Slingsby; the other characters by Lepicq, Mme Rossi [playbill of 13 May 1784 lists: The Deserter-Lepicq; Louisa-Mme Rossi], Henry, Zuchelli, Mme Degville, Nivelon, Mlle Dorival

8262
20 January 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron or Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

Performance Comment: [The dances were included, as here assigned, in all subsequent performances.] hathi.

8263
05 February 1785 @ King's Theatre

Event Comment: "[Il Convito degli Dei] is founded on the fabulous account of the nuptials of Peleus and Thetis, when the Gods, met in full assembly, were interrupted by the Goddess Discord, who threw among them the golden apple, directed to the fairest of the female deities" (Morning Herald, 7 Feb., which states that the part of Apollo was danced by Nivelon, and that of Minerva by Mlle Dorival)

Performances

Mainpiece Title: Demetrio

Dance: End of Act I an entirely new Divertissement (composed by Lepicq; the music by Barthelemon) Il Convito degli Dei by Lepicq, Mme Rossi, Henry, Zuchelli, Mme Bithmer, Nivelon, Mlle Dorival; End of Opera The Deserter, as17850122

8264
03 March 1785 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Performance Comment: , Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival . ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival .

8265
24 May 1785 @ King's Theatre

Event Comment: Morigi's sudden Indisposition, together with Mlle Dorival's Illness, makes it necessary to postpone the Comic Opera [I Viaggiatori Felici, announced in Public Advertiser, 23 May] and Dances, advertised for this Evening

Performances

Mainpiece Title: Orfeo

Dance: As17850512, but performers not listed

8266
13 July 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague or The Giants Causeway

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

8267
11 August 1785 @ Haymarket Theatre

Event Comment: Benefit for Jewell, Treasurer. Reed, 139: "The Deserter, Burlesque Dance."

Performances

Mainpiece Title: Two To One

Related Works
Related Work: The Fortune-Hunters; or, Two Fools Well Met Author(s): James Carlile

Afterpiece Title: The Guardian

Related Works
Related Work: The Man of Taste; or, The Guardian Author(s): James Miller

Dance: End of mainpiece The Deserter. The Deserter-Mme Dageville; Skirmish-Miss Simonet; Louisa-Mr Delpini; and with Byrne and Miss L. Simonet

8268
31 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Two Connoisseurs

Afterpiece Title: Here and There and Every Where

Dance: In afterpiece, by Byrne, Ratchford, Giorgi Jun., Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.]

Performance Comment: , Miss Francis, Miss Rowson, Mrs Invill, Giorgi's Scholars, the two Miss Simonets. [The dances were included, as here assigned, in all subsequent performances.] hathi.

8269
28 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Gentle Shepherd

Dance: End I afterpiece: Highland Reel-Mills, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

Performance Comment: [This was danced, as here assigned, in all subsequent performances.]

Song: II: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

8270
21 May 1787 @ Covent Garden

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Winters Tale

Afterpiece Title: The Cantabs

Song: II 2nd piece: Come come my good Shepherds-Mrs Martyr; In course Evening: Four@and@Twenty Fidlers-Edwin

Monologue: Vaudeville End 2nd Piece: A Scene in a Masque Ball , with an Illumination. Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-

Performance Comment: Huntress-Mrs Martyr; Tantivy the welkin resounds-Mrs Martyr; Mad Tom-Darley; song-Johnstone; Highland Lad and Lass-Mrs Kennedy, Mrs Martyr; Say bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr; To conclude with a Grand Dance-.
Cast
Role: To conclude with a Grand Dance Actor: .

8271
26 December 1787 @ Covent Garden

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Dumb Cake or The Regions of Fancy

Dance: [not listed on playbill]. "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.)

Performance Comment: "A dance based on a print entitled The Long Minuet (by H. W. Bunbury) was well attempted" (World, 27 Dec.).

8272
03 April 1788 @ King's Theatre

Event Comment: Benefit for Mlle Coulon. Tickets to be had of Mlle Coulon, No. 8, Great Suffolk-street, Charing-cross. "The Dance between Gardel and Vestris on Thursday is everywhere talked of, in the highest terms of admiration. Such excellence no audience ever before witnessed" (General Advertiser, 5 Apr.). Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Ballet serious and demi-charactere (composed by Noverre)-Gardel, Mlle Coulon, Mlle Hilligsberg, Didelot, Chevalier, Henry, the two Miss Simonets, Miss Harvey, Vestris; End Opera: Euthyme et Eucharis-see17880313 conclude with: the celebrated Pas de Quatre of Panurge-Gardel, Mlle Hilligsberg, Mlle Coulon, Vestris

8273
06 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin Midi et le Soir

Performance Comment: Morning. A Camp. O say bonny Lass-Dignum, Miss Romanzini; [Noon. A Village. New Dance, The Shepherd's Wedding-Hamoir, Miss J. Stageldoir; [Night. A Hermit's Cell, Moon-light. The Tale of Edwin and Angelina-[from [The Hermit, by] Goldsmith, composed by Hook; Edwin-Kelly; Angelina-Mrs Crouch.

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

8274
03 June 1788 @ Covent Garden

Event Comment: Benefit for Gardner, Rock, Besford & Mrs Watts. The Caledonian Wedding [a dance, advertised on playbill of 2 June] cannot be performed on Account of the Indisposition of a Principal Performer. [3rd piece in place of The Country Mad-Cap, advertised on playbill of 2 June.] Receipts: #177 6d. (48.1.6; 7.16.0; tickets: 121.7.0)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Lincos Travels

Afterpiece Title: Tom Thumb

Song: End II 1st piece: The Soldier tir'd of War's Alarms (for this Night only)-Master Braham

Entertainment: Monologue End III 1st piece: A Description of the Tombs in Westminster Abbey-Edwin

8275
13 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: Love and War

Performance Comment: Love: Goldsmith's poem of Edwin and Angelina. Scene, A Hermit's Cell. Edwin-A Young Gentleman (1st appearance on any stage unidentified); Angelina-Mrs Plomer; War: Scene I. A Sea-port. Officers carousing. O say Bonny Lass-; Scene II. A Village. Serjeant-Davies; Country Lasses-Mrs Gaudry; Milkmaid-Miss Collett; Admiral Benbow-Bannister; A new dance, The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin.

Afterpiece Title: Gretna Green