SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "James Dance"/1) | (@(roleclean,performerclean) "James Dance")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4020 matches on Performance Title, 2401 matches on Performance Comments, 2178 matches on Author, 792 matches on Event Comments, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: A Fete

Performance Comment: As17810425, but SCENE VI as SCENE VII on 3 Apr., Medley-_; Catches and Glees-_; Come honest Friends and jovial Souls-; Chorus-; Dance-.
Cast
Role: Dance Actor: .
Role: To conclude with a Dance Actor: Aldridge, others
Role: Foresters' Dance Actor:
Role: and Dance of Warriors Actor:

Afterpiece Title: Poor Vulcan

Song: As17810425

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: A Fete

Performance Comment: As17810427, but SCENE I as17810403; Overture-_; Forester's Dance-_; SCENE II as SCENE V on 3 Apr.; SCENE III as SCENE II on 3 Apr.; SCENE IV as SCENE III on 4 May. We be three poor Mariners-_Davies, Cubitt. SCENE V as SCENE V on 25 Apr. SCENE VI as SCENE VI on 27 Apr.
Cast
Role: Dance Actor: .
Role: To conclude with a Dance Actor: Aldridge, others
Role: Foresters' Dance Actor:
Role: and Dance of Warriors Actor:

Afterpiece Title: The Touchstone

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: Lomaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

Performance Comment: , and see17810810) This was danced, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.
Event Comment: [The playbill announces, as dance, The Double Surprise, in which Banti was to make his 4th appearance. But it was deferred; sec 5 Mar.] Receipts: #244 (239/8/6; 4/11/6)

Performances

Mainpiece Title: Which Is The Man

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Jovial Crew

Related Works
Related Work: The Ladies' Frolic Author(s): James Love
Event Comment: Benefit for Macklin. [In the dance Band is announced as making his 4th appearance (see 25 Feb., 19 Mar.).] Receipts: none listed (charge: free)

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Tom Thumb

Dance: End of Epilogue, as17811219

Song: End of Act II of mainpiece The Huntsman's sweet Halloo, as17820226

Event Comment: Benefit for Henderson. Mainpiece: Written by Congreve; and now carefully revised and corrected, by expunging the exceptionable passages. [The playbill assigns Lord Touchwood to Clarke, but on the Kemble playbill his name is deleted; the substitute name has been cut by the binder.] Afterpiece: Contracted into 3 acts. With a Grand Dance, and a Reinforcement of Bayes's Troops [for which, and for a list of the other parts, see DL, 13 Dec. 1777. In the Dancing Banti is announced as making his 5th appearance (see 25 Feb., 5 Mar.)]. Public Advertiser, 2 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. Receipts: #238 9s. 6d. (144/9/6; tickets: 94/0/0) (charge: #105)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Event Comment: Benefit for Noverre. Tickets, half-a-guinea each, to be had of Noverre, No. 40, Great Marlborough-street. 1st ballet: The Music entirely new, composed by Le Brun. [Scenario(Milan, 1774) lists the parts: Guillaume, Raymond, Alphonse, Renaud, Adele, Alise, Beatrix, Isabellc, Eleonore. In 2nd ballet Jason to be danced by Gardel (Morning Herald, n Apr.); the overture by Gluck, and rest of the music by Noferi (Public Advertiser, 12 Apr.).]

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I an entirely new Ballet, composed by Noverre, Adela of Pontbieu (the subject taken from the History of ancient Chivalry), by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Simonet, Sga Crespi, Mlle Baccelli; End of Opera Medea and Jason, as originally composed by Noverre, by Gardel, Mme Simonet, Nivelon, Simonet, Mlle Theodore, Mlle Baccelli

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robinson Crusoe

Dance: In Act I of mainpiece a Minuet by Lemercier and Miss Stageldoir. With a Masquerade Dance

Performance Comment: With a Masquerade Dance .

Song: Mainpiece: With the Funeral Procession. Vocal Parts by Williames, Chaplin, Fawcett, Phillimore, Helme; Miss Collett, Miss Wright, Mrs Love, Mrs Booth, Miss Barnes, Mrs Smith, Mrs Granger, &c

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Tom Thumb

Dance: End of Act II of mainpiece The Gala. A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards

Performance Comment: A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards .

Song: End of Act I of afterpiece Tally-Ho by Miss Langrish

Performances

Mainpiece Title: The Wonder

Related Works
Related Work: Ramah Droog; or, Wine does Wonders Author(s): James Cobb

Afterpiece Title: The Maid of the Oaks

Dance: End of mainpiece the Minuet de la Cour by Zuchelli and Miss M. Stageldoir; End of Act I of afterpiece New Dance, as17820121

Performance Comment: Stageldoir; End of Act I of afterpiece New Dance, as17820121.

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Dead Alive

Afterpiece Title: Medea and Jason

Performance Comment: As17820603 but Medea-Mme Vidini (1st appearance in this Dance) .
Event Comment: Books of the new Dance to be had at the Theatre. "Nothing could equal the manner in which the whole was conducted: the wrestling, the gladiators; the defeat of the Sabines; the besieging of Rome by the latter; their reconciliation with the Romans, &c." (Morning Herald, 13 Dec)

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Opera a new grand Ballet, composed by Lepicq, Il Ratto delle Sabine; or, The Rape of the Sabines, by Lepicq, Henry, Zuchelli, Degville Sen., Slingsby, Mlle Theodore, Sga Crespi, Mme Rossi. [Partial cast from Public Advertiser, 14 Dec: Romolo-Lepicq; Acronte-Zuchelli; Erfilia-Mme Rossi.]

Event Comment: [In the 1st ballet the playbill lists Mme Rossi, but she did not dance. As the 2nd ballet the playbill announces Il Ratto delle Sabine, but Mme Rossi was ill, which "rendered a verbal apology unavoidable. 'Mme Rossi was in hopes that her wish to court your favour would enable her to overcome her illness, but it has been as sudden as it is now alarming. She has just been let blood. The manager therefore intreats your indulgence, and that you will accept of Apelles and Campaspe instead of the Grand Ballet, which cannot possibly be performed.' . . . Henry performed the part of Alexander with the greatest propriety" (Public Advertiser, 19 Dec.).]

Performances

Mainpiece Title: Il Convito

Dance: End of Act I New Divertisement, probably as17821119; End of Open Apelles and Campaspe, probably as17821102, but added: Henry

Event Comment: Books of the new Dance to be had at the Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821130; End of Act II an entirely new Ballet (1st time; composed by Lepicq), he Tuteur Trompl; or, The Guardian Outwitted, by Lepicq, Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore, Mme Rossi, with two Pas de Basque by Mlle Theodore

Event Comment: A Comic Opera in 2 acts, not acted these 3 years [acted 15 Mar. 1781]. The Music by Gretry. With Dances incident to the Play, new Scenes, Dresses and Decorations

Performances

Mainpiece Title: Zemira And Azor

Dance: As17830218 throughout

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Dance: As17821122. imitations. After the dance, (for that night only) various Imitations, Vocal and Rhetorical, by Bannister Jun

Performance Comment: imitations. After the dance, (for that night only) various Imitations, Vocal and Rhetorical, by Bannister Jun .

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Ghost

Dance: As17820927

Song: End of Act II of mainpiece The Huntsman's sweet Hollo!, as17830516; End of Dance ThomasDay. Goody Cramp-Bannister; Goody Rheum-Brett; Goody Twitch-Edwin

Performance Comment: , as17830516; End of Dance ThomasDay. Goody Cramp-Bannister; Goody Rheum-Brett; Goody Twitch-Edwin .

Performances

Mainpiece Title: Separate Maintenance

Afterpiece Title: The Son in Law

Dance: In Act IV of mainpiece Minuet by Giorgi and Mrs Bulkley. [This was danced, as here assigned, in all subsequent performances.]

Performance Comment: [This was danced, as here assigned, in all subsequent performances.] hathi.

Song: In Act I of mainpiece song by Miss Hooke

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague or The Giants Causeway

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Performance Comment: [This was danced, as here assigned, at all subsequent performances.] hathi.

Song: In Act I of mainpiece a song in character by Miss Hooke

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Performance Comment: A favourite Overture by Haydn, scene I. A Forest. The Death of the Stag. Sportsmen, Horses and Dogs returned from the Chace. No Sport to the Chace can compare (the Music by Dr Arnold) by Brett, scene II. The Cave of Echo. They say there is an Echo here (composed by Herschel) by Brett, Wood, Gaudrey and others, scene III. A Wood. The Triumph of Diana. With Horns and with Rounds (the Music by Boyce) by Miss George. SCENE IV. A Sea Shore and Cottage. The celebrated Sequel to Auld Robin Gray, taken from the Movement of Haydn's Overture, by Brett and Miss Morris. Scene V. A Cobler's Cottage. The Loves of John and Jane (the Music by Dibdin) by Wilson. Scene VI. Description of a Battle. Stand to your Guns, my Hearts of Oak (the Music by Carter) by Bannister, scene VII. A Palace and Banquet. Come, honest Friends (singers not listed'). The Dances by Mr and Miss Byrne. Principal Attendant Genius-Miss Painter .

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: The Tender Husband Or The Accomplishd Fools

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Williamson, the Miss Stageldoirs, &c. [This was danced, as here assigned, at all subsequent performances.]

Performance Comment: [This was danced, as here assigned, at all subsequent performances.] hathi.

Song: In Act iv of mainpiece song by Williames

Event Comment: A Serious Opera [1st time; ser 3, by Giovanni de Gamerra; a pasticcio, with music by Anfossi, Gluck, Alessandri, Martini, Sarti, Giordani]; the Music under the Direction of Anfossi. With new Scenes, painted by Novosielski, new Dresses and Decorations, both for the Opera and Dances. By their Majesties Command, no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Subscribers' Tickets are ready to be delivered at the Office in Unionstreet. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses Heads towards Pall-Mall. The Door in Market-lane for Chairs only

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi