SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jacques Rousseau"/1) | (@(roleclean,performerclean) "Jacques Rousseau")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 25 matches on Performance Comments, 24 matches on Event Comments, 17 matches on Author, 1 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

Event Comment: Mainpiece: By Desire. Afterpiece: A New Musical Entertainment in 2 acts, words imitated from Rousseau, with his original Musick (Burney). Books of the entertainment at the Theatre, published for 1s. Paid Mr Chitty his coal bill #91 13s. and Mr Johnston's bill for guilt leather #24 19s. 6d. (Treasurer's Book). [Advertisement to 2nd Edition, 1766: Upon rehearsing the music it has been thought necessary to retrench the Second Act for fear of satiety: for though the Airs and Dances after the reconciliation of Celia and Phoebe are by no means inferior to the rest in point of composition; yet as no other business remained to be done after that circumstance but that of mere festivity, the Editor, with some reluctance, submitted to the omission of such airs as are printed with inverted commas; which, however, are all publish'd with the music by Mr Bremner in the Strand."] Receipts: #150 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau
Event Comment: Mainpiece: By Particular Desire. Rec'd stopages #1 8s.; from John Palmer in part of his bond #70; Paid 5 days salary list #367 13s. 4d. Receipts: #173 16s. 6d. (Treasurer's Book). Went to the 2 shilling Gallery to see the new tragedy, with its musical entertainment The Cunning Man, a sort of translation of Rousseau's Devin du Village. Holland, Powell and Bensley played Warwick, Edward and Pembroke very well. Mrs Yates did great justice to Queen Margaret. Mrs Palmer did Elizabeth. The Prologue was spoken by Bensley, the Epilogue by Mrs Yates. The characters were very richly dressed in the dresses of the time. The improper use of ridiculous modern dresses on the stage often offends me (Diary of Sylas Neville, unpublished MS portion)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau
Event Comment: By Command of their Majesties. Mr Garrick played Lusignan and Lord Chalkstone. It is almost impossible to express how finely he played both characters. The Prologue was called for. Mr Garrick went on directly to speak it--as soon as he appeared a general clap and a loud huzza,--and there was such a noise from the House being so crowded, very few heard anything of the prologue.--As soon as the play began there was a great disturbance in the Gallery, and some called out, Guards Guards! that they could not go on.--Mr Lacy went on the Stage, and looked up to the gallery, and came off again without saying anything.--They soon grew quiet, and the play went on.--Monsr Rousseau sat in Mr Garrick's box (Hopkins Diary). [Account in the Public Advertiser of the original story upon which VanBrugh founded some circumstance in his Provok'd Wife, signed Heartfree. The Gentleman's Magazine, January, in the Historical Chronicle section noted that Jean Jacques Rousseau arrived in England on 13 Jan. and "was at the play on the 23rd, and presented himself in the upper Box fronting his Majesty."

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Dance: End: New Tambourine-Aldridge, Miss Baker

Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Performances

Mainpiece Title: Cadmus Et Hermione

Performances

Mainpiece Title: As You Like It

Performance Comment: Jacques-Sparks; Orlando-Smith; Touchstone-Shuter; Amiens (with the songs in character)-Lowe; Rosalind-Mrs Hamilton; other characters-[as usual; see17591121.as usual; see17591121.
Cast
Role: Jacques Actor: Sparks

Afterpiece Title: The Fair

Event Comment: Jacques Thierry and Will Schellinks attended this performance, but do not indicate the theatre. See Seaton, Literary Relationships, pp. 334, 336. As this play had been acted by the King's Company on 11 Jan. 1661@2, it has been assigned to Vere St.

Performances

Mainpiece Title: Love Lies A Bleeding

Event Comment: Jacques Thierry and Will Schellinks saw this performance (Seaton, Literary Relationships, pp. 334, 336). Although this performance falls in Passion Week, the date seems correct. Because the patent theatres normally closed during Passion Week, this performance has been tentatively assigned to the red bull Company. As Jolly played Part I (A Girle Worth Gold) at Norwich, this is probably a presentation of Part I

Performances

Mainpiece Title: The Fair Maid Of The West

Event Comment: Jacques Thierry and Will Schellinks saw a ballet somewhere in London (Seaton, Literary Relationships, pp. 334, 336)

Performances

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Dance: II: The Italian Bakers, as17661011

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Dance: II: The Italian Bakers, as17661011

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Music: II: A Concerto on the Harpsichord-Mr Burney Jr from Worcester

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Music: III: New Concerto, as17670212

Performances

Mainpiece Title: King John

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Dance: End: The Lilliputian Camp, as17670227

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Cunning Man

Related Works
Related Work: The Cunning Man Author(s): J.J. Rousseau

Performances

Mainpiece Title: Armida

Dance: End I: Divertisement by D'Auberval-

Ballet: End II: an entire new Pantomime Ballet, in I act, composed by D'Auberval, Amphion et Thalie; ou, L'Eleve des Muses. Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer

Performance Comment: Principal dancers-[Didelot, Duquesney, Vigano, Fialon, Duchesne, Rousseau, Boisgirard, St.Aumer, Schweitzer, [Mme Didelot, Mme Vigano, Mlle Theodore, [Mlle Gervaise Troche, Mlle Deligny, [Mlle L. Simonet, Mlle R. Simonet, Mlle Puisieux, [Mlle Bithmer Cadette, Mlle Bithmer, Mlle Rousseau, Mlle Vedie, Mlle Durand; [Cast from synopsis (H. Reynell [1791]:) Amphion (eleve des Muses)-Didelot; Bergers de la Phocide-Duquesney, Vigano; Thalie (Muse de la Comedie)-Mme Theodore D'Auberval; Jeune Nymphe de la Phocide (eleve de Terpsichore)-Mlle Gervaise Troche; Terpsichore (Muse de la Danse)-Mlle Leonore Simonet; Jeune Nymphe (favorite de Thalie)-Mlle Rosine Simonet; Melpomene (Muse de la Tragedie)-Mme Didelot; Clio (Muse de L'Histoire)-Mlle Augustine Bithmer; Erato (Muse de la Poesie Lyrique)-Mlle Bithmer; Euterpe (Muse de la Musique)-Mlle Rousseau; Uranie (Muse de l'Astronomie)-Mlle Jacobs; Calliope (Muse de l'Eloquence)-Mlle Birt; Polimnie (Muse de la Rhetorique)-Mlle Watson; Nymphes a la suite des Muses-Mlle Vedie, Mlle Durand, Mlle Berry, Mlle Bougier; Suite d'Amphion-Mme Fialon, Mme Duchesne, Mme Simonet, Mme Menage; Habitants de la Phocide-Mme Boisgirard, Mme Rousseau, Mme Omer, Mme Schweitzer.