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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Jacques Marie Boutet de Monvel"/1) | (@(roleclean,performerclean) "Jacques Marie Boutet de Monvel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1649 results for: Keyword - Jacques Marie Boutet de Monvel
We found 1001 matches on Performance Title, 451 matches on Performance Comments, 182 matches on Event Comments, 158 matches on Author, and 0 matches on Roles/Actors.

101
22 March 1662 @ Theatre in Vere Street

Event Comment: Jacques Thierry and Will Schellinks attended this performance, but do not indicate the theatre. See Seaton, Literary Relationships, pp. 334, 336. As this play had been acted by the King's Company on 11 Jan. 1661@2, it has been assigned to Vere St.

Performances

Mainpiece Title: Love Lies A Bleeding

102
25 March 1662 @ The Red Bull Theatre

Event Comment: Jacques Thierry and Will Schellinks saw this performance (Seaton, Literary Relationships, pp. 334, 336). Although this performance falls in Passion Week, the date seems correct. Because the patent theatres normally closed during Passion Week, this performance has been tentatively assigned to the red bull Company. As Jolly played Part I (A Girle Worth Gold) at Norwich, this is probably a presentation of Part I

Performances

Mainpiece Title: The Fair Maid Of The West

103
16 March 1663 @ no theater listed

Event Comment: Jacques Thierry and Will Schellinks saw a ballet somewhere in London (Seaton, Literary Relationships, pp. 334, 336)

Performances

104
28 September 1733 @ Goodman's Fields

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Damon and Phillida

Dance: Pierrot and Pierraite by D'Vallois and J. De la Garde. Chacone by Mrs Bullock

105
01 October 1733 @ Goodman's Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Damon and Phillida

Dance: As17330925

Afterpiece Title: Pierrot and Pierrate by d'Vallois and J

106
15 May 1718 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Jealous Doctor

Dance: Moreau, Thurmond Jr, Cook, Newhouse, Mrs Bullock, Miss Smith; Scotch Dance-Newhouse, Miss Smith; Marie-Cook, Miss Schoolding; The last Comic Dance-Thurmond Jr, Miss Smith

107
05 April 1720 @ Drury Lane Theatre

Performances

Mainpiece Title: The Chances

Dance: Passacaile-Mrs Booth; English Clown-Weaver; Forlanta-Lally, Miss Smith; The Marie-; Irish Trot-Miss Lindar, Lally's Scholar

108
25 April 1732 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Flora

Dance: II: Sicilian-Glover, Mrs Pelling; III: French Peasant Dance-Poitier; IV: Grand Dance of Ethiopians-Glover, Pelling, Newhouse, Miss LaTour, Mrs Ogden; V: Ball Dance called The Marie-; Also a Minuet-Glover, Mrs Laguerre; In Afterpiece: Hornpipe-Jones

109
20 April 1733 @ Goodman's Fields

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Devil to Pay

Dance: I: Le Menuet & La Marie-D'Vallois, Mrs Bullock, being particularly desired; II: La Payzane Mantaignez (new)-D'Vallois, D'Blainville, Pollet in Wooden Shoes; III: Two Pierrots-D'Vallois, Delagarde; IV: English Peasant-D'Vallois, Madam D'Vallois

Ballet: V: La Provansalle (newly composed by D'Vallois). Two Provansals-D'Vallois, Mrs Bullock; Other parts-Holt, Mrs D'Vallois, J. Delagarde, Miss Wherrit, Sandham, Mrs Haughton, Evans, Miss Sandham

110
20 April 1742 @ Covent Garden

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The King and Miller of Mansfield

Dance: I: Musette, as17420405 II: Louvre-Picq; III: New Comic Dance Pantaloon and Enamorata=-Picq, Mlle Auguste; IV: Rigadone Provencale, as17420226; V: La Marie, Minuet-Picq, Mlle Auguste

111
20 February 1793 @ King's Theatre

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Afterpiece Title: The Messiah 1

Afterpiece Title: The Messiah 2

Afterpiece Title: The Messiah 3

Song: End Part I: Captivity (supposed to be sung by the unfortunate Marie Antoinette, Queen of France, during her confinement in the Tower of the Temple; composed by Percy)-Master Welsh

Music: End Part II: concerto on the violin-Janiewicz

112
27 May 1793 @ Covent Garden

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck; or, French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

113
28 May 1733 @ Haymarket Theatre

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: I: Minuet, a new Ragadoon-De Vallois, Madam De Vallois; II: French Peasant-; III: Pierrot and Pierroress-De Vallois and Madam De Vallois; IV: Pastoral-De Vallois and Madam De Vallois; V: Wooden Shoe Dance-De Vallois, Bowford, Pawlet

114
21 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: a New Dance-; in which will be introduced a Pas de Bernois-Didelot, Mlle Coulon; Pas de Trois-Coulon, the two Miss Simonets; Pas de Deux-Henry, Miss Harvey; a Pas Seul-Chevalier; Pas Seul-Mlle Coulon; the favorite Pas de Russe (composed by Gardel)-Vestris, Mlle Hilligsberg; Hornpipe-Chevalier; Pas de Cinq-the principal Dancers; Pas de Sept-the principal Dancers; conclude with: General Dance-all the Performers

Song: II: a favorite song, Gli affetti mici , composed by Paisiello,-Sga Sestini; violin obligato accompaniment-Cramer

Ballet: End Opera: L'Amour et Psiche. As17880129

115
26 February 1788 @ King's Theatre

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; Pas de Deux, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; Pas de Sept, as17880221; General Dance, as17880221; omitted: Pas Seul by Chevalier, Hornpipe

116
04 March 1788 @ King's Theatre

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Les Fetes de Tempe, as17880301End I: New Dance, as17880226; Pas de Bernois, as17880226; Pas de Trois, as17880226; Pas Seul, as17880226; Pas de Russe, as17880226; Pas de Cinq, as17880226; Pas de Sept, as17880226; General Dance, as17880226

117
15 March 1788 @ King's Theatre

Performances

Mainpiece Title: La Cameriera Astuta

Dance: End Opera: Euthyme et Eucharis, as17880313End I: New Dance, as17880308Pas de Bernois, as17880308_Didelot, Coulon; +Pas de Trois, as17880308a Pas Seul-Chevalier; Pas de Deux, as17880308Pas Seul, as17880308Pas de Russe, as17880308Hornpipe, as17880308Pas de Cinq, as17880308Pas de Sept, as17880308General Dance, as17880308

118
23 February 1788 @ King's Theatre

Performances

Mainpiece Title: Gli Schiavi Per Amore

Song: As17880221

Dance: End Opera: Les Offrandes a l'Amour, as17871208; End I: New Dance, as17880221; Pas de Bernois, as17880221; Pas de Trois, as17880221; a Pas Seul, as17880221; Pas Seul, as17880221; Pas de Russe, as17880221; Pas de Cinq, as17880221; General Dance, as17880221; Pas de Sept, as17880221

119
02 July 1789 @ Covent Garden

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

120
29 January 1719 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Pierot Maitre Valet Et L'opera De Campagne; Ou, La Critique De L'opera De Paris

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

Entertainment: Vaulting, Tumbling-

121
13 February 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

122
22 March 1798 @ King's Theatre

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End: Le Triomphe de Themis, as17971226; End 2nd piece: an entire new Anacreontic Ballet, composed by Gallet, La Vengeance de l'Amour-; Pas de Quatre of Panurge-Didelot, Laborie, Mme Hilligsberg, Mme Rose

123
24 March 1798 @ King's Theatre

Performances

Mainpiece Title: An Act Of La Sposa In Equivoco

Afterpiece Title: Act II of Semiramide

Dance: End 1st piece: Le Triomphe de Themis, as17980322End 2nd piece: La Vengeance de l'Amour, as17980322 Pas de Quatre of Panurge-_, and names of performers%

124
21 April 1798 @ King's Theatre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: A New Divertisement, as17980419; End Opera: La Vengeance de l'Amour-; Pas de Quatre de Panurge-

125
11 June 1798 @ Covent Garden

Performances

Mainpiece Title: The Farmer

Afterpiece Title: The Child of Nature

Dance: End 1st piece: Peggy's Love- in which, by permission of the Proprietor of the Opera House, who has generously allowed Principal Dancers and Whole Corps de Ballet to appear, the following Ladies and Gentlemen will exert their well known Abilities:Laborie, Didelot, Mme Laborie, Mme Hilligsberg; End 2nd piece: La Vengeance d'Amour, in which the Pas de Quatre de Panurge-Laborie, Didelot, Mme Laborie, Mme Hilligsberg