SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J and P Knapton"/1) | (@(roleclean,performerclean) "J and P Knapton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2026 matches on Event Comments, 1158 matches on Performance Comments, 111 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Genii

Performance Comment: With Alterations and Additions. Pantaloon-Grimaldi; Clown-Ackman; Fop-Messink; Colombine-Mrs Sutton; Harlequin-Rooker; Chief Genii (with Song)-Mas. Blanchard; Other characters-Wright, Jones, Courtney, Wrighten, Burton, Jacobs, Watkins, Fawcett, Kear, Norris, Mrs Wrighten, Mrs Scott, Mrs Hunt; To Conclude with a Bacchanalian Jubilee-Como, Atkins, Giorgi, Sga Crespi.

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Author

Performance Comment: Cadwallader (and, By Desire, the Original Prologue)-King; Vamp-Moody; Governor-Bransby; Young Cape-J. Aickin; Sprightly-Packer; Poet-Waldron; Robert-Keen; Printer's Devil-Burton; Arabella-Mrs Jefferson; Mrs Cadwallader-Miss Pope, first time.
Event Comment: Benefit for Miss Younge. Last time of performing till Easter. Mainpiece: Not acted these 5 years. [See 9 Nov. 1768.] Afterpiece: Never acted here (playbill). Part of pit laid into boxes. Ladies and Gentlemen requested to come early. Rec'd stopages #2 12s. 6d.; short charge for new farce on 8 March #10 10s.; Paid 4 days salary list #348 14s. 8d.; Mr King's extra salary #2; Mr S. Barry on note #100; Mr Cook's 4 boys 4 nights (the 7th incl.) #6 Mr J. French on acct #10 10s. (Treasurer's Book). Receipts: #282 19s. 6d. Charges #64 17s. Profit to Miss Younge: #218 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Pantheonites

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: Othello

Afterpiece Title: Florizel and Perdita

Entertainment: End: Bucks have at ye all-Palmer

Event Comment: Benefit for Waldron and Dimond. Rec'd stopages #15 16s. Paid salary list #525 12s.; Mr King's extra salary #3; Mrs Canning in full of salary not on list (10 Guineas paid 20 Nov. last deducted)-#32 10s.; Mr G. Garrick on Acct in full for this season #50; Mr J. French ditto #5 5s. (Treasurer's Book). Receipts: #188 11s. 6d. Charges: #64 11s. Profits to Waldron & Dimond: #124 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of Kent

Performance Comment: Wm Strongbow-Vernon; George-Dimond; Sealand-J. Bannister; Sir Thomas-Parsons; Brian-Moody; Dr Goodman-Packer; La Poudre-Baddeley; Metre-Waldron; Robert-Griffith; Patty-Miss Pope; Dame Quickset-Mrs Bradshaw; Emily-Miss Younge.
Cast
Role: Sealand Actor: J. Bannister

Afterpiece Title: Florizel and Perdita

Dance: End: The Taylors, as17740428

Performances

Mainpiece Title: Amphitryon

Performance Comment: Mercury-Brereton, first time; Phoebus-Wrighten; Jupiter-Reddish; Amphitryon-J. Aickin; Gripus-Parsons; Polydas-Wright; Tranio-Fawcett; Sosia-King; Phaedra-Miss Pope; Bromia-Mrs Bradshaw; Night-Miss Platt; Alcmena-Miss Younge; In which will be introduced an Interlude of singing and Dancing-; Plutus-Bannister; Wit-Mrs Scott; The Dance-Como, Giorgi.

Afterpiece Title: The Irish Widow

Dance: I: The Sailors Revels, as17730928

Event Comment: Mr Lacy a Proprietor of this Theatre made his first appearance upon the Stage in the part of Alexander. He is very Tall, & Thin, a good Voice but His Fright took away from it's power--he was rec'ed with Applause. Mr Garrick wrote a New Occasional Prologue to introduce him, which was Spoken by Mr King & rec'ed with great Applause (Hopkins Diary). Paid 4 days list at #91 8s. 10d. per diem #365 15s. 4d.; Mr J. French on Acct #10 10s. (Treasurer's Book). [The Westminster Magazine commented on Willoughby Lacy's performance (Oct. 1774): "His performance was far from answering the expectations we had been taught to form from a friend and pupil of our English Roscius. Indeed Mr Lacy is a very young man: therefore we ought not to draw the line of our expectation. His figure is at present lank, awkward, and unengaging; his voice distinctly powerful, but inharmonious; his action outre, vulgar and forced: his attitudes unnatural, affected and disgustful; and his delivery a continued rant, without proper change, a pleasing variety, or a just discrimination of the necessary difference of tone demanded by the different passions. These...capital defects...are not unsurmountable...The play was prefaced by a new Prologue, evidently the production of Mr Garrick. It had some humor and was well received. The purport of it was to beg favor for the hero of the evening, whom it compared to a young swimmer, who had tried to float in two shallow streams, and was now about to venture himself in the great deep. This image is certainly an apt one, though, it is no great compliment to the audiences of Norwich and Birmingham."] Receipts: #248 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great Or The Rival Queens

Performance Comment: Alexander-a Young Gentleman, first appearance on this stage; Clytus-Jefferson; Lysimachus-Brereton; Cassander-Palmer; Hephestion-Davies; Thessalus-Wright; Perdiccas-Wheeler; Parisatis-Miss Hopkins; Polyperchon-Bransby; Eumenes-Keen; Sysigambis-Mrs Johnston; Statira-Mrs Baddeley, first time; Roxana-Miss Young; With the Triumphal Entry-; and an Occasional Prologue-King.

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Event Comment: Benefit for King. The Play was very Imperfect. Bon Ton is a Comedy in Two Acts. Written 15 or 16 years ago Mr G. out of Friendship for Mr King gave it him to get up for his Benefit-It was verY well perform'd & receiv'd with the highest Applause (Hopkins Diary). Mainpiece: Not acted these 16 years. [See 29 Jan. 1759.] Part of Pit laid into boxes. Paid 4 days salary, list #377 4s.; J. French on acct #5 5s.; Mr Carter in full for Music for Rival Candidates #42 (Treasurer's Book). [Rather unfavorable review of Bon Ton in Westminster Magazine for March. Ascribes it to Burgoyne, with touches form Garrick.] Receipts: #291 2s. 6d. Charges: #66 7s. 6d. Profits to King: #224 15s. (Treasurer's Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Bon Ton or High Life Above Stairs

Performance Comment: Parts by King, Dodd, Parsons, Baddeley, Burton, Brereton, Lamash, Wheeler, Miss Pope, Miss Platt, Mrs Abington, Prologue-King; Sir John Trotley-King; Lord Minikin-Dodd; Davy-Parsons; Col. Tivy-Brereton; Jessamy-Lamash; Mignon-Burton; Lady Minikin-Miss Pope; Gymp-Miss Platt; Miss Titup-Mrs Abington; Riffle-Baddeley; Whisp-Wheeler (the parts of Riffle and Whisp removed after 1st performance) (Genest, V, 449).
Event Comment: Benefit for Bannister. Mainpiece: By Desire. Rec'd stopages #12 7s. Paid salary list #566 6s.; J. French on acct #5 5s. (Treasurer's Book). Mrs Smith's Benefit for 2 May advertised as Cymbeline and a new Comic Opera (in 2 Acts) call'd the Wish. The Music entirely new, the principal characters by Vernon, Bannister, Davies, Mrs Wrighten and Mrs Smith. With a New Occasional Prologue spoken by King. [But this was changed on 27 April.] Receipts: #212 1s. Charges: #66 3s. Profits to Bannister #145 18s. (Treasurer's Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Dance: I: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: As17801006, but Strickland-Thompson; Buckle-J. Wilson; Jacintha-Mrs Lewis; Simon-_.
Cast
Role: Strickland Actor: Thompson
Role: Strictland Actor: Clarke
Role: Mrs Strictland Actor: Mrs Inchbald

Afterpiece Title: Barnaby Brittle

Dance: End II: The Rakes of Mallow, as17810501; End IV: Hornpipe-Prosser

Ballet: End: St. David's Day. As17810501

Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .
Event Comment: Benefit J. and Ch. Rich. Afterpiece: With all the Scenes, Machines, and other Decorations proper. Receipts: #56 8s. 6d

Performances

Mainpiece Title: A Womans Revenge

Afterpiece Title: Amadis or The Loves of Harlequin and Colombine

Performance Comment: Harlequin-Lun [J. Rich]; Clown-Spiller; Colombine-Mrs Moreau; and all the other Parts as originally performed see17180124. and all the other Parts as originally performed see17180124.

Dance: Moreau, Boval, Cook, Pelling, Newhouse, Sandham, Lux, Mrs Bullock, Miss Schoolding, Miss Willis, delaGarde's Two Sons, Dupre

Event Comment: Afterpiece [1st time; MD 3, by Sir George Collier, based on Zemire et Azor, by Jean Francois Marmontel]: The Music [by Thomas Linley Sen., adapted from Gretry], Scenes, Dresses, and Decorations entirely New. The Scenes, &c., designed by DeLoutherbourg. The Words of the Songs, &c. to be had at the Theatre. The Entertainment is splendidly got up--The Music by Thomas Linley Jun. [sic] was very well received (Hopkins Diary). Public Advertiser, 7 Dec. 1776: This Day is published the Songs in Selima and Azor (6d). [Text 1st published by J. Bell, 1784.] Receipts: #218 7s

Performances

Mainpiece Title: Love For Love

Performance Comment: As17761129, but occasional Prologue-_[and thereafter].and thereafter].
Cast
Role: Scandal Actor: Bensley
Role: Trapland Actor: Waldron

Afterpiece Title: Selima and Azor

Performance Comment: Principal Characters by Vernon, Bannister, Dodd, Miss Jarratt, Mrs Scott, Miss Collett, Mrs Baddeley. Cast from Songs (J. Wilkie, 1776): Azor-Vernon; Scander-Bannister; Ali-Dodd; Fairy-Miss Jarratt; Lesbia-Mrs Scott; Fatima-Miss Collett; Selima-Mrs Baddeley.
Cast
Role: Scander Actor: Bannister

Performances

Mainpiece Title: Coriolanus Or The Roman Matron

Afterpiece Title: The Waterman

Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew or Tars at Anchor

Performance Comment: Principal Characters-Incledon, Johnstone, Munden, Fawcett, Townsend, Linton, Street; In which: Thursday in the Morn-Incledon; Kicking up a Row-Johnstone; Four and Twenty Fidlers-Munden; The Tight [or, Snug] Little Island (written by T. Dibdin)-Townsend; Boxing the Compass-Fawcett; Catches, Glees-Incledon, Johnstone, Townsend.

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

Event Comment: Benefit for Mrs Rose Didelot. Tickets to be had of Mrs Rose Didelot, No. 8, Haymarket. 2nd ballet: 1st time; composed by J. D'Egville. [In all subsequent performances this was billed as Tarare.] "D'Egville, Laborie, and St.Pierre are excellent dancers and fine manly figures. Laborie possesses more elegance than St. Pierre; but the latter greater animation. D'Egville displays much taste and poetical spirit in the invention of ballets...[which] are far richer in naive situations, and possess a more free poetical spirit than those of Paris" (Goede, 265-66)

Performances

Mainpiece Title: Elfrida

Cast
Role: Orgando Actor: Rovedino

Dance: End I: Hylas et Temire, as17990418; End Opera: Tarare et Irza-D'Egville, Didelot, Laborie, St.Pierre, Fialon, Mrs Rose Didelot, Mrs Hilligsberg, Mrs Laborie, Mrs D'Egville, Miss J. Hilligsberg

Performances

Mainpiece Title: Don John

Afterpiece Title: The Amours of Billingsgate

Event Comment: By Command of Their Majesties

Performances

Mainpiece Title: No Ones Enemy But His Own

Afterpiece Title: Perseus and Andromeda

Music: I: Concerto on Hautboy-Simpson

Dance: II: The Sicilian Peasants, as17631005

Song: A Pastoral Dialogue From The Arcadian Nuptials, and New Masque [see17640120]-Beard, Miss Hallam[, before Their Majesties, the Prince and Princess of Brunswick, and other Members of the Royal Family (Gentleman's Magazine, Jan., p. 38)

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performance Comment: J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers .
Event Comment: Mainpiece: For this Night only. By permission of the Proprietor of the Theatre Royal, Hay Market. [In mainpiece the playbill assigns Julia to Mrs Jordan, and as afterpiece announces The Wedding Day, but "Mrs Jordan being suddenly taken ill, the Pubick are respectfully informed that Mrs Powell will, with their permission, attempt the Character of Julia in the Surrender of Calais; to which will be added The Adopted Child [with cast listed as above]" (printed slip attached to Kemble playbill).] Receipts: #238 7s. (166.0.6; 66.19.0; 5.7.6)

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: King Edward-Barrymore; Harcourt-Trueman; Sir Walter Manny-Packer; John de Vienne-Aickin; Ribbomont-Palmer; Eustace de St. Pierre-Bensley; Officer-Cooke; John D'Aire-Benson; Citizens-Banks, Wewitzer, Russell, Webb; Old Man-Waldron; Crier-Hollingsworth; Carpenters-Suett, Burton; O'Carrol-Johnstone (of cg); Serjeant-Caulfield; La Gloire-Bannister Jun.; Queen-Mrs Goodall; Julia-Mrs Powell; Madelon-Mrs Bland.
Cast
Role: Madelon Actor: Mrs Bland.

Afterpiece Title: The Adopted Child

Cast
Role: Nell Actor: Mrs Bland.
Role: Sir Bertrand Actor: Trueman

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

Performances

Mainpiece Title: Turnbridge Walks Or The Yeoman Of Kent

Song:

Dance: *c1703 04 15 js *c1703 04 15 js t Mrs Careless. Those Ladies and Gentleman who have taken Places, are desir'd to send their Servants early; and (for fear of a Mistake) to take Notice, that the Playhouse adjoins the Tennis-Court. Tickets for The Beggar's Opera taken

Performance Comment: Those Ladies and Gentleman who have taken Places, are desir'd to send their Servants early; and (for fear of a Mistake) to take Notice, that the Playhouse adjoins the Tennis-Court. Tickets for The Beggar's Opera taken.

Performances

Mainpiece Title: Robin Hood And Little John Shewing How He Was Banishd By The Instigation Of The earl Of Pembroke For The Love Of The Fair matilda His Bold Adventures With His Man little John And The band Of Outlaws On Which Information the King Went With His Army To pembroke And robin Hoods Happy Return To Court With The Comical Adventures Of Little John And The pindars Wife

Afterpiece Title: at 8 p

Event Comment: Benefit Mlle Salle. By Their Majesties' Command. [Prince of Wales, Prince of Orange, and two young Princesses present.]

Performances

Mainpiece Title: Henry IV Part I

Dance: Les Charactres de P Amour by Mlle Salle. Un Pas de Trots by Malter, Houghton, Mlle Salle. Peasant by Malter. Pigmalion, as17340114