Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J and C M Rich"/1) | (@(roleclean,performerclean) "J and C M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
5728 results for: Keyword - J. and C. M. Rich
We found 2081 matches on Event Comments, 1680 matches on Performance Comments, 682 matches on Author, 233 matches on Performance Title, and 0 matches on Roles/Actors.

5701
20 February 1767 @ Drury Lane Theatre

Event Comment: CCymon deferred on account of Mrs Baddeley's indisposition. Receiv'd from Condell, 2nd payment for Fruit Office #20. Paid Barrow & Co. Oil Bill #51 14s. 6d. and Nichol's bill for line #1 6s.; Chorus singers 2 nights #5 1s. (Treasurer's Book). Receipts: #97 5s. (Treasurer's Book)

Performances

Mainpiece Title: King John

Cast
Role: Bastard Actor: Holland
Role: Pandulph Actor: Bransby

Afterpiece Title: The Cunning Man

5702
05 March 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: The Cunning Man

Dance: End: The Lilliputian Camp, as17670227

5703
19 March 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Strictland Actor: Love
Role: Mrs Strictland Actor: Mrs Palmer

Afterpiece Title: The Cunning Man

5704
10 February 1768 @ Drury Lane Theatre

Performances

Mainpiece Title: False Delicacy

Cast
Role: Rivers Actor: Holland

Afterpiece Title: The Cunning Man

5705
18 February 1768 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Cunning Man

5706
12 May 1798 @ Covent Garden

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Afterpiece Title: Curiosity

Cast
Role: Servants and Sailors Actor: Gray, Lee, Street

Afterpiece Title: Florizel and Perdita or The Sheep Shearing

Performance Comment: Florizel-Holman; Polixenes-Murray; Antigonus-Hull; Camillo-Powel; Clown-Simmons; Autolicus (the Pedlar)-Munden; Dorcas (with the Sheep Shearing Song)-Mrs Mountain; Mopsa-Mrs Castelle; Perdita-Miss Murray (1st appearance on this, and 4th on any stage).

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

5707
17 January 1784 @ King's Theatre

Event Comment: A Serious Opera in 2 Acts; the Music entirely new by Anfossi; interspersed with Grand Chorusses and Dances incidental to the Opera.

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

5708
24 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: As17840117 throughout

5709
31 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Darianna

Dance: As17840117 throughout

5710
26 October 1734 @ Haymarket Theatre

Event Comment: By the Company of French Comedians lately arrived. Boxes 5s. Pit 3s. Gallery 2s. 6 P.M. [Princess of Orange and Princess Caroline present.]

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: Harlequin Hulla

Dance:

5711
05 December 1734 @ Haymarket Theatre

Event Comment: By Command of their Royal Highnesses the Princess Amelia and Princess Caroline

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: Le Francois a Londres

Dance:

5712
26 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: Harlequin always Harlequin

Dance: The Frolick by a Gentleman for his Diversion and Miss Chateauneuf

5713
21 January 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: LEtourdy

Dance:

5714
28 February 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: Arlequin Hulla

Dance:

5715
01 May 1735 @ Haymarket Theatre

Event Comment: Benefit Dubuisson and Delisle, Dancer

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: La Sylphide

Dance: By Castiglion. Scot's Dance by Lilliputians

5716
12 May 1735 @ Haymarket Theatre

Performances

Mainpiece Title: Lembarras Des Richesses

Afterpiece Title: Harlequin Always Harlequin

Dance: By the Lilliputians

5717
10 January 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: I: The Turkish Coffee House, as17631213; II: A new Dance-Signora Marcucis, just arrived from Italy; III: A New Dance, as17631213; a new Dance Le Matellot Provencalle-Fischar, Miss Auretti call'd Le Matellot Provencalle

5718
14 January 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: I: The Turkish Coffee House, as17640110; after II: A new Dance, as17640110; Le Matellot Provencalle, as17640110; after III: A New Dance, as17640110

5719
21 January 1764 @ King's Theatre

Event Comment: By Command of their Majesties. The great concourse of people at this theatre before the usual time of opening the doors, having been so great as to overpower the persons who were placed to receive the tickets; and as many were forced into the Theatre without an opportunity of paying for their admittance, Mr Giardini is under the greatest concern lest offence should be taken by those not being able to get in, who had sent for tickets to this office. He has given orders that those tickets shall be admitted tomorrow, as the opera of Siroe (by particular desire) is to be performed (Public Advertiser, 23 Jan.). [Pickpockets, including one former soldier, took three diamond earrings, and one hair-ornament set with brilliants, from members of the audience on this night (Daily Advertiser). Found, a new Silver Sword in the Opera House Lobby on S. 21 Jan.; the Owner, by describing the Sword-Knot, may, on applying to the Orange-Woman at the House, have it restored (Daily Advertiser, 24 Jan.).] Lost on going to the Opera a Brilliant Diamond Cross composed of nine brilliants, by Lord Conyngham. Reward of 10 Guineas for Return (Public Advertiser, 23 Jan.)

Performances

Mainpiece Title: Leucippo

Dance: As17640114

5720
28 January 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: As17640124

5721
31 January 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: As17640124

5722
04 February 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: As17640124

5723
07 February 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: As17640124; after III: A New Dance-Duberval, Miss Auretti

5724
11 February 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: As17640207

5725
14 February 1764 @ King's Theatre

Performances

Mainpiece Title: Leucippo

Dance: I: Le Matelot Provencalle-Fischer, Miss Auretti; II: Dance-Duberval, Miss Auretti; III: The Encampment-