Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Event Comment: On the assumption that the run began on 28 June and extended twelve days (as Downes states), it would continue through 11 July. On 3 July a group of players entitled the Red Bull Company began a series of performances at Oxford. The performances are known through the entries in Anthony Wood's journal. For a discussion of the problems as to what actors these were, see Sybil Rosenfeld, "Some Notes on the Players in Oxford, 1661-1713", Review of English Studies, XIX (1943), 366. On this day the players acted Tu Quoque, in which, according to Richard Walden (Io Ruminans, 1662) Anne Gibbs acted Gertrude

Event Comment: John Aubrey to Anthony a Wood, 26 Oct. 1671: I am writing a comedy for Thomas Shadwell, which I have almost finished since I came here, et quorum pars magna sui.... And I shall fit him with another, The Countrey Rebell, both humours untoucht, but of this, mum! for 'tis very satyricall against some of my mischievous enemies which I in my tumbling up and down have collected (Aubrey's Brief Lives, ed. Andrew Clark [Oxford, 1898], I, 52n). See also the season of 1670-71

Event Comment: The King's Company. There is uncertainty as to the date of the first performance, but in A Bibliography of John Dryden, p. 193, Macdonald cites as evidence for this date, Wood's Ath. Ox., IV, 209. The play was certainly first acted not later than this month, because John Evelyn saw it on 14 Dec. 1671. For further details, see 14 Dec. 1671

Event Comment: The King's Company. Evelyn, Diary: Whence to see the Duke of Buckingam's ridiculous farce & Rhapsody called the Recital, bouffoning all Plays yet prophane enough. In a collection of broadsides (Bodleian Wood 417) A Ballad (on Buckingham and his son) has some lines which apparently refer to a performance: @I confess the Dances were very well Writ, @And the Tune and the Time by Haynes as well Hit, @And Littlewood's Motion and Dress had much Wit: @But when his Poet John Bayes did appear, @'Tis known to more than half that were there, @The greatest part was his own Character.

Event Comment: In 1686 at Oxford the Act was cancelled at a late moment, but the players performed nevertheless. In mid-July Anthony Leigh, acting in The Committee, added some lines to his role that created a commotion. See Sybil Rosenfeld, Some Notes on the Players in Oxford, p. 370; Memoirs of the Verney Family, ed. Margaret M. Verney (London, 1899), IV, 381; Anthony Clark, The Life and Times of Anthony Wood (Oxford, 1894), III, 192-93

Event Comment: Robert Shirley to Thomas Coke, Chartly, 21 Jan. 1695@6: I must agree with you that Wit and Sense seem this winter to have suffered an eclipse, and the dramatic writers more especially have showed how little they consulted either. I do assure you, I have not of late met with more of both than in your ingenious diverting letter to me, so that I am satisfied Wit is not retired out of town, but has only forsaken the stage. We that live in these northern parts are forced to range over fields and woods to find subjects of diversion, for in the frozen season of the year, there is nothing that is more so in the country than conversation. In my last ramble, either my own innate fancy, or the aversion I had to see such plays wrote in English as would hardly bear the reading, made me imagine I met with one of the Muses that had left the town, and by her discourse seemed to be Patroness of Dramatic Poetry. You know, Sir, to meet with a Nymph in the desert was no rarity in some countries heretofore, but yet I vow and swear between us, I asked her the occasion of her leaving the town, to which she made this sudden answer: @Neglected Wit is silent at a time@When puns, or bombast, stuff each doggrill rhyme.@In comic strain when they'd describe a fool,@The author proves the only ridicule.@In tragic verse while others fain would boast,@Landing some thousand Romans on the coast,@In what they would express themselves are lost,@Make Romans cowards, and make English great,@And make Bonduca valiant, to be beat.@Would Congreve or would Blackmoor now engage,@They might with manly thoughts reform the stage:@ ... As for Mr Southern's play, I have not yet seen it, so that I cannot at present give you my thoughts on it (HMC, 12th Report, Appendix, Part II, Cowper MSS., II, 359-60)

Event Comment: Benefit Wood. At the particular Desire of several Persons of Quality. Weekly Pocket, 14 May: There has been a great Disturbance at...Lincoln's-Inn-Fields this Week, by the Means of some Gentlemen, who were in the Interest of the other House, and made Use of Catcalls to interrupt and ridicule their Theatrical Entertainments; but the Disturbers of the Peace were soon silenc'd. Receipts: #125 16s. 6d

Event Comment: Benefit Moreau and Wood (Treasurer). At the particular Desire of several Ladies of Quality. Receipts: money #24 8s. and tickets #70 18s

Event Comment: Benefit Wood. Receipts: money #40 2s. 6d.; tickets #86 5s

Event Comment: Benefit Wood

Event Comment: Benefit Wood, the Treasurer. Receipts: money #13 19s.; tickets #116 16s

Event Comment: Benefit Wood, Treasurer. Receipts: money #14 10s.; tickets #126 17s

Event Comment: Benefit Wood, Treasurer. N.B. The Indisposition of Mr Lun prevents the Performance of Amadis. Rece3,5#18 16s. 6d.;

Event Comment: Benefit Wood, Treasurer. Written by Shakespear. Receipts: money #24; tickets #133 12s

Event Comment: Benefit Wood, Treasurer. Receipts: money #26 16s.; ticekts #168 5s

Event Comment: Benefit Wood, Treasurer. Written by Mr Congreve. N.B. The Doors will not be open till Four o'Clock. Receipts: money #12 18s. 6d.; tickets #155 19s

Event Comment: Benefit Wood, Treasurer. Written by the late Sir John Vanbrugh. Receipts: money #12 18s.; tickets #152. Probable attendance: boxes, 13 by money and 220 by tickets; stage, 3 by money; Pit, 13 by money and 464 by tickets; first gallery, 26 by money and 274 by tickets; second gallery, 23 by money

Event Comment: Benefit Wood, Treasurer. Receipts: money #25 13s. 6d.; tickets #149 13s. Probable attendance: boxes, 23 by money and 132 by tickets; stage, 9 by money; pit, 44 by money and 591 by tickets; slips, 7 by money; first gallery, 38 by money and 280 by tickets; second gallery, 46 by money

Event Comment: Benefit Wood, the Treasurer. Receipts: money #27 5s.; tickets #180 13s

Event Comment: Benefit Wood, Treasurer. Receipts: money #18 10s.; tickets #197 10s

Event Comment: Benefit Wood, Treasurer. Receipts: money #18 1s.; tickets #171 18s. Proper Accommodation will be made upon the Stage by Seats and Scaffolding

Event Comment: Benefit Wood, the Treasurer. Receipts: money #28 16s.; tickets #169 16s

Event Comment: Benefit Wood, Treasurer. Not Acted these Sixteen Years. Receipts: money #31 5s.; tickets #244 7s