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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Wood"/1) | (@(roleclean,performerclean) "J Wood")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1660 results for: Keyword - J. Wood
We found 999 matches on Performance Comments, 541 matches on Event Comments, 254 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

501
01 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: A Christmas Tale

Afterpiece Title: Catharine and Petruchio

502
21 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

503
02 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Male Coquette

504
09 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: King John

Afterpiece Title: The Note of Hand or Trip to Newmarket

505
19 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Mayor of Garratt

506
19 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

507
04 April 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Elopement

508
19 May 1774 @ Drury Lane Theatre

Event Comment: Benefit for J. Bannister and Griffiths. Paid subscription to St Martin's Charity School 1 year, #2 2s.; Rec'd of Mr Heath 1 yrs rent to Xmas last #10 (Treasurer's Book). Tickets deliver'd for The Double Gallant and by Mr Harwood will be taken. Receipts: #112 5s. 6d. Charges: #64 11s. Profits to J. Bannister & Griffith: #47 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of Kent

Afterpiece Title: A Trip to Scotland

Entertainment: End II: (By Particular Desire, and for the last time this season) Imitations-Bannister

509
26 September 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Note of Hand

Dance: I: The Schoolmaster-Como, Sga Crespi

510
27 April 1779 @ Covent Garden

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Funeral or Grief a la Mode

Afterpiece Title: The Farmers Return from London

Afterpiece Title: The Cobler of Castlebury

511
25 November 1780 @ Covent Garden

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Apprentice

512
10 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Upholsterer

513
17 September 1781 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Marriage Act

514
05 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

515
17 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

516
24 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Agreeable Surprise

517
31 December 1781 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Choice of Harlequin

518
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

519
10 June 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: As It Should Be

Dance: End: As17890525; III: Hornpipe-Menage

520
12 February 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great or The Conquest of Persia

521
18 February 1797 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Afterpiece Title: The Ghost

522
02 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Fortunes Frolick

523
14 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

524
29 October 1660 @ The City, London

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

525
19 November 1660 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman