SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Shade"/1) | (@(roleclean,performerclean) "J Shade")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 917 matches on Performance Comments, 480 matches on Event Comments, 108 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Portal, Shade, Hicks & Palmer Sen. Receipts: #249 4s. 6d. (17/4/0; 10/4/6; 2/12/0; tickets: 219/4/0) (charge: #105 9s. 6d.)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: As17860522

Event Comment: Afterpiece: Not acted these 5 years. With Alterations and Restorations, particularly the admired Shades and Transparencies representing the Amusements of Harlequinv, and the Destruction of the Pantomimical Fleetv. [These were included in all subsequent performances.] Receipts: #194 3s. (173.4; 17.10; 3.9)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin's Invasion

Song: I: a song-Williames

Event Comment: Benefit for Portal, Shade, Hicks, Palmer Sen. [As afterpiece the playbill announces The Double Disguise, but it was not acted. Its substitute is listed in the Account-Book.] Tickets delivered for The Foundling will be admitted. Receipts: #293 6s. (27.16; 10.6; 0.11; tickets: 254.13) (charge: #105 9s. 4d.)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: All the World's a Stage

Dance: As17870115

Event Comment: Afterpiece [acted in place of The First Floor, advertised on playbill of 22 Sept.]: With Alterations and Restorations, particularly the admired Shades and Transparencies, representing the Amusements of Harlequinv and the Destruction of the Pantomimical Fleetv. The Way to Keep Him [advertised on playbill of 22 Sept.] is obliged to be deferred on account of the Indisposition of Dodd. Paid Renter's Interest [this paid daily throughout season] #30; Properties 8s. 4d.; Supernumeraries #1 8s. 6d.; Lampmen #7 8s.; Scenemen #5 4s.; Carpenters #5 10s. 9d.; Appleby, messenger, 6s. 9d. Receipts: #140 5s. (95.9; 43.4; 1.12)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin's Invasion

Song: I: a song-Dignum

Event Comment: Benefit for Portal, Shade, Hicks & W. Purser. Tickets delivered for Love in a Village will be admitted. Receipts: #264 10s. 6d. (18.8.0; 8.14.6; 2.0.0; tickets: 235.8.0) (charge: #106 14s. 11d.)

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Humourist

Dance: As17880313

Song: End IV: O Say bonny Lass, as17880506

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was eyes unto the blind-Kelly (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Ambrose (Rodelinda); Glory be to the Father-Chorus (Jubilate); God save Great George our King-.

Music: As17890311

Event Comment: Benefit for Alfred, Shade, Hicks & Portal. [Afterpiece in place of Who's the Dupe?, advertised on playbill of 5 June.] Receipts: #269 14s. (20.11.0; 16.11.6; 0.9.6; tickets: 232.2.0) (charge: #106 19s. 2d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: End I: The Irish Bird@Catchers, as17890519

Song: In V: a song, as17890220

Event Comment: [Kemble Mem.: Haymes, from Margate.] Afterpiece: Not acted these 2 years. With Alterations and Restorations, particularly the admired Shades and Transparencies representing the Amusements of Harlequin, and the Destruction of the Pantomimical Fleet. Harlequin's Invasion will be performed only Four Times this Season, when it must necessarily give place to Preparations for other Entertainments. Receipts: #183 3s. 6d. (119.4.0; 62.2.0; 1.17.6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Mrs Crouch (Alcina); There beneath a lowly shade-Miss Hagley (Alexander Balus); He was Eyes unto the Blind-Sga Storace (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: As17900219

Event Comment: Benefit for Portal, Shade, Hicks & W. Purser, Kemble Mem.: Benefit the Box-keepers. Receipts: #343 10s. (22.13.0; 5.13.6; 1.2.6; tickets: 314.1.0) (charge: #106 19s.)

Performances

Mainpiece Title: The Two Gentlemen Of Verona

Afterpiece Title: The Quaker

Dance: As17900308

Song: In IV: a Serenade-Dignum; End: Poor Jack-Dignum

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: PART III. Where is this stupendous Stranger?-Mrs Crouch (Alcina); There beneath a lowly Shade-Dignum (Alexander Balus); He was Eyes unto the Blind-Mrs Crouch (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a Lamb-Reinhold (Deidamia); He sitteth at the Right Hand of God-Chorus (Te Deum); Holy Lord God Almighty-Miss Davies (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: As17910311but PART II. How vain is Man-Dignum (Judas Maccabaeus); There beneath a lowly shade-_; What tho' I trace-Mrs Crouch (Solomon).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Alexander's Feast; Grand Selection 0

Afterpiece Title: Alexander's Feast 1

Afterpiece Title: Alexander's Feast 2

Afterpiece Title: PART III

Performance Comment: A Grand Miscellaneous Act. ; Overture and Dead March (Saul)-; Balmy sweetness-Harrison (Boyce); Thou shalt bring them in-Mrs Piele (Israel in Egypt); Disdainful of danger-Harrison, Incledon, Sale (Judas Maccabaeus); The Soldier tir'd of war's alarms-Mrs Billington (Dr Arne); Bless the true Church and save the King-Incledon, Chorus (Athalia); There in myrtle shades-Miss Poole (Hercules); But bright Cecilia, As from the power of sacred lays-Mrs Billington; The dead shall live-Chorus (Dryden's Ode).

Performances

Mainpiece Title: Redemption 0, Selected From The Works Of handel By dr Arnold

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger?-Master Welsh (Alcina); There beneath a lowly shade-Mrs Bland (Alexander Balus); He was eyes unto the blind-Incledon (Siroe); Hosannah to the Son of David-Chorus (Athalia); He was brought as a lamb-Reinhold (Deidamia); He Sitteth at the right hand of God-Chorus (Te Deum); Holy Lord God Almighty-Mrs Crouch (Rodelinda); Glory be to the Father-Chorus (Jubilate).

Music: End I: concerto on the bassoon-Parkinson; End II: concerto on the violin-Master Bridgetower

Event Comment: [In mainpiece the playbill retains Kemble as Jaffier, but "On Saturday evening Whitfield played the part of Jaffier in the room of Kemble, at four hours notice, and happy it was for Whitfield that an opportunity offered to prove how much his talents have been kept in the shade; his conception of the part was critically without error, his delivery of Otway's language with good emphasis and his pathos extremely natural and interesting" (Diary, 16 Apr.).] Receipts: #296 6s. 6d. (254.14.6; 38.14.0; 2.18.0)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Deserter

Event Comment: Afterpiece: Not acted these 2 years. With the much-admired Shades and Transparencies, representing the Amusements of Harlequin, and the Destruction of the Pantomimical Fleet. Receipts: #217 19s. (158.11; 54.0; 5.8)

Performances

Mainpiece Title: At King's Much Ado About Nothing

Afterpiece Title: Harlequin's Invasion

Song: As17921102

Dance: As17921102; In afterpiece: Dances-the D'Egvilles, Menage, Chatterley, Webb, Melvin, Phillips, Bourk, Bidotti, Whitmell, Walker, Nokes, Keys, Miss Menage, the Miss D'Egvilles, Miss Phillips, Miss A. DeCamp, Miss Menage Jun., Miss Smith, Miss Haskey, Miss Whitmell, Mrs Brooker, Mrs Haskey, Mrs Brigg, Mrs Harris, Mrs Barrett, Mrs Bourk

Performances

Mainpiece Title: Redemption; Grand Selection 0

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Performance Comment: Where is this stupendous stranger-Miss Poole [Alcina]; There beneath a lowly shade-Miss Leak [Alexander Balus]; He was eyes unto the Blind-Harrison [Siroe]; Hosannah to the son of David-Chorus [Athalia]; He was brought as a Lamb-Bellamy [Deidamia]; He sitteth at the Right Hand of God-Chorus [Te Deum]; Holy Lord God Almighty-Mrs Harrison [Rodelinda]; Glory be to the Father-Chorus [Jubilate].Jubilate].

Song: As17930220

Music: End Part II: concerto on the Piano Forte-Dussek

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Event Comment: By Permission of the Lord Chamberlain. Benefit for Everard. 1st piece [1st time; PREL 1, by Sarah Gardner. Larpent MS 1101; not published]. 2nd piece: Never acted here [acted 19 Aug. 1784]. [3rd piece: Prologue by Samuel Foote.] Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets to be had at No. 21, Carey-street, Lincoln's-Inn Fields; New Slaughter's Coffee-house, St. Martin's-lane; of Adams, the Duke of Clarence Coffee-house, Haymarket; and of Everard, at Mr Shade's, Woburn-street, near Drury Lane Theatre

Performances

Mainpiece Title: Mrs Doggrell In Her Altitudes; Or, The Effects Of A West India Ramble

Afterpiece Title: The Clandestine Marriage

Afterpiece Title: The Author

Event Comment: Benefit for Shade, Cameron, Nix, Woollams, Wood, Dangerfield, Wilson, Panchaud, Irish, Edwards, Wooldridge, Griffiths. Kemble Mem.: BT. the box-keepers. Receipts: #528 8s. 6d. (30.13.6; 16.7.6; 11.7.6; tickets: 470.0.0) (charge: #211 14s.)

Performances

Mainpiece Title: The Chances

Afterpiece Title: No Song No Supper

Song: End: When 'tis night and the Mid Watch is come-Master Welsh

Dance: a Hornpipe-Butler

Event Comment: Benefit for Shade, Cameron, Woollams, Wood, Wilson, Dangerfield, Irish, Edwards, Griffiths, Nix, Wooldridge, Panchaud & Cole [box-keepers]. [This was Dodd's last appearance on the stage.] "Dodd was one of the most perfect actors that I have ever seen. He was the fopling of the drama rather than the age. I mean by this, that his own times rarely shewed us anything so highly charged with the vanity of personal exhibition. He was, to be sure, the prince of pink heels, and the soul of empty eminence. As he tottered rather than walked down the stage, in all the protuberance of endless muslin and lace in his cravats and frills, he reminded you of the jutting motion of the pigeon. He took his snuff, or his bergamot, with a delight so beyond all grosser enjoyments that he left you no doubt whatever of the superior happiness of a coxcomb" (Boaden, Kemble, I, 55). Receipts: #580 17s. 6d. (25.17.0; 37.3.6; 11.0.0; tickets: 503.4.0; odd money: 3.13.0) (charge: #211 17s. 6d.)

Performances

Mainpiece Title: Katharine And Petruchio

Afterpiece Title: The Prize

Afterpiece Title: The Irish Widow

Entertainment: MonologueEnd 2nd piece: Monsieur Tonson-Caulfield

Event Comment: Benefit for Shade, Cameron, Wood, Wilson, Dangerfield, Irish, Nix, Edwards, Wooldridge, Panchaud, Cole, Gray, Hough [box-keepers]. The Last Time of the Company's Performing this Season. Receipts: #85 0s. 6d. (42.0.6; 40.6.6; 2.13.6; tickets: none listed) (charge: #204 14s. 10d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet, as17960920

Ballet: End: The Scotch Ghost. As17970605

Event Comment: Benefit for Shade, Cameron, Wood, Wilson, Edwards, Wooldridge, Panchaud, Dangerfield, Irish, Cole, Hough, W. Nix, S. Nix [box-keepers]. Receipts: #526 10s. 6d. (18.1.0; 22.2.6; 0.4.0; tickets: 486.3.0) (charge: #217 14s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Afterpiece Title: The Giant and Dwarf; or, Columbine Captive

Entertainment: Vaudeville. A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun

Performance Comment: A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun.