SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Rich"/1) | (@(roleclean,performerclean) "J Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 921 matches on Performance Comments, 842 matches on Event Comments, 670 matches on Author, 123 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Catharine and Petruchio

Dance: End: New Comic Dance, as17681210

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Harlequin's Invasion

Event Comment: Paid five days salary at #82 5d. per diem--#411 12s. 1d.; Paid Mr French on Acct #30; Miss Ambrose salary short paid 15s.; Mr J. Richard's for Trumpeter's coats and banners #100 16s.; Miss Hayward 15 nights not on [salary] list #7 10s. (Treasurer's Book). Receipts: #109 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Peep Behind the Curtain

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Afterpiece Title: Harlequin's Invasion

Dance: II: The Sailors Revels, as17711008

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Humours of the Turf

Dance: II: The Sailors Revels, as17711008

Entertainment: V: The entertainment A Picture of the Playhouse or Bucks Have at ye All-Palmer

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Miss in Her Teens

Dance: II: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Alonzo

Afterpiece Title: A Peep behind the Curtain

Performances

Mainpiece Title: Merope

Afterpiece Title: The Intriguing Chambermaid

Dance: V: A New Dance-Tassoni's Scholar; End Farce: (By Particular Desire) a Hornpipe-Tassoni's Scholar

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Author

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Pantheonites

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: Othello

Afterpiece Title: Florizel and Perdita

Entertainment: End: Bucks have at ye all-Palmer

Performances

Mainpiece Title: The Maid Of Kent

Afterpiece Title: Florizel and Perdita

Dance: End: The Taylors, as17740428

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The Irish Widow

Dance: I: The Sailors Revels, as17730928

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair-Atkins, Mrs Sutton

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: The Miller of Mansfield

Performance Comment: King-J. Aickin; Miller-Moody; Richard-Palmer; Joe (with Song)-Kear; Kate-Mrs Millidge; Margery-Mrs Bradshaw; Peggy-Miss Platt; Lord Lurewell-Lamash.
Cast
Role: Richard Actor: Palmer

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Bon Ton; or, High Life Above Stairs

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Mayor of Garratt

Dance: II: A New Dance, call'd The Pirates-Como, Sga Crespi. [See17730422.

Entertainment: End Opera: (By particular Desire) Imitations Vocal and Rhetorical-Bannister

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Comus

Dance: I: The Grand Provencalle Dance, as17750202

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Barnaby Brittle

Dance: End II: The Rakes of Mallow, as17810501; End IV: Hornpipe-Prosser

Ballet: End: St. David's Day. As17810501

Event Comment: Afterpiece [1st time; c 3, altered from the same, probably by the author, Richard Bentley]: Written in the manner of the Italian Comedy. With new Scenes and Dresses. [Author of Prologue unknown.] "It was originally produced at Drury Lane in the summer of 1761 [27 July] . . . and has now been new dished up, and seasoned to the day" (European Magazine, ibid). J. P. Collier states that "it is not a revival of the former piece" (MacMillan, Larpent Catalogue, p. 98). It was not, strictly speaking, a "revival", but, rather, a revision, as a collation of Larpent MS 586 (the present version, which is unpublished) with MS 199 (Bentley's 1761 version) makes clear. In 1761 Bentley introduced "the speaking Harlequin after the manner of the Italians . . . Mr Harris some years after gave it a second chance on the stage" (Cumberland, Memoirs, I, 212-14). Receipts: #215 19s. (213/5/6; 2/13/6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Wishes

Related Works
Related Work: The Wishes; or, Harlequin's Mouth Opened Author(s): Richard Bentley
Related Work: The Wishes Author(s): Richard Bentley