SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J R Tonson"/1) | (@(roleclean,performerclean) "J R Tonson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2555 matches on Performance Comments, 639 matches on Event Comments, 120 matches on Performance Title, 17 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Mayor of Garratt

Entertainment: End II: The Cries of London-Shuter; II: Imitations-Master Russell; IV: Scene of Lady Pentweazle (from Taste) Lady Pentweazle -Mas. Russell; End: Interlude from the Register Office-Lloyd, Miss Francis, Mrs Gardner

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Harlequin Every-where

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: The Mourning Bride

Performances

Mainpiece Title: Creusa

Afterpiece Title: The Author

Dance: II: The Italian Peasants, as17571004

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Performances

Mainpiece Title: Cymon

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: At King's Know Your Own Mind

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: At King's The Clandestine Marriage

Afterpiece Title: Comus

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Robinson Crusoe

Event Comment: John Dryden to Jacob Tonson, ca. August 1684: I desire to know whether the Dukes house are makeing cloaths & putting things in a readiness for the singing opera [The Tempest?], to be playd immediately after Michaelmasse: for the Actors in the two plays, which are to be acted of mine, this winter [All for Love and The Conquest of Granada], I had spoken with Mr Betterton by chance at the Coffee house the afternoon before I came away: & I believe that the persons were all agreed on, to be just the same you mentioned. Only Octavia was to be Mrs Buttler, in case Mrs Cooke were not on the Stage. And I know not whether Mrs Percivall who is a Comedian, will do so well for Benzayda (Letters of John Dryden, ed. Ward, pp. 23-24)

Performances

Event Comment: Betterton's Company. The date of the premiere is not known. The Dedication to the play, written in Rome, is dated 20 Aug. 1695 N.S., and advertisement of the play in the London Gazette, No 3200, 9-13 July 1696, represent the limits on its production. In a letter, dated (probably) November 1695, Dryden refers to the forthcoming appearance of his son's play, and on 26 May 1696 he negotiates with Tonson for its publication (Letters of John Dryden, pp. 79, 82). Probably the play appeared early in 1696, and certainly not much later than April 1696. John Barnard, The Dates of Six Dryden Letters, Philological Quarterly, XLII (1963), 400-401, believes that Dryden's letter was written ca. 26 May 1695 and that the play was probably acted in late 1695

Performances

Mainpiece Title: The Husband His Own Cuckold

Event Comment: John Dryden to Jacob Tonson: I have broken off my Studies from The Conquest of China (Letters of John Dryden, p. 97)

Performances

Event Comment: A Brief Relation, IV, 379, 12 May 1698: The justice of Middlesex did not only present the playhouses, but also Mr Congreve, for writing the Double Dealer; Durfey, for Don Quixot; and Tonson and Brisco, booksellers, for printing them: and that women frequenting the playhouses in masks tended much to debauchery and immorality

Performances

Event Comment: John Vanbrugh to Jacob Tonson (Vanbrugh, Works, IV, 125): The Opera will begin about the 10th of March under the Academy of Musick. It will be a very good one this year, and a better the next. They having engag'd the best Singers in Italy, at a great Price. Such as I believe will bring the Expences to about twice as much as the Receipts. But the fund Subscribed being about #20000, may probably Support it, till Musick takes such root, as to Subsist with less aid. The King gives a #1000 a year to it

Performances

Event Comment: Benefit for ye Author (Cross). Tickets to be had of Messrs Tonson and Draper, Booksellers in the Strand, and at the Stage Door. Receipts: #200 (Cross)

Performances

Mainpiece Title: Virginia

Event Comment: Benefit for the Author (Cross). Tickets at Tonson and Draper, Booksellers in the Strand, and at the Stage Door. Receipts: #140 (Cross)

Performances

Mainpiece Title: Virginia

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: A Gallimaufry

Afterpiece Title: Crotchet Lodge

Entertainment: Monologue.End: Monsieur Tonson (founded on fact, and recited at Freemason's Hall)-Fawcett

Performance Comment: End: Monsieur Tonson (founded on fact, and recited at Freemason's Hall)-Fawcett.
Cast
Role: Monsieur Tonson Actor: Fawcett.

Performances

Mainpiece Title: The Bank Note

Afterpiece Title: A Divertisement

Dance: As17941029

Song: Incidental: The Irishman's Peep at the Continent-Johnstone; In the course of the entertainments: Old Towler, The Storm-Incledon

Entertainment: Monologue. End: Monsieur Tonson, as17950514

Performance Comment: End: Monsieur Tonson, as17950514.
Cast
Role: Monsieur Tonson Actor: Fawcett.

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Performance Comment: Being the intermediate part of the Night's Entertainment. End I of the Play John Appleby (1st time)-Fawcett; End II Black Ey'd Susan-; End III Poor Tom; or, Sailor's Epitaph-Incledon; Here a sheer hulk-Incledon; End IV Pull Away; or, Howe, St. Vincent, Duncan & Nelson-Fawcett; End Play Monsieur Tonson (Founded on Fact, and read at Freemason's Hall, in the Winter of 1795)-Fawcett.

Afterpiece Title: The Princess of Georgia