SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Payne Collier"/1) | (@(roleclean,performerclean) "J Payne Collier")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1008 matches on Performance Comments, 462 matches on Event Comments, 140 matches on Author, 106 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: nother long letter to the author of the General Advertiser pleading attendance at the benefit performance of Comus]: Whoever then would be thought capable of Pleasure in reading the works of our Incomparable Milton, and not so destitute of Gratitude as to refuse to lay out a Trifle in a rational and elegant entertainment for the Benefit of his living remains, for the exercise of their own Virtue, the Increase of their Reputation, and the pleasing consciousness of doing good, should appear at Drury Lane theatre tomorrow April 5, when Comus will be performed for the Benefit of Mrs Elizabeth Foster, Granddaughter to the Author, and the only surviving branch of the family. N.B. There will be a new Prologue on the Occasion written by the Author of Irene, and spoken by Mr Garrick; and by particular Desire there will be added to the Masque, a dramatic Satyr call'd Lethe in which Mr Garrick will perform. Tickets to be had of Dodsley, Bookseller, Pall Mall; Messrs Payne and Boquet, Booksellers, Paternoster Row; Batson's Coffee House, near the Royal Exchange, and of Hobson at the Stage Door

Performances

Mainpiece Title: None

Event Comment: Benefit for a Gentlewoman depriv'd of Sight (her name is Ann Williams). Mrs Ridout dy'd (Cross). Part of Pit to be laid into Boxes, Amphitheatre to be formed on stage. Tickets of Mrs Sheward, at the Turk's Head in Newport St., Long Acre; Mr Dodsley, in Pall Mall; Mr Millan, at Charing Cross; Mr Millar in the Strand; Mr Newberry in St Paul's Churchyard; Mr Payne in Paternoster Row, Booksellers; and at stage door. Receipts: #260 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Englishman in Paris

Event Comment: Boxes #25 17s. 6d. Paid Mr Payne for his playing to the practices of Dancing 12 days ending Dec. 29th, by order of Mr Beard #2. (Account Book). Receipts: #130 2s. 6d. (Account Book)

Performances

Mainpiece Title: Comus

Afterpiece Title: A Duke and no Duke

Event Comment: Mainpiece [1st time in London; T 5, by Hannah Brand, 1st acted at Norwich, 7 Apr. 1791. Again acted at king's on 2 Feb. as Agmunda; text 1st published in Miss Brand's@Plays@and@Poems (Norwich: Beatniffe and Payne, 1798) as Huniades; or, The Siege of Belgrade. Prologue and Epilogue by the author (London Chronicle, 19 Jan. 1792)]: The Dresses, Decorations, &c. entirely new. Receipts: #367 1s. 6d. (314.2.6; 51.8.0; 1.11.0)

Performances

Mainpiece Title: Huniades

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Miller of Mansfield

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Trip to Scotland

Dance: II: A Dance, as17730506

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Absent Man

Dance: V: The Wake, as17680220

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Tea

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The National Prejudice

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: No Wit Like a Woman's

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: THE GLORIOUS FIRST OF JUNE

Dance: In afterpiece the Ballets composed by James D'Egville; the Principal Dancers-D'Egville, Gentili, and also by permission of the Proprietor of the King's Theatre, Mme Del Caro, Mlle E. Hilligsberg, Mlle Hilligsberg

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Magic Oak; or, Harlequin Woodcutter

Music: End I afterpiece: A Medley Overture on the Union Pipes and Pedal Harp-Murphy, Weippert

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: 'Tis All a Farce

Performances

Mainpiece Title: Sir Hercules Buffoon; Or, The Poetical Squire

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: The Capricious Lovers

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performances

Mainpiece Title: The Widow'd Wife

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: The Widow'd Wife

Afterpiece Title: Flora; or, Hob in the Well