SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J P Kemble"/1) | (@(roleclean,performerclean) "J P Kemble")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2437 matches on Event Comments, 2040 matches on Performance Comments, 470 matches on Author, 116 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Love's Frailties; Or, Precept Against Practice

Afterpiece Title: HARTFORD BRIDGE

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Virgin Unmask'd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: All For Love

Afterpiece Title: The Absent Man

Dance: V: The Wake, as17680220

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: Catiline's Conspiracy

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Tea

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The National Prejudice

Dance: Act I afterpiece: a French Dance call'd The Cotillion-Giorgi, Duquesney, Tassoni, Rolley, Mrs King, Sga Giorgi, Miss Tetley, Mrs Grimaldi; V: The Irish Hay@makers, as17670919

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: No Wit Like a Woman's

Dance: End: Pantomime Dance, The Lilliputian Camp, as17680922

Performances

Mainpiece Title: 'tis Well It's No Worse

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Harlequin Teague

Dance: In Act III of mainpiece a Hornpipe [performer not listed]; In afterpiece, as17820826

Song: In afterpiece The Tobacco Box by Brett and Miss Morris

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: 'Tis All a Farce

Performances

Mainpiece Title: The Flitch Of Bacon

Afterpiece Title: The Magick Banner; or, Two Wives in a House

Performance Comment: Characters-Palmer, Aickin, R. Palmer, C. Kemble, Davies, Caulfield, Palmer Jun., Trueman, Abbot, Waldron Jun., Ledger, Lyons, Chippendale, Wathen, Fawcett, Mrs Kemble, Mrs Harlowe, Mrs Gibbs; [Cast from O'Keeffe's Dramatic Works, Vol. IV (T. Woodfall, 1798), where it appears as Alfred; or, The Magic Banner: King Alfred-Palmer; Hastings-Aickin; Sweno-R. Palmer; Eustace-C. Kemble; Earl Burrhed-Davies; Hubba-Caulfield; Anlaff-probably Palmer Jun. (in text: Johnson); Odune-probably Trueman (in text: Gardner); Oswald-probably Abbot (in text: Burton); Hollybush-Wathen; Gog-Fawcett; Lady Albina-Mrs Kemble; Bertha-Mrs Harlowe; Blanche-Mrs Gibbs. Waldron Jun., Ledger, Lyons, Chippendale are unassigned.] Prologue-C. Kemble.

Performances

Mainpiece Title: Hannibal

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Performances

Mainpiece Title: The Man's The Master

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Related Works
Related Work: Alexander the Great Author(s): John Philip Kemble