SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J P Kemble"/1) | (@(roleclean,performerclean) "J P Kemble")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2437 matches on Event Comments, 2040 matches on Performance Comments, 470 matches on Author, 116 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Love and War

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Island of St

Performances

Mainpiece Title: Next Door Neighbours

Cast
Role: Wealthy Actor: Kemble

Afterpiece Title: The Padlock

Afterpiece Title: The Irishman in Spain

Performances

Mainpiece Title: The Surrender Of Calais

Performance Comment: As17910730 but John de Vienne-Kemble in place of Aickin; John d'Aire-Cubitt of Evatt; Serjeant-Davies of Wilson.

Afterpiece Title: The Irishman in Spain

Performances

Mainpiece Title: Speculation

Afterpiece Title: Harlequin's Treasure 0; or, Jewels New Set

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Maid of Honour Author(s): John Philip Kemble

Afterpiece Title: The Wicklow Mountains

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Throw Physick to the Dogs

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Turnpike Gate

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Padlock

Event Comment: Mainpiece: With New Scenes and Dresses. This Tragedy was Written by Dr Franklyn very heavy. Was pretty well receiv'd & had Considerable Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] Rec'd stopages #15 10s.; Paid salary list #567 11s.; J. French on acct #20; Mr Blanchard per Mr Beckett #5 5s. Receipts: #225 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Cobler

Event Comment: Tickets delivered by Duprez, Pemberton, Collins, Newton, Lyon, J. Shade, Gardner, Devoto will be taken. [Miss Blower is identified by MS annotation on Kemble playbill.] Receipts: #225 (48/17; 17/4; 0/5; tickets: 158/14)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Quaker

Dance: End of Act I of mainpiece Hornpipe, as17820314End of Act III The Devonshire Minuet, as17810915, but added: Duprez

Song: In Act v of mainpiece song, as17820411

Event Comment: "The great powers of Mrs Jordan cannot be better displayed than in the wonderful contrast of her Country Girl and Viola. In one all archness and vivacity; in the other serious, gentle, tender and sentimental" (Public Advertiser, 16 Nov.). [In afterpiece the playbill retains Parsons as Sir Anthony Halfwit, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wilson's. "Parsons was taken suddenly ill & J. Wilson read his part" (MS annotation on British Museum playbill, in Harris, 11).] Receipts: #108 12s. (79/11/0; 28/13/6; 0/7/6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Humourist

Dance: As17851103

Event Comment: Benefit for Portal, Shade, Hicks, J. Shade, Gibson. Kemble Mem.: Benefit for the Boxkeepers. Receipts: #389 4s. 6d. (22.13.0; 10.15.6; 1.8.0; tickets: 354.8.0) (charge: #116 8s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Event Comment: Benefit for Portal, Shade, Hicks, J. Shade, Gibson, Rice. Kemble Mem.: Bt. the box-keepers. The Last Time of the Company's performing this Season. Receipts: #87 2s. 1d. (53.2.0; 28.15;28.15.1; 5.6.0; tickets: none listed) (charge: #148 1s. 3d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The First Floor

Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: [In afterpiece the playbill retains Miss Collett, but on the Kemble playbill a MS annotation substitutes Miss Simson.] "Since the first performance, the scene of the Physicians has been judiciously struck out [of afterpiece]" {Universal Magazine, Nov. 1782, p. 254.) Paid Pemberton for copying parts #2. 3s. 6d. Receipts: #232 0s. 6d. (207/17/0; 23/12/0; 0/11/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Too Civil by Half

Song: Epithalamium as17821010, but performers not listed

Event Comment: [In mainpiece the playbill assigns Diana to Mrs Martyr, but "News of Mrs Martyr's husband's death having reached her the day before, an apology was made for her not playing Diana; Miss Wheeler, however, from the other house proved a very agreeable substitute" (.European Magazine, Oct. 1783, p. 310). In afterpiece the playbill assigns Lucy to Mrs Wilson, but on the Kemble playbill a MS annotation substitutes Mrs Davenett.] Receipts: #134 19s. 6d. (133/9/0; 1/10/6)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Retaliation

Event Comment: [Pope is identified by MS annotation on Kemble playbill.] "By giving in to the mode of recitation which is now prevalent, [Pope] will lose many of the advantages of his powers . . . Indeed, the principal efTect of acting, since the decease of Garrick, has arisen from the art of recital. . . [which] is substituted for acting" (European Magazine, Jan. 1785, p. 60)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Magic Cavern

Event Comment: Benefit for Mrs Martyr. 1st piece: Never performed here. [Miss Thornton is identified by MS annotation on Kemble playbill. Address by Horatio Edgar Robson (European Magazine, May 1786, p. 369).] 2nd piece: Not acted these 7 years. 3rd piece: Written by Henry Fielding. Morning Herald, 19 Apr.: Tickets to be had of Mrs Martyr, No. 31, Tavistock-street, Covent Garden. Receipts: #280 6s. 6d. (138/15/6; 3/6/0; tickets: 138/5/0) (charge: #105)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap; or, Miss Lucy in Town

Dance: End of 2nd piece The Drunken Sailor Reclaim'd, as17860424

Song: End of Act II of 1st piece a new song, Toung Henry, by Mrs Martyr

Monologue: 1786 05 09 Before 1st piece a new Occasional Address spoken by Holman

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Palmer. Afterpiece [1st time; P 3, author unknown. "Founded on the Tale of Inkle & Yarico" (Kemble Mem.), by Sir Richard Steele, in The Spectator, No. II, 13 March 1710-11. Not in Larpent MS; not published]: The Music by Gluck and Martini [i.e. Martin y Soler]. Morning Herald, 9 Mar.: Tickets to be had of Palmer, No. 3, London-road, St. George's Fields. Receipts: #452 16s. (169.17; 47.13; 2.11; tickets: 232.15) (charge: #169 5s. 8d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The American Heroine; or, Ingratitude Punished

Dance: In afterpiece: the Dances (composed by Hamoir,)-Hamoir, Bidotti, Keys, Nicolini, Walker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs Haskey, Miss Jacobs, Miss DeCamp

Event Comment: [As mainpiece the playbill announces The Fugitive, "but in consequence of the indisposition of a principal performer, The Haunted Tower was substituted" (Thespian Magazine, Mar. 1793, p. 218). Kemble Mem. notes the same change.] Receipts: #128 4s. 6d. (83.2.0; 42.1.0; 3.1.6)

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: Richard Coeur de Lion

Event Comment: [In mainpiece the playbill assigns Horatio to Kemble, but he "being indisposed, Harley was the Horatio" (Thespian Magazine, June 1793, p. 1).] Receipts: #129 7s. (123.0; 6.7)

Performances

Mainpiece Title: At Hay The Fair Penitent

Afterpiece Title: The Cheats of Scapin