SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J P Kemble"/1) | (@(roleclean,performerclean) "J P Kemble")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2437 matches on Event Comments, 2040 matches on Performance Comments, 470 matches on Author, 116 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [Mainpiece in place of The Double Deception, announced on playbill of 26 Apr.] MS annotation on Kemble playbill: I believe this was the last time Miss Younge acted at Drury Lane. See C. G. T. November 10th, 1779. Receipts: #107 10s. 6d. (66.17.0; 32.16.0; 7.17.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Who's the Dupe

Dance: As17790417

Event Comment: Benefit for Reddish [and his last appearance on the stage]. Tickets sold at the Doors will not be admitted. Public Advertiser, 1 May: Tickets to be had of Reddish, No. 14, near the Turnpike, Tottenham Court Road. "Poor Reddish, on the 5th of May, had a benefit, and it was resolved to try whether he could not go through the character of Posthumus. He was now infirm; in common occurrences imbecile, but to be exited by his former profession, or nothing. The late John Ireland gave an affecting detail of this attempt. He met his friend an hour before the performance began. Reddish entered the room with the step of an idiot, his eye wandering, and his whole countenance vacant. Mr Ireland congratulated him, that he was sufficiently recovered to perform his favourite Posthumus. 'Yes', said he, 'and in the garden scene I shall astonish you.' 'The garden scene! I thought you were to play Posthumus?' 'No, Sir, I play Romeo.' His friend assured him that Posthumus was the part he was to act--and he walked to the theatre, reciting Romeo all the way. When dressed for Posthumus, and in the green-room, it was still hard to undeceive him--at length he was pushed upon the stage....The instant he came in sight of the audience his recollection seemed to return; his countenance resumed meaning, his eye became lighted up, he made the modest bow of respect, and played the scene as well as he had ever done. But Romeo again met him in the green-room, and it was only the stage cue that had the power to unsettle this delusion; and that never failed to do it through the whole play. Mr Ireland thought him, on this occasion, less assuming and more natural than he had seemed in the full enjoyment of his reason" (Boaden, Kemble, I, XVI-XVII; Ireland, 58-60)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Three Weeks after Marriage

Dance: As17781024

Song: As17781024

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Tickets sold at the Doors will not be admitted. Mainpiece: On account of the additional Airs, contracted into 3 Acts. The Music by Purcell, Smith, Arne & Fisher. [Wright is identified by MS annotation on Kemble playbill. And see 8 May.] Public Advertiser, 7 May: Tickets to be had of Condell, Cross-court, Bow-street, Covent Garden; of Evans, at Bromfield's, trunk-maker, No. 118, Long-acre; of Curteen, No. 11, Temple-lane, Whitefriars

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Tempest

Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): John Philip Kemble

Afterpiece Title: The Upholsterer

Dance: In: Aldridge, Miss Valois

Event Comment: Benefit for Wood, Percey, Shade & Cameron. Tickets delivered by Lewis, Hodges, Gardner, and for Monday, the 31st of May, will be taken. MS annotation on Kemble playbill: "I believe this was the last time of Mr Henderson's acting at Drury Lane, except when he played Jaques in As You Like It for Mrs Robinson's Benefit, April 7, 1780. See October 18, 1779, Covent Garden Bills." Receipts: #301 6s. 6d. (19.14.0; 2.14.6; 0.14.0; tickets: 278.4.0) (charge: #105)

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Dance: End IV: As17780919

Event Comment: [Miss Storer is identified by MS annotation on Kemble playbill.] Receipts: #118 11s. (117.13.6; 0.17.6)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Touchstone

Event Comment: [As afterpiece the playbill announces the 23rd night of The Critic, but on the Kemble playbill it is deleted. Its substitute is listed in the Account-Book.] "The earliest notice will be given of the 23rd performance of The Critic, which is obliged to be deferred on account of King's illness" [see 23 Dec.] (Public Advertiser, 13 Dec.). Receipts: #126 14s. 6d. (89.5.0; 34.6.0; 3.3.6)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: Who's The Dupe

Dance: As17791126

Event Comment: [Elliot is identified by MS annotation on Kemble playbill.] Receipts: #130 15s. (128.7; 2.8)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Mirror

Dance: End II: Dance of Slaves-

Event Comment: [Mrs Elliot is identified by MS anotation on Kemble playbill.] Receipts: #208 1s. (178.2 29.5: 0.14)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Fortunatus

Event Comment: [Burkett is identified by MS annotation on Kemble playbill; he was from the Crow Street Theatre, Dublin.] Receipts: #223 15s. 6d. (221.10.0; 2.5.6)

Performances

Mainpiece Title: Much Ado About Nothing

Related Works
Related Work: Much Ado about Nothing Author(s): John Philip Kemble

Afterpiece Title: Comus

Dance: As17791231

Event Comment: [Bludrick is identified by MS annotation on Kemble playbill.] Receipts: #230 13s. (228.4; 2.9)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: Comus

Event Comment: [Berry is identified by MS annotation on Kemble playbill.] Receipts: #185 16s. (184.6.6; 1.9.6)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Tom Thumb

Dance: End I: The Shepherd's Wedding, as17801003; End: The Villagers, as17801011

Event Comment: Mainpiece: Not acted these 5 years. [Mrs Green is identified by MS annotation on Kemble playbill.] Receipts: #143 3s. (136.5.6; 6.17.6)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Tom Thumb

Dance: As17801027

Event Comment: [In mainpiece the playbill assigns Hastings to Smith, but on the Kemble playbill his name is deleted and a MS annotation substitutes Brereton's.] Receipts: #225 15s. 6d. (187.5.0; 37.11.6; 0.19.0)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Critic

Event Comment: Mainpiece; Not acted these 6 years [acted 15 May 1775. Trew is identified by MS annotation on Kemble playbill.]. Receipts: #131 10s. (127.6.6; 4.3.6)

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Upholsterer

Song: Principal Vocal Parts-Davies, Mrs Morton, Miss Morris. [The music by Purcell.

Event Comment: Mainpiece: The 4th Night (see 25 Nov.). [The playbill retains Mrs Baddeley, but on the Kemble playbill her name is deleted and a MS annotation substitutes Mrs Farren's. After 1 Dec. Mrs Baddeley never acted again in London.] Receipts: #84 3s. (61.5.0; 22.7.6; 0.10.6)

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: The Quaker

Event Comment: [Mrs Hedges, who is identified by MS annotation on Kemble playbill, was from the hay.] Receipts: #115 8s. (86.1; 27.17; 1.10)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin's Invasion

Dance: End IV: The Irish Fair, as17800930

Event Comment: Mainpiece: Not acted these 6 years. [Mrs Mahon is identified by MS annotation on Kemble playbill.] Afterpiece: Not acted these 5 years. Receipts: #210 13s. (208.8.6; 2.4.6)

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude with: a Dance of Sailors-

Event Comment: [Mrs Roope is identified by MS annotation on Kemble playbill.] Receipts: #164 6s. (162/5; 2/1)

Performances

Mainpiece Title: King Lear

Related Works
Related Work: King Lear Author(s): John Philip Kemble

Afterpiece Title: The Jovial Crew

Dance: End of mainpiece, as17810928; End of Act I of afterpiece the original Crutch Dance (performers not listed; it was included in all subsequent performances)

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill. The playbill retains Henderson, but on the Kemble playbill his name is deleted and a MS annotation substitutes Wroughton's.]. Account-Book, 19 Nov.: Paid Holcroft in full for his [two] Benefit Nights for Duplicity #100. Receipts: none listed (charge: #105)

Performances

Mainpiece Title: Duplicity

Afterpiece Title: The Flitch of Bacon

Event Comment: [The playbill assigns Mrs Page to Mrs Wilson, and Mrs Ford to Miss Younge, but on the Kemble playbill both these names are deleted. Mrs Whitfield's name is written above Mrs Wilson's, but the name of Miss Younge's substitute has been cut by the binder; she was almost certainly Mrs Mattocks (see 25 Jan. 1782).] Receipts: #155 1s. (149/18; 5/3)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Son-in-Law

Dance: As17811101

Event Comment: [Miss Cleland is identified by MS annotation on Kemble playbill.] Receipts: #190 3s. (185/15; 4/8)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Choice of Harlequin

Event Comment: [Mrs Barnes is identified by MS annotation on Kemble playbill] Receipts: #261 9s. (255/0; 6/9)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Choice of Harlequin

Event Comment: [As mainpiece the playbill announces the 9th night of Variety (see 12 Apr.), but the Kemble playbill deletes it. Its substitute is listed in the Account-Book.] Receipts: #114 17s. 6d. (74/15/0; 39/17/6; 0/5/0)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Robinson Crusoe

Event Comment: Mainpiece: Not acted these 4 years [acted 15 Mar. 1779]. [Trew is identified by MS annotation on Kemble playbill. Afterpiece in place of The Positive Man, announced on playbill of 12 Mar.] Paid one-half years Land Tax for the Theatre #61 5s. Receipts: #167 4s. (161/14; 5/10)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Tom Thumb

Event Comment: Benefit for Burton, Williames & Harwood, prompter. Public Advertiser, 7 May: Tickets to be had of Harwood, Blackmoor Street, Clare-market [others not listed]. Tickets sold at the Doors will not be admitted. [The playbill assigns the song in Act II to Williames, but a MS annotation on the Kemble playbill substitutes Du-Bellamy.] Receipts: #252 19s. (66/15; 34/7; 0/11; tickets: 151/6) (charge: #106 9s. 4d.)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Linco's Travels

Afterpiece Title: The Gentle Shepherd

Dance: End of Act IV of mainpicce a Minuet and Gavot by Zuchelli and Miss M. Stageldoir

Song: In Act II of mainpiece a song by Du-Bellamy; End of Act III The Soldier tir'd of War's Alarms, as17820420