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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Mahon"/1) | (@(roleclean,performerclean) "J Mahon")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1492 results for: Keyword - J. Mahon
We found 1056 matches on Performance Comments, 471 matches on Event Comments, 107 matches on Performance Title, 12 matches on Author, and 0 matches on Roles/Actors.

401
19 March 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Padlock

Music: II: A Solemn Hymn-

Dance: IV: The Sailors Revels, as17730918

402
19 May 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Maid Of Kent

Afterpiece Title: A Trip to Scotland

Entertainment: End II: (By Particular Desire, and for the last time this season) Imitations-Bannister

403
26 September 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Note of Hand

Dance: I: The Schoolmaster-Como, Sga Crespi

404
27 April 1779 @ Covent Garden

Performances

Mainpiece Title: Illumination

Cast
Role: Mob Actor: Bates, Mahon, Wewitzer

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: The Cobler of Castlebury

405
25 November 1780 @ Covent Garden

Performances

Mainpiece Title: The Islanders

Afterpiece Title: The Apprentice

406
10 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Upholsterer

407
17 September 1781 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Marriage Act

408
05 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free-Mason

409
17 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

410
24 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Agreeable Surprise

411
31 December 1781 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Choice of Harlequin

412
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

413
12 February 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great; or, The Conquest of Persia

414
18 February 1797 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Afterpiece Title: The Ghost

415
02 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Fortune's Frolick

416
28 February 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

417
14 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

418
14 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

419
26 May 1767 @ Covent Garden

Event Comment: Benefit for Weller, Murden, Lewes. Afterpiece for 52nd and last time this season. Tickets deliver'd for Friday the 15th will taken. Tickets sold at the Door will not be admitted. Charges #65 10s. [Deficit to each beneficiary #1 14s. 4d., covered by income from tickets. Weller #41 14s. (Box 7; Pit 145; Gallery 182); Murden #41 12s. (Box 31; Pit 111; Gallery 172); Lewes #61 10s. (Box 45; Pit 239; Gallery 144).] Paid the Duke of Bedford half year's ground rent due Lady Day last for the theatre #41 13s. 4d. (#50 minus half year's Land Tax #8 6s. 8d.). Paid Duke of Bedford half year's ground rent for the New Building adjoining the theatre #12 10s. (#15 minus half year's Land Tax #2 10s.). (Account Book). Receipts: #60 1s. (Account Book). At 5 went to Covent Garden to see Conscious Lovers &c....Got a bad place hn the First Gallery...Lewis did Harlequin, but not so well as Woodward; and Miss D. Twist did ye Miller's Bride, Miss Wilford's Character. Mrs Mahon does the jealous fellow's wife (Neville MS Diary)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Dr Faustus

Dance: IV: Double Hornpipe, as17670427

Ballet: IV: The Wapping Landlady. As17670427

420
02 October 1775 @ Covent Garden

Event Comment: [The Westminster Magazine for October commented in a paragraph in general on ten new performers at Covent Garden this month: Mrs Jewell (?), Mrs Jackson, Mahon, Mrs Hunter, Wilson, Leoni, Mrs Barthelemon, Sheridan, and the dance team of the Zuchellis.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: St Patrick's Day

421
22 September 1777 @ Covent Garden

Event Comment: [Author of Prologue unknown. In afterpiece the playbill assigns Leander to Mahon, but "after the play Hull made a genteel apology for the non-attendance of Mahon...who, by some unaccountable accident, was not arrived in town, at the same time begging their acceptance of a young Gentleman' (Morning Post, 23 Sept.). For Bowles as Leander see 10 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. Places for the Boxes to be taken of Sarjant (only) at the Stage-Door. No Persons admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 13 Oct.]. Receipts: #187 13s. (186.4; 1.9)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Padlock

422
02 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Vernon. Public Advertiser, 17 Mar.: Tickets to be had of Vernon at Mahon's, the corner of Bow-street, Covent Garden. Receipts: #222 19s. (108.19.0; 18.17.6; 0.6.6; tickets: 94.16.0) (charge: #65 1s.). Account-Book totals the charge as follows: Ord[inary] Charge #64 4s.; Sup[ernumeraries] 3s.; K[ettle] D[rum] 5s.; 6 Ext[ra] Carp[enter]s 9s

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Belphegor

423
23 March 1779 @ Drury Lane Theatre

Event Comment: Benefit for Vernon. Mainpiece: With a Grand Procession, as 23 Dec. 1778. [Miss Pinto was from the Smock Alley Theatre, Dublin.] Public Advertiser, 15 Mar.: Tickets to be had of Vernon at Mahon's, the corner of Bow-street, Covent Garden. Receipts: #217 1s. 6d. (121.8.0; 21.11.0; 0.19.6; tickets: 73.3.0) (charge: #73 3s. 6d.)

Performances

Mainpiece Title: Cymon

Afterpiece Title: A Peep behind the Curtain

Dance: Dance of Cupids, as17781223; Dance of Daemons, as17781223

424
19 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.

425
22 September 1783 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

Dance: In Act I of mainpiece a Masquerade incident to the Play, and a Minuet by Harris and Miss Matthews

Song: End of Act iv of mainpiece Juliet's Funeral Procession, with a solemn Dirge. Vocal Parts by Bannister, Mattocks, Reinhold, Brett, Mahon, Darley, Doyle; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Kennedy

Performance Comment: Vocal Parts by Bannister, Mattocks, Reinhold, Brett, Mahon, Darley, Doyle; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Kennedy .