Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "J Leigh"/1) | (@(roleclean,performerclean) "J Leigh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
3540 results for: Keyword - J. Leigh
We found 1468 matches on Performance Comments, 526 matches on Event Comments, 103 matches on Performance Title, 74 matches on Roles/Actors, and 32 matches on Author.

926
10 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Upholsterer

927
17 September 1781 @ Covent Garden

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Marriage Act

928
05 October 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

929
17 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Deaf Lover

930
24 November 1781 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The Agreeable Surprise

931
31 December 1781 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Choice of Harlequin

932
16 March 1782 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: The Positive Man

933
12 February 1795 @ Drury Lane Theatre

Performances

Mainpiece Title: The Natural Son

Afterpiece Title: Alexander the Great or The Conquest of Persia

934
18 February 1797 @ Covent Garden

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Afterpiece Title: The Ghost

935
03 March 1797 @ Covent Garden

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

936
02 July 1799 @ Haymarket Theatre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Fortunes Frolick

937
28 February 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the grand piano@forte-Master Neate

938
14 May 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

939
14 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Deaf Lover

940
September 1679 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Virtuous Wife Or Good Luck At Last

Performance Comment: Edition of 1680: Prologue-Mrs Barrer [and Tony Leigh]; Epilogue-Mr Nokes [representing my Lady Beardly; Beverly-Harris; Beauford-Smith; Sir Frolack Whimsey-Jevon; Sir Lubbery Widgeon-Lee; Brainworm-[no one listed for this role, but Cave Underhill seems a likely actor for it]; Amble-Underhill [perhaps Underhill was erroneously listed for this instead of Brainworm]; Crotchett-Bowman; Olivia-Mrs Barrer; Lady Beardly-Nokes; Jenny Wheedle-Mrs Currer; Lidia-Mrs Seymour; Tissick-Mrs Norrice.

941
June 1680 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Revenge Or A Match In Newgate

Performance Comment: Edition of 1680: Wellman-Smith; Friendly-Williams; Mr Shatter-Bowman; Trickwell-Jevorn; Mr Dashit-Lee; Glisten-Bright; Jock-Mumford; Corina-Mrs Barry; Marinda-Mrs Butler; Diana-Mrs Price; Ample-Anybody; Mrs Dashit-Mrs A. Lee [Elinor Leigh]; Mrs Dunwell-Mrs Norice.

942
September 1680 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Princess Of Cleve

Performance Comment: Edition of 1689: The Prologue-; Prince of Cleve-Williams; Duke Nemours-Betterton; St. Andre-Lee; Vidam of Chartres-Gillo; Poltrot-Nokes; Princess of Cleve-Mrs Barry; Tournon-Mrs Lee [Elinor Leigh]; Marguerite-Lady Slingsby; Elianor-Mrs Betterton; The Epilogue-.

943
01 November 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not certain, particularly since an entry in L. C. 5@145, p. 120 (see also Nicoll, Restoration Drama, p. 349) lists this play for 8 March, the year uncertain. Since the entry follows one for The Souldier's Fortune which followed the premiere of The Female Prelate, 31 May 1680, the L. C. entry probably is one for 8 March 1680@1. That the premiere occurred near 1 Nov. 1680 is suggested by a letter of Anne Montague to Lady Hatton, 1 Nov. 1680: For I never see the towne fuller, for I was to see the new play, The Spanish Frier, and there was all the world, but the Court is a letell dull yet; the Queen being sick, there is noe drawing room (Hatton Correspondence, Camden Society, XXII [1878], 240). A song, Farewell ungratefull Traytor, with music by Captain Pack and sung by Mrs Crofts, is in Act V. For Leigh's and Nokes' acting, see Cibber, Apology, ed. Lowe, I, 143, 145-46. Downes (Roscius Anglicanus, p. 37): 'Twas Admirably Acted, and produc'd vast Profit to the Company

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

944
July 1686 @ Oxford University

Event Comment: In 1686 at Oxford the Act was cancelled at a late moment, but the players performed nevertheless. In mid-July Anthony Leigh, acting in The Committee, added some lines to his role that created a commotion. See Sybil Rosenfeld, Some Notes on the Players in Oxford, p. 370; Memoirs of the Verney Family, ed. Margaret M. Verney (London, 1899), IV, 381; Anthony Clark, The Life and Times of Anthony Wood (Oxford, 1894), III, 192-93

Performances

945
June 1690 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Cast
Role: Geta Actor: Leigh

946
January 1693 @ no theater listed

Event Comment: Gentleman's Journal, December 1692 (appearing not earlier than January 1693): We are like to be without new Plays this month and the next; the death of Mr Mountfort, and that of Mr Leigh soon after him being partly the cause of this delay. The first that is promised us is a Comedy by Mr Southern, whose Plays are written with too much Politeness and Wit, not to be read by you with uncommon pleasure

Performances

947
18 October 1704 @ Drury Lane Theatre

Event Comment: [Colley Cibber states that Estcourt imitated Tony Leigh's conception of this role.--Apology, I, 304-5.

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

948
26 March 1708 @ Stationer's Hall

Event Comment: Benefit Leigh. Tickets 3s. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

949
29 May 1708 @ Drury Lane Theatre

Event Comment: Benefit Leigh and Mrs Willis

Performances

Mainpiece Title: The Rover

950
31 May 1709 @ Drury Lane Theatre

Event Comment: Benefit Leigh. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Silent Woman

Afterpiece Title: The Stage Coach