SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Hughes Esq"/1) | (@(roleclean,performerclean) "J Hughes Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 961 matches on Performance Comments, 742 matches on Event Comments, 439 matches on Author, 114 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Dance: II: The Reel, as17681212

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Dance: II: The Garland, as17681028

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Dance: II: A Comic Dance, as17681007

Performances

Mainpiece Title: King Lear

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Dance: IV: The Garland, as17681028

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Performances

Mainpiece Title: King Lear

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Dance: IV: The Irish Lilt, as17680930

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne Author(s): John Hughes

Performances

Mainpiece Title: The Siege Of Damascus

Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Siege Of Damascus

Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Siege Of Damascus

Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: The Siege Of Damascus

Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: The Citizen

Dance: End: The Whim, as17720312

Performances

Mainpiece Title: The Siege Of Damascus

Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: Mother Shipton

Dance: End: The Wapping Landlady, as17720424 Sixfold Hornpipe, as17720424

Performances

Mainpiece Title: The Siege Of Damascus

Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: Harlequin Every-where

Performances

Mainpiece Title: The Siege Of Damascus

Related Works
Related Work: The Siege of Damascus Author(s): John Hughes

Afterpiece Title: The Magic Cavern

Performances

Mainpiece Title: The West Indian

Performance Comment: Parts-King, Aickin, Packer, Parsons, J. Aickin, Wheeler, Moody, Cautherly, Baddeley, Wright, Watkins, Mrs Baddeley, Mrs Hopkins, Mrs Egerton, Mrs Love, Mrs Bradshaw, Mrs Abington. Prologue-Reddish; Epilogue-Mrs Abington; Stockwell-Aickin; Belcour-King; Capt. Dudley-Packer; Charles Dudley-Cautherly; Major O'Flaherty-Moody; Stukeley-J. Aickin; Palmer-Baddeley; Varland-Parsons; Servant-Wheeler; Lady Rusport-Mrs Hopkins; Charlotte-Mrs Abington; Louisa-Mrs Baddeley; Mrs Fulmer-Mrs Egerton; Lucy-Mrs Love; Housekeeper-Mrs Bradshaw. Epilogue written by David Garrick Esq (Edition of 1771).

Afterpiece Title: Daphne and Amintor

Event Comment: Mainpiece: In 5 Acts, altered from the Dramatic Romance by David Garrick, Esq. With a new Overture and new additional Musick by Storace [on 2 Jan. 1792 and thereafter, added: Shaw] and other Eminent Masters. Entirely new Scenery by Greenwood, and new Dresses, Decorations and Machinery. To conclude with a Grand Procession of the Hundred Knights of Chivalry, and the Representation of an Ancient Tournament. [These were included in all subsequent performances.] Books of the Songs to be had at the Theatre. Morning Post, 3 Jan. 1792, prints a full description of the Procession of over 100 persons: 1st, Anglo-Saxon Knights and banners; then ancient British knights, Norman knights, Indians, Turks, Scythians, Romans, a dwarf, a giant; at end, "soldiers drawing a superb picture of St. George, knights in chain mail, a cupid leading a knight covered with a silver net, Hymen, piping fauns, bands of cupids drawing an altar--flame burning, cupids hovering over it, and others feeding doves below, a troop of Arcadian shepherds drawing the car of Cymon and Sylvia, characters of the drama, and chorus." "At the conclusion of the procession, a tournament took place of both horse and foot, between several combatants in armour, who fought with lances, swords and battle-axes: three of Hughes' horses [from the Royal Circus] were introduced, and managed with much dexterity; the Prince of Wales' Highlander made one of the procession, and entered the lists as a champion, fighting with an enormous club; against him a small female warrior was opposed, by whom he was subdued. It was by far the grandest spectacle ever seen upon the stage. Many of the characters were taken from Sir Philip Sydney's Arcadia, in which the scene of the piece was laid; and the dresses of the knights, armour, &c. from the drawings and descriptions of the best antiquarians" (Oulton, 1796, II, 215). [This was Edmund Kean's 1st appearance on the stage; he was about four years old. He personated a cupid lying in Cymon and Sylvia's car (Kelly, Reminiscences, II, 21-22).] Account-Book, 13 Jan. 1792: Paid Hughes for his Horses #16 19s. 10d.; 23 Jan.: Paid Gough for his Greyhounds in Cymon #5 19s. 6d. Receipts: #420 6s. (385.0; 35.5; 0.1)

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Event Comment: Mainpiece: By Particular Desire. Payments: Mr D. Garrick's 3 Nights for the Christmas Tale, 30 Dec., 4 & 11 Jan., #84 charges deducted each night--#371 14s. (Treasurer's Book). At Isleworth, James Lacy, Esq.: one of the patentees of Drury Lane Theatre died (Gentleman's Magazine, 44, p. 47). [For full account of Lacy, see Covent Garden Magazine (229-34).] Rec'd of Mr Burges, 1 yrs. rent to Xmas last (#4 4s. King's Tax deducted) #16 16s.; Paid Mr Cropley (linen draper) 2 Bills #66 10s. 6d.; Mr Scott (laceman) #66 1s.; Messrs Lowe & Co. (glaziers) #18 6s.; Mr Burges (bricklayer) #65 8s.; Mr Waller (hosier) #24 5s.; Messrs Barrow & Co., oil, #53 7s. 6d.; Messrs Hopkins & Co. (ironmongers) #30 11s.; Mrs Vaughan (haberdasher) 2 bills, #14 10s. 6d.; Mr Hatsell (mercer) 3 bills, #120 11s.; Mr J. French's draft to Mr Wise #5 10s.; Mr J. Johnston's Music Bill #24 5s. (Treasurer's Book). Receipts: #246 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Dance: As17491220

Song: III: Master Mattocks

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)