SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "J Edwards"/1) | (@(roleclean,performerclean) "J Edwards")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1431 matches on Performance Comments, 953 matches on Author, 646 matches on Event Comments, 171 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Richard The Third

Afterpiece Title: Death And Restoration Of Harlequin

Afterpiece Title: Miss In Her Teens

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Comus

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing, as17800927

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Comus

Song: As17801113

Event Comment: Tickets delivered by Nash, Edwards, Helme, Master Pulley, Master Benson, Dale, Leslie, Kaygill, Mrs Byrne will be taken. Receipts: #180 4s. 6d. (31.7.0; 17.0.6; 0.5.0; tickets: 131.12.0)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Deserter

Dance: End: The Butterfly, as17800921

Entertainment: Monologue. After Dancing: Bucks have at ye All-Master Pulley; End afterpiece: an Epilogue-Master Benson

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: Don Quixote in England or The Humours of Sancho Pancha

Monologue: 1782 03 04 End of mainpiece Bucks have at ye all by Benson. vaudeville. End of Act I of afterpiece The Manual Exercise by Mrs Lefevre

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Dead Alive

Dance: As17820613

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Triumph of Mirth

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Dance: Afterpiece to conclude with a Dance by Williamson, the Miss Stageldoirs, &c

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Irish Widow

Monologue: 1783 12 15 End of Act I of afterpiece The Farmer's Blunder by Kenrick

Performances

Mainpiece Title: Summer Amusement

Afterpiece Title: The Dead Alive

Dance: As17840730

Monologue: 1784 08 20 As 19 Aug. IMITATIONS. As 30 July

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin Rambler

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Double Disguise

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Spanish Rivals

Performances

Mainpiece Title: The Fair Refugee Or The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Performance Comment: Cadwallader-Jackson; Vamp-Osborne; Young Cape-Edwards; Sprightly-Frederic / Mrs Cadwallader (for that night only)-A Young Lady (Sister to Mr Edwin, of Covent Garden, 1st appearance in this, and 2nd on any stage [Mrs Williams]) .Mrs Williams]) .
Cast
Role: Young Cape Actor: Edwards

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: The Feast Of Thalia Or A Dramatic Olio

Afterpiece Title: First Course an Operatic Dish The Dead Alive

Afterpiece Title: Second Course a Comic Dish More Frightend than Hurt

Afterpiece Title: a Desert The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performances

Mainpiece Title: K

Afterpiece Title: Rosin a

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: High Life below Stairs

Dance: In afterpiece a Mock Minuet by Palmer and Miss Pope

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Caldron

Dance: In afterpiece, as17851018